Loading...

Phish 12/30/2010

Madison Square Garden, New York, NY
SHNID 111476
Source Summary
flac16; Neumann TLM-170 (hypercards) -> Sound Devices 722 (@24/96); SoundForge Audio Studio 10.0c (L/R channel time sync; volume normalization; resample to 44.1; 24->16 bit dither) > CD Wave > FLAC; Taped & Transferred by Scott Bernstein
Entered by Matt Vernon
Checksums 16bit-FFP, 16bit-FLAC-md5
Disc Counts 2 / 3
Media Size
Date Circulated
Date Added
01/03/2010
01/04/2011
Downloads Download Text | Download Zip
Archive Identifier phish2010-12-30 ↗

Other Sources
SHNID 111384 flac16 & flac24 ; Schoeps mk41 > KC5 > M222...
SHNID 111402 flac16 ; Schoeps mk41v's > kc5 > m222 > nt222...
SHNID 111405 flac16 ; Busman Bsc1 (Hypers) > Fostex FR-2LE...
SHNID 111454 flac16 & flac24 ; Schoeps MK41 > KC5 > CMC6...
SHNID 111558 flac16 ; Neumann KM150 > Sound Devices MP-2 >...
SHNID 111729 flac16 ; Microtech Gefell m210 ~> Oade m248 ~>...
Phish
Madison Square Garden
New York, NY
12/30/2010

Neumann TLM-170 (hypercards, official tapers section. about 10 seats to the right of center) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (L/R channel time sync; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings;) Tracked in CDWav.

Set 1/disc 1
1.  tuning
2.  Cities
3.  Chalk Dust Torture
4.  Gumbo ->
5.  Quinn The Eskimo
6.  Halley's Comet ->
7.  Camel Walk *
8.  Maze
9.  Driver
10. Bathtub Gin
11. Fat Man In The Bathtub
12. Timber (Jerry)
13. Golgi Apparatus

Disc 2
14. Character Zero
15. crowd
Set 2
1.  tuning
2.  Tweezer ->
3.  Light ->
4.  Theme From The Bottom ->
5.  My Friend, My Friend ->
6.  Axilla

Disc 3
7.  Fluffhead ->
8.  Boogie On Reggae Woman ->
9.  2001 Theme ->
10. Suzy Greenberg
11. encore break
12. (Run Like An) Antelope ->
13. Tweezer (Reprise)
14. crowd


* = PA cuts out in the venue from (3:01) to (3:58) in Camel Walk -- you can still hear the music playing through the stage monitors quietly though


Recorded, Mastered, and tracked by Scott Bernstein.  Thanks to Jon Pasternack for the clamp space.


Comments