Black Crowes 09/19/2010
Thomas Wolfe Auditorium, Asheville, NC
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The Black Crowes
Thomas Wolfe Auditorium
Asheville, North Carolina, USA
September 19, 2010
A Doodee Music Master Recording
"If it's a DOODEE, you know it's the SHIT®"
- Stripeydave 2008
Acoustic Set -
1. Jealous Again
2. Hotel Illness
3. Whoa Mule
4. Driving Wheel
5. What is Home
6. Ballad In Urgency
7. Wiser Time
8. East Virginia Blues
9. Oh Josephine
10. Nonfiction
11. My Morning Song
12. Miracle to Me
- Electric Set -
13. Movin' On Down the Line
14. Black Moon Jam
16. Black Moon Creeping
16. Let It Be Gone
17. Greenhorn
18. Poor Elijah / Tribute To Johnson
19. Downtown Money Waster >
20. Barnyard Jam
21. Thorn In My Pride >
22. Drums >
23. Jam >
24. Thorn In My Pride
25. Hard To Handle
26. Remedy
Encore:
27. She Talks To Angels
28. Hot Burrito #2
Trade only. Support The Black Crowes by buying their records and merchandise and attending their shows. This is the last go 'round for the forseeable future. Miss 'em live and you missed what it's all about with this band.
CL2>DMP2>EdirolR09HR>Audacity>FLAC
Thomas Wolfe Auditorium
Asheville, North Carolina, USA
September 19, 2010
A Doodee Music Master Recording
"If it's a DOODEE, you know it's the SHIT®"
- Stripeydave 2008
Acoustic Set -
1. Jealous Again
2. Hotel Illness
3. Whoa Mule
4. Driving Wheel
5. What is Home
6. Ballad In Urgency
7. Wiser Time
8. East Virginia Blues
9. Oh Josephine
10. Nonfiction
11. My Morning Song
12. Miracle to Me
- Electric Set -
13. Movin' On Down the Line
14. Black Moon Jam
16. Black Moon Creeping
16. Let It Be Gone
17. Greenhorn
18. Poor Elijah / Tribute To Johnson
19. Downtown Money Waster >
20. Barnyard Jam
21. Thorn In My Pride >
22. Drums >
23. Jam >
24. Thorn In My Pride
25. Hard To Handle
26. Remedy
Encore:
27. She Talks To Angels
28. Hot Burrito #2
Trade only. Support The Black Crowes by buying their records and merchandise and attending their shows. This is the last go 'round for the forseeable future. Miss 'em live and you missed what it's all about with this band.
CL2>DMP2>EdirolR09HR>Audacity>FLAC
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Date: 11/18/2010
User:
jthomas0237
This post is all about freely sharing some great music, spreading the vibe of these bands, increasing sales of their goods and attendance at their shows and having a little fun.
______________________________________________________________________
Indulge me folks - I might get a little long-winded on this one.
Once again I'm one of a priveleged few to witness The Black Crowes lay yet another mind blowing performance down in little ol' Asheville. Don't know what it is about mixing Asheville and The Black Crowes. Maybe it's the mountain air or the cool bohemian vibe of the city but every time it results in what I can only describe as a religous musical experience.
Was sitting in front of Steve's brother at this one. Really good dude who shared some good stories with me. I actually got some info at what might lie ahead for a couple of the members during the upcoming hiatus but I've been sworn to secrecy at this point. Keep your ears peeled for what sounds like some very groovy stuff if it all comes together.
On to the show. First we got acoustic - with the term acoustic being used very loosely as it was quite kickin' and electric at times.
The Crowes came out to a groovin' version of "Jealous Again", the song that started it all for most of us 20 years ago. "Hotel Illness" was next and works great as a stompin' acoustic number. There ain't nothin' in this whole wide world as cool as seeing Steve Gorman beat the livin' hell out of that bass drum during this one. God, I love that guy. During pre show beers a buddy of mine said he'd like to hear "Driving Wheel". Not only did he get it, he got the best version I've heard them do. Great emotion from Chris during the coda. "What Is Home" took the nice CSNY vibe of that song and turned it into a rollicking Luther jam at the end. This flowed right into the piece de resistance of the acoustic set - "Ballad In Urgency>Wiser Time". A full twenty five minutes of emotive vocal and guitar bliss. It's a song cycle like this, one that debuted on record over 15 years ago, that shows off both the evolving musicianship and the raw emotion of the band. Chris sings this thing (and everything, actually) like it was written yesterday and he's putting it out there for the first time. And Adam shines on this one. "East Virginia Blues" was played for the second time on the tour and "Oh Josephine" was nice. That takes us to "Nonfiction". I always liked this song a lot but have seen quite a few live versions so really didn't have my heart set on it during this run. Uh, my bad. "Nonfiction" absolutely killed with an incredible cosmic coda courtesy of Luther. It was a Sunday show so the good gospel of "My Morning Song" was a welcome requirement. "Miracle To Me" was an unexpected surprise that took the acoustic set well past it's alotted time slot. Think that one may have been off the cuff. And with that, we took a collective breath.
