Dave Matthews Band 06/11/2025
Set I
Drunken Soldier
Grey Street
The Stone
The Only Thing
Big Eyed Fish
Bartender
Stay Or Leave
So Right
God Only Knows (Partial)
Crash Into Me
Jimi Thing (w/Dave Pietro)
Everyday
Do You Remember
Rhyme And Reason
Spoon
What You Are
Tripping Billies
Thank You (Falettinme Be Mice Elf Agin)
E: Peace On Earth
Two Step
Grey Street
The Stone
The Only Thing
Big Eyed Fish
Bartender
Stay Or Leave
So Right
God Only Knows (Partial)
Crash Into Me
Jimi Thing (w/Dave Pietro)
Everyday
Do You Remember
Rhyme And Reason
Spoon
What You Are
Tripping Billies
Thank You (Falettinme Be Mice Elf Agin)
E: Peace On Earth
Two Step
Set II
Set III
Comment
Sources
SHNID
174570
Source: Neumann TLM 170R (cardioid) > Mogami Gold XLR > Millennia HV-32P microphone preamplifier > Mogami XLR > Sonosax SX-R4+ (non-U.S. version with unconstrained headroom; @ 24-bit / 96 kHz)
Location: Stageright GA pit, directly in front of stageright line array; microphones elevated 4 meters, A-B
SD > .flac: Apple Mac Studio (Apple M2 Max / 32GB RAM) > Merging Technologies Hapi MKII (w/ DA8P Premium output module; @ 24-bit / 96 kHz) > Mogami Gold DB25 / XLR3M snake > Manley Massive Passive stereo tube program equalizer > Mogami Gold XLR > Pultec EQP-1A tube equalizer (matched stereo pair) > Mogami Gold XLR > Rupert Neve Designs Master Bus Transformer > Mogami Gold XLR > Rupert Neve Designs Portico II Master Buss Processor > Mogami Gold XLR3F / DB25 snake > Merging Technologies Hapi MKII (w/ AKD8DP Premium input module; @ 24-bit / 96 kHz) > Avid Pro Tools Ultimate v. 2024.10.2 (@ 24-bit / 96 kHz) > DSP-Quattro 5.9.6 (resample to 44.1 kHz; dither to 16-bit) > xACT v2.55
Location: Stageright GA pit, directly in front of stageright line array; microphones elevated 4 meters, A-B
SD > .flac: Apple Mac Studio (Apple M2 Max / 32GB RAM) > Merging Technologies Hapi MKII (w/ DA8P Premium output module; @ 24-bit / 96 kHz) > Mogami Gold DB25 / XLR3M snake > Manley Massive Passive stereo tube program equalizer > Mogami Gold XLR > Pultec EQP-1A tube equalizer (matched stereo pair) > Mogami Gold XLR > Rupert Neve Designs Master Bus Transformer > Mogami Gold XLR > Rupert Neve Designs Portico II Master Buss Processor > Mogami Gold XLR3F / DB25 snake > Merging Technologies Hapi MKII (w/ AKD8DP Premium input module; @ 24-bit / 96 kHz) > Avid Pro Tools Ultimate v. 2024.10.2 (@ 24-bit / 96 kHz) > DSP-Quattro 5.9.6 (resample to 44.1 kHz; dither to 16-bit) > xACT v2.55
SHNID
174571
FLAC 24/96
Source: Neumann TLM 170R (cardioid) > Mogami Gold XLR > Millennia HV-32P microphone preamplifier > Mogami XLR > Sonosax SX-R4+ (non-U.S. version with unconstrained headroom; @ 24-bit / 96 kHz)
Location: Stageright GA pit, directly in front of stageright line array; microphones elevated 4 meters, A-B
SD > .flac: Apple Mac Studio (Apple M2 Max / 32GB RAM) > Merging Technologies Hapi MKII (w/ DA8P Premium output module; @ 24-bit / 96 kHz) > Mogami Gold DB25 / XLR3M snake > Manley Massive Passive stereo tube program equalizer > Mogami Gold XLR > Pultec EQP-1A tube equalizer (matched stereo pair) > Mogami Gold XLR > Rupert Neve Designs Master Bus Transformer > Mogami Gold XLR > Rupert Neve Designs Portico II Master Buss Processor > Mogami Gold XLR3F / DB25 snake > Merging Technologies Hapi MKII (w/ AKD8DP Premium input module; @ 24-bit / 96 kHz) > Avid Pro Tools Ultimate v. 2024.10.2 (@ 24-bit / 96 kHz) > DSP-Quattro 5.9.6 > xACT v2.55
Source: Neumann TLM 170R (cardioid) > Mogami Gold XLR > Millennia HV-32P microphone preamplifier > Mogami XLR > Sonosax SX-R4+ (non-U.S. version with unconstrained headroom; @ 24-bit / 96 kHz)
Location: Stageright GA pit, directly in front of stageright line array; microphones elevated 4 meters, A-B
SD > .flac: Apple Mac Studio (Apple M2 Max / 32GB RAM) > Merging Technologies Hapi MKII (w/ DA8P Premium output module; @ 24-bit / 96 kHz) > Mogami Gold DB25 / XLR3M snake > Manley Massive Passive stereo tube program equalizer > Mogami Gold XLR > Pultec EQP-1A tube equalizer (matched stereo pair) > Mogami Gold XLR > Rupert Neve Designs Master Bus Transformer > Mogami Gold XLR > Rupert Neve Designs Portico II Master Buss Processor > Mogami Gold XLR3F / DB25 snake > Merging Technologies Hapi MKII (w/ AKD8DP Premium input module; @ 24-bit / 96 kHz) > Avid Pro Tools Ultimate v. 2024.10.2 (@ 24-bit / 96 kHz) > DSP-Quattro 5.9.6 > xACT v2.55
SHNID
174582
Source: AKG C414 XLII (Cardioid) > MixPre 10 II (32 Bit Float @ 96)
Location: GA Pit, House Left Rear Rail, In Line w/ House Left Stack, Mics PAS @ 12'
Editing: WAV > Reaper 7.40 (Gain, Mixing, Normalizing, Resample 24/48) > Audacity 3.7.4 (Fades, Tracking) > FLAC (Level 8) (16/44.1)
Location: GA Pit, House Left Rear Rail, In Line w/ House Left Stack, Mics PAS @ 12'
Editing: WAV > Reaper 7.40 (Gain, Mixing, Normalizing, Resample 24/48) > Audacity 3.7.4 (Fades, Tracking) > FLAC (Level 8) (16/44.1)
SHNID
174583
FLAC 24/48
Source: AKG C414 XLII (Cardioid) > MixPre 10 II (32 Bit Float @ 96)
Location: GA Pit, House Left Rear Rail, In Line w/ House Left Stack, Mics PAS @ 12'
Editing: WAV > Reaper 7.40 (Gain, Mixing, Normalizing, Resample 24/48) > Audacity 3.7.4 (Fades, Tracking) > FLAC (Level 8) (24/48)
Source: AKG C414 XLII (Cardioid) > MixPre 10 II (32 Bit Float @ 96)
Location: GA Pit, House Left Rear Rail, In Line w/ House Left Stack, Mics PAS @ 12'
Editing: WAV > Reaper 7.40 (Gain, Mixing, Normalizing, Resample 24/48) > Audacity 3.7.4 (Fades, Tracking) > FLAC (Level 8) (24/48)
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