Grateful Dead 09/08/1990
Richfield Coliseum, Richfield, OH
Source Summary
flac16; Field Equipment: Sanken 2-way Capsule Stereo Microphone > Sony D-5; Transfer: MAC>Tascam 112 MKII > Edirol R-09 (16/44) > Audacity > TLH > FLAC; Recorded, transferred, tracked & FLAC'd by Greg Holtz
flac16; Field Equipment: Sanken 2-way Capsule Stereo Microphone > Sony D-5; Transfer: MAC>Tascam 112 MKII > Edirol R-09 (16/44) > Audacity > TLH > FLAC; Recorded, transferred, tracked & FLAC'd by Greg Holtz
Other Sources
SHNID 11662 AUD>DAT>CDR; via Paul B; Seeded to Etree by T....
SHNID 14045 Set 2 only SBD>CM>DAT>CDR>EAC>SHN All...
SHNID 92241 flac16 ; Recording Info: SBD -> Dat ->...
SHNID 97359 flac16 ; matrix of SBD: shnid=92241 and AUD:...
SHNID 98889 flac16 ; Taper: Greg Holtz Source: Nakamichi...
SHNID 101148 flac16 ; Source: Audience > Nakamichi 300s...
SHNID 131695 flac16 ; Master Audience Recorded By Fitzy,...
SHNID 131696 flac24 ; Master Audience Recorded By Fitzy,...
SHNID 144620 flac16/48kHz ; Source: Nakamichi 300s (cp4) >...
SHNID 146061 flac16/48kHz ; Set 1 Recording info: B&K 4011...
SHNID 158699 flac2496 Recording Info: UltraMatrix SBD >...
SHNID 158936 flac1644 Recording Info: UltraMatrix SBD >...
Grateful Dead
September 8, 1990
Richfield, Ohio
Recorded, transferred, tracked & FLAC'd by Greg Holtz
Field Equipment: Sanken 2-way Capsule Stereo Microphone > Sony D-5
Transfer: MAC>Tascam 112 MKII > Edirol R-09 (16/44) > Audacity > TLH > FLAC
Set One
d01t01 - Crowd
d01t02 - Hell In A Bucket
d01t03 - Sugaree
d01t04 - Minglewood Blues
d01t05 - Friend Of The Devil
d01t06 - Queen Jane Approximately
d01t07 - Loser
d01t08 - Cassidy
d01t09 - Deal
Set Two
d02t01 - Crowd
d02t02 - Eyes Of The World
d02t03 - Estimated Prophet
d02t04 - Terrapin Station
d02t05 - Jam
d02t06 - Drums
d03t01 - Space
d03t02 - All Along The Watchtower
d03t03 - Stella Blue
d03t04 - Throwing Stones
d03t05 - Not Fade Away
d03t06 - Crowd
Encore
d03t07 - Crowd
d03t08 - One More Saturday Night
d03t09 - Crowd
Notes: This Microphone was lent to me by a friend who got it from Healy to use for ONE SHOW. It was beautiful, it had it's own padded wooden box, and it was switchable so you could set it at 60 degrees, 90 degrees, and 110 degrees. I asked Dan before the show what he used it for and what he set it at. He told me he usually would set it at 90 degrees, but he also said he experimented with it .. so I set the switch at 90 degrees for set one, and 110 degrees for set two. I found that this mic produced a crystal clear recording, with very crisp high and middle frequency response. I found that on playback I had to boost the bass tones quite a bit to get the sound I wanted. I WAS going to boost some of the low-end on this, but I decided to leave it as-is, so NO processing was done on this source.
September 8, 1990
Richfield, Ohio
Recorded, transferred, tracked & FLAC'd by Greg Holtz
Field Equipment: Sanken 2-way Capsule Stereo Microphone > Sony D-5
Transfer: MAC>Tascam 112 MKII > Edirol R-09 (16/44) > Audacity > TLH > FLAC
Set One
d01t01 - Crowd
d01t02 - Hell In A Bucket
d01t03 - Sugaree
d01t04 - Minglewood Blues
d01t05 - Friend Of The Devil
d01t06 - Queen Jane Approximately
d01t07 - Loser
d01t08 - Cassidy
d01t09 - Deal
Set Two
d02t01 - Crowd
d02t02 - Eyes Of The World
d02t03 - Estimated Prophet
d02t04 - Terrapin Station
d02t05 - Jam
d02t06 - Drums
d03t01 - Space
d03t02 - All Along The Watchtower
d03t03 - Stella Blue
d03t04 - Throwing Stones
d03t05 - Not Fade Away
d03t06 - Crowd
Encore
d03t07 - Crowd
d03t08 - One More Saturday Night
d03t09 - Crowd
Notes: This Microphone was lent to me by a friend who got it from Healy to use for ONE SHOW. It was beautiful, it had it's own padded wooden box, and it was switchable so you could set it at 60 degrees, 90 degrees, and 110 degrees. I asked Dan before the show what he used it for and what he set it at. He told me he usually would set it at 90 degrees, but he also said he experimented with it .. so I set the switch at 90 degrees for set one, and 110 degrees for set two. I found that this mic produced a crystal clear recording, with very crisp high and middle frequency response. I found that on playback I had to boost the bass tones quite a bit to get the sound I wanted. I WAS going to boost some of the low-end on this, but I decided to leave it as-is, so NO processing was done on this source.
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Other Sources (comments)
AUD>DAT>CDR; via Paul B;... (1)
Set 2 only... (2)
flac16 ; Recording Info:... (2)
flac16 ; matrix of SBD:... (0)
flac16 ; Taper: Greg Holtz... (0)
flac16 ; Source: Audience... (0)
flac16 ; Master Audience... (0)
flac24 ; Master Audience... (0)
flac16/48kHz ; Source:... (0)
flac16/48kHz ; Set 1... (0)
flac2496 Recording Info:... (0)
flac1644 Recording Info:... (0)
AUD>DAT>CDR; via Paul B;... (1)
Set 2 only... (2)
flac16 ; Recording Info:... (2)
flac16 ; matrix of SBD:... (0)
flac16 ; Taper: Greg Holtz... (0)
flac16 ; Source: Audience... (0)
flac16 ; Master Audience... (0)
flac24 ; Master Audience... (0)
flac16/48kHz ; Source:... (0)
flac16/48kHz ; Set 1... (0)
flac2496 Recording Info:... (0)
flac1644 Recording Info:... (0)
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