Phish 05/29/2011
Bethel Woods Center for the Arts, Bethel, NY
Source Summary
flac16; Neumann TLM-170 (hypercards) -> Sound Devices 722 (@24/96); SoundForge Audio Studio 10.0c (volume normalization; resample to 44.1; 24->16 bit dither; minor clap removal) -> CD Wave -> FLAC; Taped & Transferred by Scott Bernstein
flac16; Neumann TLM-170 (hypercards) -> Sound Devices 722 (@24/96); SoundForge Audio Studio 10.0c (volume normalization; resample to 44.1; 24->16 bit dither; minor clap removal) -> CD Wave -> FLAC; Taped & Transferred by Scott Bernstein
Other Sources
SHNID 113817 flac16 & flac24 ; Schoeps mk4v > KC5 > M222...
SHNID 113833 flac16 ; Sennheiser ME-80's > Sound Devices...
SHNID 113836 flac16 ; Schoeps MK41 > kcy > Sonosax...
SHNID 113837 flac16 ; Schoeps CCM4 > Vms5u > Edirol R44...
SHNID 113838 flac16 ; Neumann KM150's > Sound Devices...
SHNID 113861 flac16 ; set 2 only; Schoeps MK41's > Schoeps...
SHNID 114408 flac16 & flac24 ; Schoeps MK4 > KC5 > CMC6 >...
SHNID 119415 flac16 ; Schoeps mk5 > KCY > VST62IU > EAA...
SHNID 119416 flac24 ; Schoeps mk5 > KCY > VST62IU > EAA...
Phish
Bethel Woods Performing Arts Center
Bethel, NY
5/29/2011
Neumann TLM-170 (hypercards, official tapers section just behind the board, center) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; minor clap removal); Tracked in CDWav.
Set 1
1. crowd/tuning
2. AC/DC Bag ->
3. Sample In A Jar ->
4. Rift
5. Ocelot
6. Ya Mar
7. Timber (Jerry) ->
8. The Oh Kee Pah Ceremony ->
9. Suzy Greenburg ->
10. 46 Days ->
11. jam ->
12. 20 Years Later
13. Curtis Lowe ->
14. (Run Like An) Antelope
15. crowd
Set 2
1. crowd
2. Mike's Song ->
3. Simple -> *
4. Weekapaugh Groove
5. Meatstick ->
6. Fluffhead ->
7. Joy
8. 2001 Theme ->
9. Light ->
10. Slave To The Traffic Light
11. encore break
12. Lovin' Cup ->
13. Tweezer
Removed some 1 local annyoing clap from: S1T14
Recorded, Mastered, and tracked by Scott Bernstein
This was a beautiful venue with an excellent sound system (and it was LOUD!). This came out really really beautifully for an OTS recording. I'm impressed....
* = a minor accident happened during the quiet part at the end of this track with someone slipping into my mic stand at 10:09, but it took just a couple of seconds 2 recover and it happened during a really quiet time and we responded quickly. The effect was extremely subtle to begin with and I have smoothed it out and you can only hear it now if you listen very very closely.
Bethel Woods Performing Arts Center
Bethel, NY
5/29/2011
Neumann TLM-170 (hypercards, official tapers section just behind the board, center) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; minor clap removal); Tracked in CDWav.
Set 1
1. crowd/tuning
2. AC/DC Bag ->
3. Sample In A Jar ->
4. Rift
5. Ocelot
6. Ya Mar
7. Timber (Jerry) ->
8. The Oh Kee Pah Ceremony ->
9. Suzy Greenburg ->
10. 46 Days ->
11. jam ->
12. 20 Years Later
13. Curtis Lowe ->
14. (Run Like An) Antelope
15. crowd
Set 2
1. crowd
2. Mike's Song ->
3. Simple -> *
4. Weekapaugh Groove
5. Meatstick ->
6. Fluffhead ->
7. Joy
8. 2001 Theme ->
9. Light ->
10. Slave To The Traffic Light
11. encore break
12. Lovin' Cup ->
13. Tweezer
Removed some 1 local annyoing clap from: S1T14
Recorded, Mastered, and tracked by Scott Bernstein
This was a beautiful venue with an excellent sound system (and it was LOUD!). This came out really really beautifully for an OTS recording. I'm impressed....
* = a minor accident happened during the quiet part at the end of this track with someone slipping into my mic stand at 10:09, but it took just a couple of seconds 2 recover and it happened during a really quiet time and we responded quickly. The effect was extremely subtle to begin with and I have smoothed it out and you can only hear it now if you listen very very closely.
Comments
Other Sources (comments)
flac16 & flac24 ;... (0)
flac16 ; Sennheiser... (0)
flac16 ; Schoeps MK41 >... (0)
flac16 ; Schoeps CCM4 >... (0)
flac16 ; Neumann KM150's >... (0)
flac16 ; set 2 only;... (0)
flac16 & flac24 ;... (0)
flac16 ; Schoeps mk5 > KCY... (0)
flac24 ; Schoeps mk5 > KCY... (0)
flac16 & flac24 ;... (0)
flac16 ; Sennheiser... (0)
flac16 ; Schoeps MK41 >... (0)
flac16 ; Schoeps CCM4 >... (0)
flac16 ; Neumann KM150's >... (0)
flac16 ; set 2 only;... (0)
flac16 & flac24 ;... (0)
flac16 ; Schoeps mk5 > KCY... (0)
flac24 ; Schoeps mk5 > KCY... (0)
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