The Infamous Stringdusters 10/26/2009
Happy Days Lodge, Peninsula, OH
Source Summary
FOB Audience Recording Recorded by Todd Evans, todd@bluedakota.com; SBD Recording by Steve Randolph (16/44.1 DAT); AUD Recording Equipment: Schoeps CCM4's (ORTF Pattern on stand at 7.5’) -> Sonosax SX-M1 Mic Preamp -> Monster M1000 Jumper Cables -> Korg MR-1000 (DSDIFF, 5.6448 MHz @ 1-bit); AUD DSD Conversion: Korg MR-1000 (DSDIFF, 5.6448 MHz @ 1-bit) Files -> Korg Audio Gate -> 24 bit 88.2kHz wav; Matrix Synch accomlished in Wavelab16 bit 44.1kHz wav from SBD DAT was SRC to 24/88.2 in Weiss Saracon to match the 24/88.2 Aud wav. 70% SBD + 30% AUD
FOB Audience Recording Recorded by Todd Evans, todd@bluedakota.com; SBD Recording by Steve Randolph (16/44.1 DAT); AUD Recording Equipment: Schoeps CCM4's (ORTF Pattern on stand at 7.5’) -> Sonosax SX-M1 Mic Preamp -> Monster M1000 Jumper Cables -> Korg MR-1000 (DSDIFF, 5.6448 MHz @ 1-bit); AUD DSD Conversion: Korg MR-1000 (DSDIFF, 5.6448 MHz @ 1-bit) Files -> Korg Audio Gate -> 24 bit 88.2kHz wav; Matrix Synch accomlished in Wavelab16 bit 44.1kHz wav from SBD DAT was SRC to 24/88.2 in Weiss Saracon to match the 24/88.2 Aud wav. 70% SBD + 30% AUD
Other Sources
Infamous Stringdusters
Happy Days Lodge
Peninsula, Ohio
10/26/2009
A Project GEMS Matrix
FOB Audience Recording
Recorded by Todd Evans, todd@bluedakota.com
SBD Recording by Steve Randolph (16/44.1 DAT)
AUD Recording Equipment:
Schoeps CCM4's (ORTF Pattern on stand at 7.5’) ->
Sonosax SX-M1 Mic Preamp -> Monster M1000 Jumper Cables ->
Korg MR-1000 (DSDIFF, 5.6448 MHz @ 1-bit)
Aud Recording Note:
I set-up about the mics 25 feet from stage DFC. Part way in to set 1,
I feel a breeze start up. I look up and see that someone has turned on the
ceiling fan which is about 15 feet above the mics. SHIT. Wind noise
will be recorded. Prior to set2, I move the mic stand forward about
8 feet to eliminte the "wind rumble". Matrix is purposely mixed at 70% SBD
and 30% Aud for this reason. Set 2 does not have the rumble.
AUD DSD Conversion:
Korg MR-1000 (DSDIFF, 5.6448 MHz @ 1-bit) Files ->
Korg Audio Gate -> 24 bit 88.2kHz wav
Matrix Synch accomlished in Wavelab
16 bit 44.1kHz wav from SBD DAT was SRC to 24/88.2 in Weiss Saracon
to match the 24/88.2 Aud wav.
70% SBD + 30% AUD
Editing and Mastering:
Jamie Waddell on the GEMS Edit Station.
