Chick Corea 03/18/1981
Set I
Quartet No. 1
Quartet No. 3
Chick Corea Introduction
Quartet No. 2: Part I (dedicated To Duke Ellington)
Quartet No. 2: Part Ii (dedicated To John Coltrane) - Cut
Quartet No. 2: Part Ii (dedicated To John Coltrane) Continued
Chick Corea Introduces Mirror Mirror
Mirror, Mirror
United Song
Quartet No. 3
Chick Corea Introduction
Quartet No. 2: Part I (dedicated To Duke Ellington)
Quartet No. 2: Part Ii (dedicated To John Coltrane) - Cut
Quartet No. 2: Part Ii (dedicated To John Coltrane) Continued
Chick Corea Introduces Mirror Mirror
Mirror, Mirror
United Song
Set II
Set III
Comment
Chick Corea - Piano
Michael Brecker - Saxophone
Eddie Gomez - Bass
Steve Gadd - Drums
Michael Brecker - Saxophone
Eddie Gomez - Bass
Steve Gadd - Drums
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| collector007 | FLAC / | A+ | B++ | View | Audience recording Taper: Steve H, unknown equipment Master Cassette Tape > Sony Cassette Deck... | |
| Daniel | / | View | Taper: Steve H, unknown equipment Master Cassette Tape > Sony Cassette Deck > CDR, from the... | |||
| Notes: | Notes: -one of the first recordings of this band, right after the making of "Three Quartets" -at this time period, Steve H was usually recording with Nakamichi CM-300 mics on a Tehnics RS-686DS, but I'm not sure if that's how this recording was made considering the less than stellar fidelity and the fact that this is mono -I'm not sure what track 9 is called (there might be two songs there), maybe Folk Song? -the recording has several cuts and I have mostly aligned the tracks with the cuts - no audio has been removed from the transfer -addendum: after sharing on dime, michaelmee pointed out that track 5 should be titled Humpty Dumpty, so for the share on TTD, I have renamed tracks 5 and 6 and made a new checksum but the audio is the same -mono recording: had a pretty large channel phase misalignment of about 11-12 samples (sometimes as low as 5 samples), which was automatically corrected -levels are running pretty hot with not a lot of dynamic range -automatically balanced levels (typically required reducing a channel - usually the right - because the levels are close to the max) -transfer generally ran a bit slow - between 0% and 2%, using the piano as the primary reference -speed varied quite frequently and randomly, sometimes gradually and sometimes abruptly (presumably due to localized regions of tape stretching/shrinking), so many adjustments were required to keep it in line and it was not a simple task -for example, the speed jumped from 1.9% slow to 0.4% slow over about 1 sec at 7:40 of track 2, and then was back to about 2.0% slow at ~9:00 of track 2 where it remained until the next cut -there are still some sections where the pitch moderately fluctuates, but relatively quick fluctuations are best handled by automated algorithms that I don't have, so I mostly dealt with the overall error Ross (ledwhofloyd), April 2024 | |||||
| Carter | CDR / 2 | View | ||||
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