Phil Lesh & Friends 03/29/2002
Set I
Jam>
Celebration
*Til the Morning Comes >
Favorite Things Tease >
Eyes of the World
*The Real Thing
The Wheel >
Passenger
Celebration
*Til the Morning Comes >
Favorite Things Tease >
Eyes of the World
*The Real Thing
The Wheel >
Passenger
Set II
Jam>
Midnight Train >
New Potato Caboose>
Night of 1000 Stars>
*Sittin' on Top of the World >
*Standin' on the Moon
Cryptical Envelopment>
Other One>
Good Lovin'
Midnight Train >
New Potato Caboose>
Night of 1000 Stars>
*Sittin' on Top of the World >
*Standin' on the Moon
Cryptical Envelopment>
Other One>
Good Lovin'
Set III
E: Cosmic Charlie
Comment
*1st time
Band: Lesh, Molo, Barraco, Haynes, Herring
Band: Lesh, Molo, Barraco, Haynes, Herring
Sources
SHNID
8713
(FOB) Neumann KM150 -> Lunatec V2 ->Sony SBM1 ->Dat ->Samplitude v5.9 ->CD Recorded By Charlie Miller and Mike Boden
SHNID
8802
Recorded by Mike Boden & Charlie Miller:
Neumann KM150's > Lunatec V2 > Tascam DA-P1(48kHz). Mastering by Mike Boden:
Tascam DA-P1 > Waves L2 digital limiter > Sontec 250C EQ > Manley Massive-Passive EQ > Manley Variable-MU compressor > Apogee PSX-100 AD convertor > PC w/ Celeron II 600 MHz overclocked to 900MHz > Samplitude V.5.50.0.0 > Yamaha 8x4x24 CDRW external SCSI
SHNID
9615
AUD(FOB)>>LunatecV2>>DAT>>Samplitude(Transfer)>>CEP(Normalize)>>WAV>>SHN>>DAW(Bertha)>>CDA (Jay Ahsley remaster of Miller/Boden source)
SHNID
10104
Source: Schoeps MK4V (FOB/ORTF)
SHNID
110312
flac16;Recording Info:(FOB) Neumann KM100/AK50 -> Lunatec V2 -> Sony SBM-1 -> Dat (Sony D8/48k); Transfer Info:Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Recorded By Charlie Miller and Mike Boden; All Transfers and Mastering By Charlie Miller
SHNID
126969
Source:AKG 522ms> V2> SBM2
Location: OTS, FOB, right side stack
Transfer: DAT>R44> Audacity 2.0.1> Xact 2.24 > FLAC
Recorded and Transferred: Jason Picklemic Loomis
Location: OTS, FOB, right side stack
Transfer: DAT>R44> Audacity 2.0.1> Xact 2.24 > FLAC
Recorded and Transferred: Jason Picklemic Loomis
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