Phish 06/20/2025
Set I
The Moma Dance, Back on the Train, Wolfman's Brother, Theme From the Bottom, The Old Home Place, 46 Days, Birds of a Feather, Slave to the Traffic Light
Set II
Bouncing Around the Room, Sample in a Jar, Life Saving Gun[1] > Twist[1] > Piper > Everything's Right
E: Strange Design > Harry Hood > Suzy Greenberg
E: Strange Design > Harry Hood > Suzy Greenberg
Set III
Comment
[1] Unfinished
Sources
SHNID
171892
flac2448 AKG ck93 (hypers) > MixPre6 > WAV (32/48)
Lineage: SD > Adobe Audition > Wav (24/48) > CD Wave Editor > Flac (Level 8 )
Taped and Transferred by: Mike Bogigian
Mastered By: Mike Bogigian
SHNID
171983
flac2496 Microtech Gefell M41 (DINa) > Microtech Gefell MV400x > GAKables > Sonosax SX-M2D2 > Sonosax SX-R4+
Recording Format: Wav file, 24 bit @ 96 kHz Sample Rate
Location: Right Side of Cage, ROC, 9 feet high
Conversion done in Audacity and Audition (Normalize, Mix/Render, EQ, Fades)
Song Tracking done with CD Wave
FLAC File Compression done with Traders Little Helper (Level 8)
Final Format: FLAC Files, 24 bit @ 96 khz Sample rate
SHNID
172007
flac2496 Schoeps mk22>cmc1k>Sonosax sx-r4+
NOS 60 degrees fob dfc 50' from stage 24bit/96khz
WAV>Imac>wav>>Reaper(fades,tracking,add gain,eq,fab filter pro L2)>XAct(FLAC 8,ffp,tagging)
Recorded and transferred by Andy Murray
SHNID
172030
flac2496 Schoeps mk41v(DINa,OTS) > cmc1k > sx-m2d2 > sx-r4+(24/96)
Wave > MacBook Pro > Audacity(Normalize,Fade,Track,Flac,16/44.1) > xAct(Tagging)
Recorded, Mastered and Seeded by Ted Gakidis
SHNID
172059
flac2448 AKG c414XLII/ST(PAS/ROC/OTS/9ft)> Lunatec V2> Sound Devices MixPre 10T (24/48)
Transfer: SD Card> Audacity> xACT> .flac24
Taped, Transferred and Uploaded by Matt Coffey
SHNID
172108
flac2496 Schoeps mk4v>cmc1k>Sonosax ad8+(aes out)>Sonosax sx-r4+
DIN fob dfc 50' from stage 24bit/96khz
WAV>Imac>wav>>Reaper(fades,tracking,add gain,eq,fab filter pro L2)>XAct(FLAC 8,ffp,tagging)
Recorded and transferred by Andy Murray
SHNID
172109
flac2496 Schoeps mk8>cmc1k>Sonosax sx-r4+
Blumlein fob dfc 50' from stage 24bit/96khz
WAV>Imac>wav>Reaper(fades,tracking,add gain,eq,fab filter pro L2)>XAct(FLAC 8,ffp,tagging)
Recorded and transferred by Andy Murray
SHNID
172110
flac2496
Schoeps mk21>cmc1k>Sonosax ad8+(aes out)>Sonosax sx-r4+
NOS fob dfc 50' from stage 24bit/96khz
WAV>Imac>wav>>Reaper(fades,tracking,add gain,eq,fab filter pro L2)>XAct(FLAC 8,ffp,tagging)
Recorded and transferred by Andy Murray
SHNID
172117
flac2496 Schoeps mk4(mid)mk8(side)>kc5>cmc6>Sonosax ad8+(aes out)>Sonosax sx-r4+
midside fob dfc 50' from stage 24bit/96khz
WAV>Imac>wav>>Reaper(fades,tracking,add gain,eq,mixing,fab filter pro L2)>XAct(FLAC 8,ffp,tagging)
Recorded and transferred by Andy Murray
SHNID
172118
flac2496 Schoeps mk22>cmc1k>Sonosax sx-r4+
NOS fob dfc 50' from stage 24bit/96khz
WAV>Imac>wav>Reaper(fades,tracking,add gain,eq,fab filter pro L2)>XAct(FLAC 8,ffp,tagging)
