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Phish 04/16/2026

SHOWID 754019

Set I

Evolve, Wolfman's Brother, Foam, Theme from the Bottom, Rift, Scents and Subtle Sounds > Steam, Split Open and Melt

Set II

Everything's Right, Down with Disease, Twenty Years Later, Gotta Jibboo, Lifeboy, You Enjoy Myself > Also Sprach Zarathustra

Set III

ENCORE: Space Oddity, Harry Hood

Comment

The backdrop for Evolve was a truck driving across America animated as a giant, elaborate diorama presented by hands animated in the same style. Treat teased Tweezer Reprise in Wolfman's Brother which provided visuals of the scene becoming a journey through an MC Escher-esque landscape of surreal "rooms" that ranged from a cozy fireplace to a giant cat peering in through the window, ultimately emerging in Las Vegas. Page teased the Theme from Speed Racer in Foam. The perspective for Theme from the Bottom shifted to the earth beneath a forest, a scene made up of tiny dots which glowed and pulsed together. As the jam for Theme progressed, furniture and rooms began to appear in the forest, with the scene ultimately morphing into an image of the band. Rift culmiated in a recreation of David Welker's cover art for the album.The scene for Split Open and Melt began with giant, sneaker-clad legs running in different directions while stepping on piles of goo on the ground, sticking to their shoes. This became a world with both aquatic and surface aspects, with stars and fish, plant and animal life, some of whom developed goo bubbles and started to rise. The entire scene ultimately melted back into a puddle with a confused face. You Enjoy Myself saw the return of the licking dog (from April 19, 2024) during the vocal jam, followed by a jam against an ocean of dogs swimming in sudsy water with goggles on, and finally wiener dogs in hot dog costumes. Also Sprach Zarathustra continued the hot dog theme by flying through a warehouse floor full of hot dogs to a hot dog rocket ship, which blasted into an outerspace littered with donuts and other snack foods. The ship ultimately found a planet with a hot dog population worshiping a giant monolith-like hot dog with a volcano erupting in the distance. Space Oddity was played for the first time since July 19, 2022 (168 shows). Harry Hood culminated in a virtual fireworks display.

Sources

SHNID 177005
flac2448 Telefunken M62 Hypercards Zoom F3 Thirty two bit float 48kHz to 24/48 sec 207 last row seat 10 7' high DINa rec by Eric Wilkens
SHNID 177008
flac2496 AKG C460B/CK61 > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 Recorded by Charlie Miller charliemiller87@earthlink.net April 19, 2026
SHNID 177011
flac2448 AKG C34 (60 degrees) > AKG S42 (Cardioid/Omni) > SD 788T 24/48. 6' high OTS/ROC Location: Tapers Row at The Sphere Lineage: SD card > Audacity > CD Wave > Foobar2000 (tagging Flac's) Recorded By Chase Smith Processing by: Rich Stoler
SHNID 177012
flac2496 Schoeps MK-22 (NOS) > nBob Actives > Naiant PFA > Sonosax SX-M2D2 > Sonosax SX-R4+ Taper: Patrick Price Location: Section 207 Row 21 Seat 13 at 7' high Conversion done in Audacity and Audition Song Tracking done with CD Wave FLAC File Compression done with Traders Little Helper (Level 8) Final Format: FLAC Files, 24 bit @ 96 khz Sample rate
SHNID 177016
flac1644 Neumann M49v (Cardoid) > Sonosax SX-R4+ (32/192) > 16/44.1 Taper: Mike Vernal
SHNID 177017
flac24192 Neumann M49v (Cardoid) > Sonosax SX-R4+ (32/192) Taper: Mike Vernal
SHNID 177023
flac2448 Schoeps mk41v>cmc1k>zoom f3 32bit/48khz spread 10" right side 6' OTS sec 20 row 20 seat 19 WAV>Imac>wav>Reaper(fades,tracking,fab filter pro L2,resample/dither 32/48 to 24/48)>XAct(FLAC 8,ffp,tagging) Recorded by Double OG (aka Duncan Oldham) Clamp space and picture thanks to C3B (aka Charlie Miller) Transferred by Andy Murray
SHNID 177056
flac2496 Taper: Patrick Price Schoeps MK-4v (DIN) > Schoeps CMC-1K > Sonosax SX-R4+ Location: Section 207 Row 21 Seat 13 at 7' high Conversion done in Audacity and Audition Song Tracking done with CD Wave FLAC File Compression done with Traders Little Helper (Level 8) Final Format: FLAC Files, 24 bit @ 96 khz Sample rate
SHNID 177063
flac2448 Schoeps MK22>CMC1L>Oade M248>Zoom F8nPro@32/48 Transfer: .wav>SoundForge (normalization and bit depth reduction only)>CDWave>FLAC recording by Jason Eison and Jamie L.
SHNID 177064
flac2448 Schoeps MK41V>CMC1>Zoom F8nPro@32/48 Transfer: .wav>SoundForge (normalization and bit depth reduction only)>CDWave>FLAC recording by Jamie L.
SHNID 177065
flac2448 DPA 4018VL>MMP-ES>Zoom F8nPro@32/48 Transfer: .wav>SoundForge (normalization and bit depth reduction only)>CDWave>FLAC recording by Jamie L.