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Garcia 01/12/1994

Warfield Theater, San Francisco, CA
SHNID 11169
Source Summary
Garcia & Grisman: MAD (unknown taper, equipment & location) > DATs > playback on Tascam DA-30 > HHB-800 master CD > 2CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT.
Entered by Joe Jupille
Checksums d1, d2
Disc Counts 1 / 2
Media Size
Date Circulated
Date Added
8/8/2002
08/15/2002
Downloads Download Text | Download Zip
Other Sources
SHNID 30691 Garcia & Grisman: same as previous source, but...
SHNID 150311 JGDG; flac1648: Neumann KM54s > DAP-20 > DAT...
Garcia & Grisman
Warfield Theater; San Francisco, CA
1/12/94

MAD (unknown taper, equipment & location) > DATs > playback
on Tascam DA-30 > HHB-800 master CD > 2CD > HP 9350i extraction
using EAC > tracking using CD Wave > .shn encoding using
mkwACT.  D > CD by David Minches, EAC > SHN by Joe Jupille.

Disc One (7) 42:30
--Set I--
1. Teddy Bear's Picnic [4:48] [0:55]
2. Jack-A-Roe [4:31] [1:10]
3. Dark As A Dungeon [7:12] ->
4. Bow Wow [5:31] [1:35]
5. Two Soldiers [4:18] ->
6. Friend Of The Devil [7:02] ->
7. Louis Collins [5:22] [0:24]

Disc Two (11) 66:18
--Set II--
1. Tuning & Stage Talk [0:51]
2. Stealin'* [4:05] [0:56]
3. Jenny Jenkins* [4:55] ->
4. Walkin' Boss [7:17] ->
5. When First Unto This Country [4:33] [0:24]
6. Milestones [8:42] ->
7. Sitting In Limbo [9:22] [1:01]
8. Russian Lullaby [6:38] ->
9. I Ain't Never Seen Nobody Like You [3:07] [0:30]
10. Bag's Groove [9:24] ->
11. Ripple [4:11] [0:16]

Notes:
* = Garcia & Grisman duet
The Jerry Site and eyewitness accounts locate the
setbreak before Stealin', but I couldn't for the
life of me detect a break between Louis Collins
and the tuning/banter prior to Stealin'.  Similarly,
the Jerry Site lists Ripple as the encore, but
to my ears this sounds like a segue directly from
Bag's Groove.  I list a lot of segues above, probably
in part because it is hard to hear what's happening
with the crowd noise at the end of each tune.
Finally, at some point someone with the software,
skill, and inclination may wish to raise the levels
of the music, which are low compared to the applause.

Flaws:
None noted.

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