Recorded and transferred by Andy Murray
Recording is remastered
SHNID
172128
flac2448 Schoeps mk41(10’ high / Front right corner of board)>kc5>cmc6>mix pre3ii @ 24/96
Captured by: Dave Flaschner
wav > Audacity > xACT(FLAC/TAG) 24/48; DiGiHoArDeRs: 6/26/25
SHNID
172170
flac2448 recording information:
MDAUD
microphones: OTS approx 110 feet from stage
ch1/2 = AKG ck8 (supercardioids)|c460b |nbobs/naiant PFA| > Grace Lunatec V2 >
ch3/4 = AKG c34 (cardioid XY 90')|Sonosax SX-M2D2| >
recorder: Tascam Dr-680|SD
processing: SD|Audacity|cdwaveditor|TLH|foobar2000 tagger
recorded by: Kyle Holbrook; Michael Deary
processed by: Kyle Holbrook
SHNID
172349
flac2496 TS/ROC/8'high
Neumann KK185 (DIN) > NBOB/PFA > Sonosax M2D2 (AES Out) > SD 702T
Sound Forge 18.0 Pro (Balance, Gain, Ozone EQ, Fades) CD Wave > FLAC (level 8) > MP3Tag
Recorded By: Duncan Oldham
Processed By: Brian Lee (blee421@hotmail.com)
SHNID
172493
flac2448 Schoeps Mk4's(DIN/ROC/OTS/9ft)> nBob actives> Naiant Pfas> Sound Devices MixPre 10T (24/48)
Transfer: SD Card> Audacity> xACT> .flac24
Taped, Transferred and Uploaded by Matt Coffey
SHNID
172685
flac2496 Schoeps MK-4v (DIN / Vertical) > CMC-1k > Sonosax SX-R4+
Taper: Patrick Price
Recording Format: Wav file, 24 bit @ 96 kHz Sample Rate
Location: Right Side of Cage, ROC, 9 feet high
Conversion done in Audacity and Audition (Normalize, Mix/Render, EQ, Fades)
Song Tracking done with CD Wave
FLAC File Compression done with Traders Little Helper (Level 8)
Final Format: FLAC Files, 24 bit @ 96 khz Sample rate
SHNID
172703
flac2496 Taper: Patrick Price
Schoeps MK-21 (NOS) > nBob Actives > Naiant PFA > Sonosax SX-M2D2 > Sonosax SX-R4+
Recording Format: Wav file, 24 bit @ 96 kHz Sample Rate
Location: Right Side of Cage, ROC, 9 feet high
Conversion done in Audacity and Audition (Normalize, Mix/Render, EQ, Fades)
Song Tracking done with CD Wave
FLAC File Compression done with Traders Little Helper (Level 8)
Final Format: FLAC Files, 24 bit @ 96 khz Sample rate
SHNID
172704
flac2496 Taper: Patrick Price
Schoeps MK-22 (NOS) > nBob Actives > Naiant PFA > Sonosax SX-R4+
Recording Format: Wav file, 24 bit @ 96 kHz Sample Rate
Location: Right Side of Cage, ROC, 9 feet high
Conversion done in Audacity and Audition (Normalize, Mix/Render, EQ, Fades)
Song Tracking done with CD Wave
FLAC File Compression done with Traders Little Helper (Level 8)
Final Format: FLAC Files, 24 bit @ 96 khz Sample rate
SHNID
173302
flac2496 AKG C460B/CK61 > Sound Devices 744T (24-bit/96k) >
Samplitude Pro X6 Suite > FLAC/24
Recorded by Charlie Miller
SHNID
173346
flac2448 Schoeps mk41>KCY>MixPre 6>Flac (24/48)>Flac
Recorded and Uploaded by John Wilson
SHNID
173440
flac1648 Akg C460bck61 > Sound Devices 744t (24-bit
96k) > Samplitude Pro X6 Suite > Flac
24 > Audacity > Flac1648
Recorded by Charlie Miller
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