Weiss Saracon for SRC to 16-bit 44.1kHz and POWR-3 Dither;
Flac Frontend level 8
Tagging - Tag & Rename for FLAC Meta-Tagging
A **GEMS** Production www.shnflac.net
Set One
CD1 | Track01 | 0:43 | Set 1 Intro
CD1 | Track02 | 4:14 | No More To Leave You Behind
CD1 | Track03 | 4:20 | Traveling Teardrop Blues >
CD1 | Track04 | 4:02 | Glass Elevator
CD1 | Track05 | 1:09 | Banter
CD1 | Track06 | 3:34 | Starry Night
CD1 | Track07 | 4:15 | Hit Parade of Love
CD1 | Track08 | 6:45 | Lonesome River
CD1 | Track09 | 9:22 | Pronto
CD1 | Track10 | 3:25 | I Am A Stranger
CD1 | Track11 | 0:58 | Banter
CD1 | Track12 | 6:24 | Well, Well
Set Two
CD2 | Track13 | 0:30 | Set 2 Intro
CD2 | Track14 | 3:45 | Fork in the Road
CD2 | Track15 | 5:01 | Get It While You Can
CD2 | Track16 | 4:49 | Tragic Life
CD2 | Track17 | 8:42 | Rain
CD2 | Track18 | 4:26 | Dance with Me Molly
CD2 | Track19 | 0:59 | Banter
CD2 | Track20 | 4:21 | Wichita Stomp
CD2 | Track21 | 7:07 | Getting Down The Road (Hillbilly’s Nightclub)
CD2 | Track22 | 1:20 | Banter
CD2 | Track23 | 2:58 | Dream You Back
CD2 | Track24 | 4:33 | Sunny Side of the Mountain
CD2 | Track25 | 4:21 | Jam – Instrumental
Encore
CD2 | Track26 | 1:30 | Crowd – Encore Banter
CD2 | Track27 | 0:31 | Wabash Cannonball Birthday Request
CD2 | Track28 | 0:45 | Banter
CD2 | Track29 | 3:41 | Climb Up To The Mountain
Happy Days Lodge
Peninsula, Ohio
10/26/2009
A Project GEMS Matrix
FOB Audience Recording
Recorded by Todd Evans, todd@bluedakota.com
SBD Recording by Steve Randolph (16/44.1 DAT)
AUD Recording Equipment:
Schoeps CCM4's (ORTF Pattern on stand at 7.5’) ->
Sonosax SX-M1 Mic Preamp -> Monster M1000 Jumper Cables ->
Korg MR-1000 (DSDIFF, 5.6448 MHz @ 1-bit)
Aud Recording Note:
I set-up about the mics 25 feet from stage DFC. Part way in to set 1,
I feel a breeze start up. I look up and see that someone has turned on the
ceiling fan which is about 15 feet above the mics. SHIT. Wind noise
will be recorded. Prior to set2, I move the mic stand forward about
8 feet to eliminte the "wind rumble". Matrix is purposely mixed at 70% SBD
and 30% Aud for this reason. Set 2 does not have the rumble.
AUD DSD Conversion:
Korg MR-1000 (DSDIFF, 5.6448 MHz @ 1-bit) Files ->
Korg Audio Gate -> 24 bit 88.2kHz wav
Matrix Synch accomlished in Wavelab
16 bit 44.1kHz wav from SBD DAT was SRC to 24/88.2 in Weiss Saracon
to match the 24/88.2 Aud wav.
70% SBD + 30% AUD
Editing and Mastering:
Jamie Waddell on the GEMS Edit Station.
Weiss Saracon for SRC to 16-bit 44.1kHz and POWR-3 Dither;
Flac Frontend level 8
Tagging - Tag & Rename for FLAC Meta-Tagging
A **GEMS** Production www.shnflac.net
Set One
CD1 | Track01 | 0:43 | Set 1 Intro
CD1 | Track02 | 4:14 | No More To Leave You Behind
CD1 | Track03 | 4:20 | Traveling Teardrop Blues >
CD1 | Track04 | 4:02 | Glass Elevator
CD1 | Track05 | 1:09 | Banter
CD1 | Track06 | 3:34 | Starry Night
CD1 | Track07 | 4:15 | Hit Parade of Love
CD1 | Track08 | 6:45 | Lonesome River
CD1 | Track09 | 9:22 | Pronto
CD1 | Track10 | 3:25 | I Am A Stranger
CD1 | Track11 | 0:58 | Banter
CD1 | Track12 | 6:24 | Well, Well
Set Two
CD2 | Track13 | 0:30 | Set 2 Intro
CD2 | Track14 | 3:45 | Fork in the Road
CD2 | Track15 | 5:01 | Get It While You Can
CD2 | Track16 | 4:49 | Tragic Life
CD2 | Track17 | 8:42 | Rain
CD2 | Track18 | 4:26 | Dance with Me Molly
CD2 | Track19 | 0:59 | Banter
CD2 | Track20 | 4:21 | Wichita Stomp
CD2 | Track21 | 7:07 | Getting Down The Road (Hillbilly’s Nightclub)
CD2 | Track22 | 1:20 | Banter
CD2 | Track23 | 2:58 | Dream You Back
CD2 | Track24 | 4:33 | Sunny Side of the Mountain
CD2 | Track25 | 4:21 | Jam – Instrumental
Encore
CD2 | Track26 | 1:30 | Crowd – Encore Banter
CD2 | Track27 | 0:31 | Wabash Cannonball Birthday Request
CD2 | Track28 | 0:45 | Banter
CD2 | Track29 | 3:41 | Climb Up To The Mountain
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