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Grateful Dead 05/27/1993

Cal Expo, Sacramento, CA
SHNID 100800
Source Summary
flac16; FOB Digital Audience Recording Lineage: Clone of Master DAT Recording Equipment: Schoeps Mk2 Omni Capsules in-hat human mic stands spaced 8' apart -> Schoeps Active Cables -> Schoeps CMC Mic Body -> Oade Mic Pre -> Panasonic sv255 Recorded By: Unknown; Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0; Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither TradersLilHelper for FLAC8 SBE FREE Tag & Rename for FLAC Meta-Tagging
Entered by dr.unclear
Checksums ffp, flac-md5
Disc Counts 2 / 3
Media Size
Date Circulated
Date Added
08/22/2009
08/23/2009
Downloads Download Text | Download Zip
Archive Identifier gd1993-05-27.fob.schoeps.gems.100800.flac16 ↗

Other Sources
SHNID 1932 M:C> D> transfer via dap1>zoltrix nightengale>...
SHNID 27777 flac16 ; SBD> Dat (48k); Transfer: Dat (Sony...
SHNID 91374 flac16 ; Neumanns(model forgotten over the...
SHNID 109587 flac16 ; Sankens COS1 FOB -> ? -> DAT (16...
SHNID 137258 flac16/48kHz ; Recording Info: (FOB) Schoeps...
Grateful Dead
May 27, 1993
Cal Expo
Sacramento, CA

http://db.etree.org/shn/100800

FOB Digital Audience Recording

Lineage: Clone of Master DAT

Recording Equipment
Schoeps Mk2 Omni Capsules in-hat human mic stands spaced 8' apart ->
Schoeps Active Cables -> Schoeps CMC Mic Body ->
Oade Mic Pre -> Panasonic sv255
Recorded By: Unknown

Transfer: 16 bit 8kHz DAT Clone > TASCAM DA-20 (SPDIF out) ->
LynxTWO-B Audio Reference Interface (SPDIF in) ->
Wavelab 6.0 by Todd Evans (todd@bluedakota.com) August 7, 2009

Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT  44.1kHz SRC and POWR-3 Dither
TradersLilHelper for FLAC8   SBE FREE   Tag & Rename for FLAC Meta-Tagging

Edit Notes:
-The spaced omnis were out of phase, producing a good deal of cancellation; so the DAT "as-is" doesn't please as much as it could.  I heard this upon first analysis yet was sure that some work would return it to it's FOB glory.  Phase adjustment and correct mastering makes this one of the best tapes I've heard of 93 auds. You'll see. The space between the instruments is luscious and inviting and ThePhilZone is weLL represented.
- Vince doubters eat yer words on Promised Land!
- small patch in Fire from Keith Litzenberger's OTS Recording. Adjusted to suit.
- Todd Evan's collection never fails to amaze. FOB Schoeps Crew!!!

A **GEMS** Production  www.shnflac.net August2009  
Proper mastering makes proper listening.

Set 1
01. tuning
02. Shakedown Street
03. The Same Thing
04. Dire Wolf
05. Tuning
06. Beat It On Down The Line
07. High Time
08. When I Paint My Masterpiece
09. tuning and crowd
10. Cumberland Blues
11. Promised Land

Set 2
12. tuning
13. Picasso Moon ->
14. Fire on The Mountain
15. Wave To The Wind ->
16. Cassidy ->
17. Uncle John's Band ->
18. Cassidy ->
19. Drums ->
20. Space ->
21. The Other One ->
22. Wharf Rat ->
23. Sugar Magnolia
24. crowd
25. Encore:  Gloria



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