After a short break we were back into the fray with the full-blown electric set.
Got one of my favorite set openers in "Moving On Down The Line" to kick off the electrification festivities. Love the controlled tension of that intro leading up to Chris letting out that beautiful scream. "Black Moon Jam>Black Moon Creeping" was a total surprise. Hope the guy who sat in front of me in Charlotte that begged for that one was there to enjoy it. "Let It Be Gone" gave Rich his second vocal song of the night and was followed by an incredible version of "Greenhorn" that just blew me away. That was the first time I'd had the pleasure of seeing that one live. From there the temp got turned up a notch with an absolutely blistering version of "Poor Elijah/Tribute To Johnson" that had Rich, Luther and Chris (!) playing some nice guitar and a very sweet extended jam. That mood kept rolling into "Downtown Money Waster", one of my personal favorites when yer talkin' nasty Crowes blues. It turned reggae before sugueing into a new one I'm calling "Barnyard Jam" which eased into "Thorn". Steve got a well deserved drum spotlight (did I mention I love that guy?) and moved into a jam fueled by Chris on harmonica that I swear was about three bars away from slidin' right into a take on The Rolling Stones "Midnight Rambler" before it veered back into "Thorn". The next three songs belonged to the "SYMM/SHAMC" crowd with "Hard To Handle", "Remedy" and an encore of "Angels". As has become dang near a necessity at every show, Chris displayed his Gram Parsons man-crush by closing the show with "Hot Burrito #2". And in what felt like an instant almost 3 1/2 hours of music had come and gone.
Was quite surreal how this show began and ended with two major milestones of my twenty years with The Black Crowes. Started with "Jealous Again" - the first song I heard by them that started this whole crazy thing rollin' - and closed with a take on The Flying Burrito Brothers "Hot Burrito #2" - a song I've only seen them do once back in '95, the first show where I saw them take flight into the improvisational beast of a band they are today.
I can't begin to relate how well The Black Crowes are playing right now, what conviction is in every note and what passion is in every show. I also don't want to imagine what a massive void that's going to be there when they hang it up at the end of this tour. Hopefully a short hiatus but my gut is telling me probably not. For some reason this go 'round has a very unappealing air of finality to me. You got 3 more months left to get it live folks. Don't let it pass you by.
Peace and good luck to all the fine folks I met at these NC shows. It's an oddly incredible thing when you have someone you just met at a gig one night seek you out just to say howdy, give you a hug or bring you a beer the next night ("Rhode Island", think of me when you're gettin' all that action up north). Just another testament to the incredible sense of community this band breeds in it's fanbase. Not nearly as much of that around these days as there should be. And another thing - the vast majority of fans at Crowes shows seem to be there for the music - not to talk on their mobile, not to text, not to yack to a group of friends all night about their friggin' social network updates - but to get into the music and the moment. And there's not nearly as much of that around these days as there should be.
This download, as with all of my Crowes masters, should only be a temporary fix - everyone needs to get the official version at www.liveblackcrowes.com as soon as it's released.
Check the samples and use the democratic process. Actually, it's not necessary to check a damn thing. Just download, enjoy, and pass it on. The Uncle D money back guarantee applies. In triplicate. Y'all enjoy!
______________________________________________________________________
Indulge me folks - I might get a little long-winded on this one.
Once again I'm one of a priveleged few to witness The Black Crowes lay yet another mind blowing performance down in little ol' Asheville. Don't know what it is about mixing Asheville and The Black Crowes. Maybe it's the mountain air or the cool bohemian vibe of the city but every time it results in what I can only describe as a religous musical experience.
Was sitting in front of Steve's brother at this one. Really good dude who shared some good stories with me. I actually got some info at what might lie ahead for a couple of the members during the upcoming hiatus but I've been sworn to secrecy at this point. Keep your ears peeled for what sounds like some very groovy stuff if it all comes together.
On to the show. First we got acoustic - with the term acoustic being used very loosely as it was quite kickin' and electric at times.
