Garcia 09/06/1989
Set I
How Sweet It Is To Be Loved By You
Stop That Train
That's What Love Will Make You Do
Mississippi Moon
Second That Emotion
And It Stoned Me
Deal
Stop That Train
That's What Love Will Make You Do
Mississippi Moon
Second That Emotion
And It Stoned Me
Deal
Set II
The Harder They Come
Dear Prudence
I Shall Be Released
Let It Rock
Evangeline
That Lucky Old Sun
Tangled Up In Blue
Dear Prudence
I Shall Be Released
Let It Rock
Evangeline
That Lucky Old Sun
Tangled Up In Blue
Set III
Comment
Sources
SHNID
6349
Jerry Garcia Band: audience-unknown> dat> cd> soundforge> shn by tim rossi
tape errors: tape fades into How Sweet It Is, and tape also cuts at end of tangled.
SHNID
24418
Jerry Garcia Band: Taper: John Bulger; FOB Aud > Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass > Nak DR-10 (Playback)> Midiman Flying Cow A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 > CDWav v1.6 (tracking only) > SHNv3 (MKW ACT;
Digital Conversion/shn'ed by Charlie Connor With thanks to Rob R.
SHNID
79721
JGB, Set II: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 playback (Dolby B off) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC.
SHNID
79722
JGB, Set II, 48k: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 playback (Dolby B off) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC.
SHNID
94056
JGB, set I only: AKG C-460b mics (15th row center) > Marantz PMD-340 > Sony TC-D5M > Triad MG-X Metal (no Dolby). Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.
SHNID
112385
flac1644; missing end s2; Da Weez; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott. Source: 1 Neumann KMF4 microphone (up front-center) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.
SHNID
128673
flac16; Matrix 3 Source Mix - AUD1 (shnid=94056) set I only: AKG C-460b mics (15th row center) > Marantz PMD-340 > Sony TC-D5M > Triad MG-X Metal (no Dolby). Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. + AUD2 (shn id 79722) Set II, 48k: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 playback (Dolby B off) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC. + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin
SHNID
128674
DTS-Audio-CD 5.1 Mix; Matrix 3 Source Mix - AUD1 (shnid=94056) set I only: AKG C-460b mics (15th row center) > Marantz PMD-340 > Sony TC-D5M > Triad MG-X Metal (no Dolby). Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. + AUD2 (shn id 79722) Set II, 48k: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 playback (Dolby B off) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC. + VID (no shn id) used for patching and timing reference - dts mixing by Kevin Tobin
SHNID
142515
flac16; Patched & Pitch Corrected Audience - (original shnid = 24418) Taper: John Bulger; FOB Aud > Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass > Nak DR-10 (Playback)> Midiman Flying Cow A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 > CDWav v1.6 (tracking only) > SHNv3 (MKW ACT; Digital Conversion/shn'ed by Charlie Connor With thanks to Rob R. - pitch correction and patches by Kevin Tobin
SHNID
150312
JGB; flac1648: AKG 414s > DAT
DAT Archived and Transferred by Stucco. Audio Mastering by Jason Chastain and Jamie Waddell.
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