Bruford 06/07/1979
Set I
Hell's Bells
Sample And Hold
Fainting In Coils / Back To The Beginning
The Teddington Tune
One Of A Kind
Joe Frazier
Forever Until Sunday
Beelzebub
Travels With Myself - And Someone Else
The Sahara Of Snow - Part 1
The Sahara Of Snow - Part 2
Five G
Sample And Hold
Fainting In Coils / Back To The Beginning
The Teddington Tune
One Of A Kind
Joe Frazier
Forever Until Sunday
Beelzebub
Travels With Myself - And Someone Else
The Sahara Of Snow - Part 1
The Sahara Of Snow - Part 2
Five G
Set II
Set III
Comment
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| collector007 | FLAC / | A | A | View | Soundboard (1st Gen) Lineage: TDK SA-C90 cassette > Nakamichi DR-1 (azimuth adjustment) >... | |
| Daniel | / | View | Source: Soundboard (1st Gen) Lineage: TDK SA-C90 cassette > Nakamichi DR-1 (azimuth... | |||
| Notes: | Revised Edition Notes: (via ByTorX1) After releasing this tape last month, a day later I received an email from Martin Westwood. He was the sound engineer who worked with Bruford on this tour, and this was one among several shows he recorded. He had no reservations about the fact this tape has been shared, in fact he has been slowly uploading tapes of various bands on his own YouTube channel. He revealed to me a photo of a different cassette for this very show in Nimes, and sure enough his handwriting matched with the writing on the second tape I own. Upon asking if he had made a copy for someone, or perhaps had two recorders taping, after several days of thinking he confirmed remembering making a copy for another sound engineer named Craig. Martin and Craig worked for different sound companies, however they worked together briefly in early 1980 for Genesis on their Duke tour. During that time they traded copies of some of their recordings. All these years later Craig's copy made it's way into my possession. "We were both working sound engineers who took a keen interest in each other's work so we ended up swapping a few tapes." So what was previously believed to be the master is actually a 1st gen copy. In Martin's words, "my sound company, had a number of Nakamichi DT550 portable cassette recorders and I made the copy for Craig using two of these." This would explain the higher level of hiss, and possibly the cause of subtle wow & flutter. On DIME, Goody reached out to me with an offer to speed correct remaster this recording. I told him I was more than happy for him to do whatever he wanted with this tape. The version of the recording released with this torrent is all of the work he has done, and I would say this is an easy improvement. There were a few delays on my end however. Upon noticing that a Windows update seemingly reset my soundcard's driver settings to default without me knowing, what should've originally been a 24-96 capture was actually a 16-48 capture, despite what the file properties say. I noticed this after transferring another tape and looking at the spectrogram (something I should get in the habit of doing for every tape transferred). Needless to say, I had to completely retransfer the Bruford tape, among many others I'd done in the month of March. This revised edition Goody is releasing is a proper 24bit - 96khz transfer, alongside his 16bit - 44.1khz version for those who prefer. | |||||
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