Grateful Dead 10/06/1984
Richmond Coliseum, Richmond, VA
Source Summary
flac24; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > TLH > Flac Level 8 > 24/96
flac24; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > TLH > Flac Level 8 > 24/96
Other Sources
SHNID 3160 AUD?; no other info available
SHNID 15573 FOB Nak 300 mics>Sony TCD5-M>DAT(via highly...
SHNID 32898 Unknown shotgun mics > Sony D6 > MC > Playback...
SHNID 33955 This is a re-record of shnid 32898 using...
SHNID 77750 flac16 ; Source: *Beyer M88's>Sony D5M(XLIIS)...
SHNID 87015 flac16 ; taper : Joe D'Amico aka Joebeacon nak...
SHNID 91173 flac16 ; taper : Joe D'Amico nak 300 mics >...
SHNID 92383 flac16 ; Taper: Greg Holtz Source: Nakamichi...
SHNID 109985 flac16 ; source: 2 Beyer M-88's & 1 Beyer...
SHNID 112860 flac16 ; Tapers: Greg Holtz, Tony Bolton, and...
SHNID 124157 flac24 ; lineage: (2) audio technica atm11/...
SHNID 127557 flac16/48kHz ; Set 2 Source from Doug Oade: 90...
SHNID 132556 flac24 ; Master Audience Recorded By Steve...
SHNID 132557 flac16 ; Master Audience Recorded By Steve...
SHNID 158247 flac1644 Source: (fob) Nakamichi 100 Shotguns...
SHNID 158248 flac2448 Source: (fob) Nakamichi 100...
SHNID 167674 flac1648 Jim Vita's Master (FOB) Audience...
SHNID 167675 flac2496 Jim Vita's Master (FOB) Audience...
SHNID 167956 flac1648 Jim Vita's Master (FOB) Audience...
SHNID 167957 flac2496 Jim Vita's Master (FOB) Audience...
Grateful Dead
Richmond Civic Center
Richmond VA
October 6th 1984
Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk.
Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC
Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > TLH > Flac Level 8 > 24/96
Set I
d01t01 - Crowd
d01t02 - Hell In A Bucket
d01t03 - Dire Wolf
d01t04 - Cassidy
d01t05 - They Love Each Other
d01t06 - Minglewood Blues
d01t07 - Tennessee Jed
d01t08 - Looks Like Rain->
d01t09 - Don't Ease Me In
Set II
d02t01 - Crowd
d02t02 - Scarlet Begonias->
d02t03 - Fire On The Mountain
d02t04 - Playin' In The Band->
d02t05 - China Doll->
d02t06 - Jam >
d02t07 - //Drums//->
d03t01 - Space > Jam >
d03t02 - Throwing Stones->
d03t03 - Goin' Down The Road Feelin' Bad->
d03t04 - One More Saturday Night
Encore:
d03t05 - Keep Your Day Job
This source is derived from the same master tape as shnid 92383. That particular transfer involved me (in 1998) playing the master analog tape on an unknown Nakamichi tape deck into my little Sony D-3 DAT via the 1/8" analog line input. That DAT was then used to create shnid 92383 using patch material for most of the drums. See below notes.
Well, it ends up that back in 1998 the playback deck I used for the MAC > DAT transfer was running a bit fast, which eventually resulted in a final product that sounded a bit sharp.
This is a fresh transfer from the master analog tape, from the Tascam 112MKII straight into the Edirol UA-5 and into my PC at 24/96 resolution. The original master tape is 13 years older now, but it still sounds great. I am hoping that you all hear this as an improvement over 92383. I think it is. The 16/44 version is forthcoming.
Greg Holtz - April 13, 2011
PS:
As is noted on 92383:
Tony and Mark took the mic stand in and staked out the spot DIRECTLY in front of the soundboard. There was nobody behind us but Dan Healey, and were were DEAD CENTER. Anyway, I finally got in, and we set up the gear. It was kind of a just-in-time moment, as the lights went down shortly after we got things all set up. .. As far as the recording goes, the only flub was entirely my fault. I was in a "susceptible" state of mind at the time, and a guy who patched out of our rig convinced me to not record the drums, and I was dumb enough to listen to him. This transfer is the master tape as-is, with no patches, and about 4 or 5 minutes of drums missing. C'est La Vie.
