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Dave Matthews Band 07/17/2010

Citi Field, Flushing, NY
SHNID 110241
Source Summary
Taper: Christopher Jones
Source: DPA 4015-TL Transformerless Handmatched Wide Cardioid > Cardas Audio Golden Reference Cu XLR Interconnect > Gordon Audio Model 5 Microphone Preamplifier System w/ GC32 2-Channel Gain Control Unit
Location: General admission floor, approximately 20 meters from the stage. Microphones elevated 4.5 meters, in front of stageleft stack, ORTF.
Entered by Shawn McConnell
Checksums flac.ffp
Disc Counts 2 / 3
Media Size
Date Circulated
Date Added
10/09/2010
10/11/2010
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SHNID 109035 Taper: Ryan Hoyt Source: dpa 4028 > v2 > 722...
SHNID 109038 Taper: Chuck Sclafani Source: AT-Pro24 >...
SHNID 109039 FLAC24 Taper: Scott Bernstein Source:...
SHNID 109077 Taper: Z-Man Source: Schoeps...
SHNID 109078 FLAC24 Taper: Ryan Hoyt Source: dpa 4028 >...
SHNID 109121 Taper: Scott Bernstein Source: Neumann...
Dave Matthews Band
17 July 2010
Citi Field
Flushing, New York

Recorded by: Christopher Jones
Source: DPA 4015-TL Transformerless Handmatched Wide Cardioid > Cardas Audio Golden Reference Cu XLR Interconnect > Gordon Audio Model 5 Microphone Preamplifier System w/ GC32 2-Channel Gain Control Unit (GCU connected w/ Cardas Audio Neutral Reference Cu XLR Interconnect) > Cardas Audio Golden Reference Cu XLR Interconnect > Daniel Weiss Digital Audio ADC2 Analog-to-Digital Converter (@ 24-bit / 176.4 kHz) > Cardas Audio Neutral Reference Cu AES / EBU Digital Interconnect > Sound Devices 722 Hard Disk Recorder (slaved to Weiss ADC2 @ 176.4 kHz; @ 24-bit / 176.4 kHz)
Location: General admission floor, approximately 20 meters from the stage.  Microphones elevated 4.5 meters, in front of stageleft stack, ORTF.
HD > .flac: Sound Devices 722 Hard Disk Recorder > Apple Mac Pro (2 x 2.66 GHz Dual-Core Intel Xeon / 9GB 667 MHz DDR2 FB-DIMM) > Audiofile Engineering Wave Editor v1.4.5 > xACT v1.62

Resampled with iZotope Resampler at highest quality setting and a filter steepness of "150"; dithered using iZotope MBIT+ with a "Normal" amount of "Ultra" noise shaping applied.  24-bit / 176.4 kHz version of this recording available in .flac24.

d1t01 Introduction 04:02.08
d1t02 The Stone (Can't Help Falling In Love *) > 10:28.61
d1t03 Warehouse 10:20.54
d1t04 One Sweet World 11:27.12
d1t05 Funny The Way It Is 05:52.70
d1t06 Seek Up 17:33.14

59:44.69

d2t01 Seven 06:12.20
d2t02 Squirm 06:21.09
d2t03 Crash Into Me (Dixie Chicken #) 06:06.47
d2t04 You Might Die Trying 08:28.13
d2t05 Proudest Monkey (New York, New York %) > 07:10.53
d2t06 Satellite 05:23.24
d2t07 Spaceman > 05:13.13
d2t08 Dancing Nancies > 10:26.25
d2t09 Gravedigger 04:42.08
d2t10 (Black Jack) $ 02:04.15

62:08.02

d3t01 Stay (Wasting Time) 06:57.09
d3t02 Two Step (Time Bomb) 15:47.17
d3t03 "Band Introduction..." 06:04.42
---
d3t04 Some Devil @ 04:57.55
d3t05 Shake Me Like A Monkey 04:08.11
d3t06 Intro To... 02:12.26
d3t07 All Along The Watchtower (Good Good Time) ^ 08:57.74

49:05.09 *  Weiss, Peretti, and Creatore cover, as performed by Elvis Presley
>  Indicates a segue into the next song
() Indicates a tease or partial song if not part of a song with a
  parenthetical subtitle
#  Little Feat cover
%  Liza Minnelli cover, as performed by Frank Sinatra
$  First time played
@  Dave solo
^  Bob Dylan cover

Notes:

Light-to-moderate wind throughout most of the evening. Wind-related phasing audible during certain passages.

Compiled by Christopher Jones 3 October 2010.

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