The Crowes came out to a groovin' version of "Jealous Again", the song that started it all for most of us 20 years ago. "Hotel Illness" was next and works great as a stompin' acoustic number. There ain't nothin' in this whole wide world as cool as seeing Steve Gorman beat the livin' hell out of that bass drum during this one. God, I love that guy. During pre show beers a buddy of mine said he'd like to hear "Driving Wheel". Not only did he get it, he got the best version I've heard them do. Great emotion from Chris during the coda. "What Is Home" took the nice CSNY vibe of that song and turned it into a rollicking Luther jam at the end. This flowed right into the piece de resistance of the acoustic set - "Ballad In Urgency>Wiser Time". A full twenty five minutes of emotive vocal and guitar bliss. It's a song cycle like this, one that debuted on record over 15 years ago, that shows off both the evolving musicianship and the raw emotion of the band. Chris sings this thing (and everything, actually) like it was written yesterday and he's putting it out there for the first time. And Adam shines on this one. "East Virginia Blues" was played for the second time on the tour and "Oh Josephine" was nice. That takes us to "Nonfiction". I always liked this song a lot but have seen quite a few live versions so really didn't have my heart set on it during this run. Uh, my bad. "Nonfiction" absolutely killed with an incredible cosmic coda courtesy of Luther. It was a Sunday show so the good gospel of "My Morning Song" was a welcome requirement. "Miracle To Me" was an unexpected surprise that took the acoustic set well past it's alotted time slot. Think that one may have been off the cuff. And with that, we took a collective breath.
After a short break we were back into the fray with the full-blown electric set.
Got one of my favorite set openers in "Moving On Down The Line" to kick off the electrification festivities. Love the controlled tension of that intro leading up to Chris letting out that beautiful scream. "Black Moon Jam>Black Moon Creeping" was a total surprise. Hope the guy who sat in front of me in Charlotte that begged for that one was there to enjoy it. "Let It Be Gone" gave Rich his second vocal song of the night and was followed by an incredible version of "Greenhorn" that just blew me away. That was the first time I'd had the pleasure of seeing that one live. From there the temp got turned up a notch with an absolutely blistering version of "Poor Elijah/Tribute To Johnson" that had Rich, Luther and Chris (!) playing some nice guitar and a very sweet extended jam. That mood kept rolling into "Downtown Money Waster", one of my personal favorites when yer talkin' nasty Crowes blues. It turned reggae before sugueing into a new one I'm calling "Barnyard Jam" which eased into "Thorn". Steve got a well deserved drum spotlight (did I mention I love that guy?) and moved into a jam fueled by Chris on harmonica that I swear was about three bars away from slidin' right into a take on The Rolling Stones "Midnight Rambler" before it veered back into "Thorn". The next three songs belonged to the "SYMM/SHAMC" crowd with "Hard To Handle", "Remedy" and an encore of "Angels". As has become dang near a necessity at every show, Chris displayed his Gram Parsons man-crush by closing the show with "Hot Burrito #2". And in what felt like an instant almost 3 1/2 hours of music had come and gone.
Was quite surreal how this show began and ended with two major milestones of my twenty years with The Black Crowes. Started with "Jealous Again" - the first song I heard by them that started this whole crazy thing rollin' - and closed with a take on The Flying Burrito Brothers "Hot Burrito #2" - a song I've only seen them do once back in '95, the first show where I saw them take flight into the improvisational beast of a band they are today.
I can't begin to relate how well The Black Crowes are playing right now, what conviction is in every note and what passion is in every show. I also don't want to imagine what a massive void that's going to be there when they hang it up at the end of this tour. Hopefully a short hiatus but my gut is telling me probably not. For some reason this go 'round has a very unappealing air of finality to me. You got 3 more months left to get it live folks. Don't let it pass you by.
Peace and good luck to all the fine folks I met at these NC shows. It's an oddly incredible thing when you have someone you just met at a gig one night seek you out just to say howdy, give you a hug or bring you a beer the next night ("Rhode Island", think of me when you're gettin' all that action up north). Just another testament to the incredible sense of community this band breeds in it's fanbase. Not nearly as much of that around these days as there should be. And another thing - the vast majority of fans at Crowes shows seem to be there for the music - not to talk on their mobile, not to text, not to yack to a group of friends all night about their friggin' social network updates - but to get into the music and the moment. And there's not nearly as much of that around these days as there should be.
This download, as with all of my Crowes masters, should only be a temporary fix - everyone needs to get the official version at www.liveblackcrowes.com as soon as it's released.
Check the samples and use the democratic process. Actually, it's not necessary to check a damn thing. Just download, enjoy, and pass it on. The Uncle D money back guarantee applies. In triplicate. Y'all enjoy!
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