Richmond Civic Center
Richmond VA
October 6th 1984
Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk.
Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC
Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > TLH > Flac Level 8 > 24/96
Set I
d01t01 - Crowd
d01t02 - Hell In A Bucket
d01t03 - Dire Wolf
d01t04 - Cassidy
d01t05 - They Love Each Other
d01t06 - Minglewood Blues
d01t07 - Tennessee Jed
d01t08 - Looks Like Rain->
d01t09 - Don't Ease Me In
Set II
d02t01 - Crowd
d02t02 - Scarlet Begonias->
d02t03 - Fire On The Mountain
d02t04 - Playin' In The Band->
d02t05 - China Doll->
d02t06 - Jam >
d02t07 - //Drums//->
d03t01 - Space > Jam >
d03t02 - Throwing Stones->
d03t03 - Goin' Down The Road Feelin' Bad->
d03t04 - One More Saturday Night
Encore:
d03t05 - Keep Your Day Job
This source is derived from the same master tape as shnid 92383. That particular transfer involved me (in 1998) playing the master analog tape on an unknown Nakamichi tape deck into my little Sony D-3 DAT via the 1/8" analog line input. That DAT was then used to create shnid 92383 using patch material for most of the drums. See below notes.
Well, it ends up that back in 1998 the playback deck I used for the MAC > DAT transfer was running a bit fast, which eventually resulted in a final product that sounded a bit sharp.
This is a fresh transfer from the master analog tape, from the Tascam 112MKII straight into the Edirol UA-5 and into my PC at 24/96 resolution. The original master tape is 13 years older now, but it still sounds great. I am hoping that you all hear this as an improvement over 92383. I think it is. The 16/44 version is forthcoming.
Greg Holtz - April 13, 2011
PS:
As is noted on 92383:
Tony and Mark took the mic stand in and staked out the spot DIRECTLY in front of the soundboard. There was nobody behind us but Dan Healey, and were were DEAD CENTER. Anyway, I finally got in, and we set up the gear. It was kind of a just-in-time moment, as the lights went down shortly after we got things all set up. .. As far as the recording goes, the only flub was entirely my fault. I was in a "susceptible" state of mind at the time, and a guy who patched out of our rig convinced me to not record the drums, and I was dumb enough to listen to him. This transfer is the master tape as-is, with no patches, and about 4 or 5 minutes of drums missing. C'est La Vie.
Comments
Other Sources (comments)
AUD?; no other info available (1)
FOB Nak 300 mics>Sony... (0)
Unknown shotgun mics > Sony... (0)
This is a re-record of... (0)
flac16 ; Source: *Beyer... (1)
flac16 ; taper : Joe... (0)
flac16 ; taper : Joe... (0)
flac16 ; Taper: Greg Holtz... (0)
flac16 ; source: 2 Beyer... (0)
flac16 ; Tapers: Greg... (0)
flac24 ; lineage: (2)... (0)
flac16/48kHz ; Set 2... (0)
flac24 ; Master Audience... (0)
flac16 ; Master Audience... (0)
flac1644 Source: (fob)... (0)
flac2448 Source: (fob)... (0)
flac1648 Jim Vita's... (0)
flac2496 Jim Vita's... (0)
flac1648 Jim Vita's... (0)
flac2496 Jim Vita's... (0)
AUD?; no other info available (1)
FOB Nak 300 mics>Sony... (0)
Unknown shotgun mics > Sony... (0)
This is a re-record of... (0)
flac16 ; Source: *Beyer... (1)
flac16 ; taper : Joe... (0)
flac16 ; taper : Joe... (0)
flac16 ; Taper: Greg Holtz... (0)
flac16 ; source: 2 Beyer... (0)
flac16 ; Tapers: Greg... (0)
flac24 ; lineage: (2)... (0)
flac16/48kHz ; Set 2... (0)
flac24 ; Master Audience... (0)
flac16 ; Master Audience... (0)
flac1644 Source: (fob)... (0)
flac2448 Source: (fob)... (0)
flac1648 Jim Vita's... (0)
flac2496 Jim Vita's... (0)
flac1648 Jim Vita's... (0)
flac2496 Jim Vita's... (0)
Add Show
Comments
Source Collectors
Related Artist Sources
History
Add Comment