Fiona Apple 02/07/2006
Arrowhead Pond, Anaheim, CA
Source Summary
Sonic Sound Binaural Microphones > (no Bass Roll Off - Forgot To Switch It!) >Sony Hi-md Mz-rh10 Pcm (low Sensitivity, Loud Concert Mic) Transfer:Sony Hi-md -> Usb > Conv. To Wav > Sound Forge Track Insert & Split > Wav > Flac Level 6 > Remaster: Tlh > Wav >Cool Edit 2.1 : Fft Filter To Reduce Extreme Lows >Level Adjust (and Balance Average Signal Of The Channels) >Sbe's Corrected In Reflacing >Tlh > Flac (level 8, Fix Sbe's)
Sonic Sound Binaural Microphones > (no Bass Roll Off - Forgot To Switch It!) >Sony Hi-md Mz-rh10 Pcm (low Sensitivity, Loud Concert Mic) Transfer:Sony Hi-md -> Usb > Conv. To Wav > Sound Forge Track Insert & Split > Wav > Flac Level 6 > Remaster: Tlh > Wav >Cool Edit 2.1 : Fft Filter To Reduce Extreme Lows >Level Adjust (and Balance Average Signal Of The Channels) >Sbe's Corrected In Reflacing >Tlh > Flac (level 8, Fix Sbe's)
Other Sources
FIONA APPLE
Arrowhead Pond
Anaheim, CA
2006-02-07
Sound at this venue did not seem to conducive to a clear recording.
The bass was extremely present, so I did a quick filter to reduce that
to more tolerable levels. The bass rolloff that was missing might
have helped. There is still a lot of reverb inherent in this.
Unfortunately the improved clarity uncovers more of the variability
that existed in the better parts of the sonic spectrum.
There is a lot of mic movement, which results in fairly extreme phase
shifting. It does not seem like anything can be done about that.
The first song starts in progress and the recorder (or a considerable
part of the crowd) is probably still moving toward their seat through
it.
This is a good show. Her voice may be a little jagged (as it often is)
but the passion is there.
Don't expect too much from this sound-wise though.
TAPER: DmLive2k
SOURCE:
Sonic Sound Binaural Microphones -> (no bass roll off - forgot to switch it!) ->
SONY HI-MD MZ-RH10 PCM (LOW SENSITIVITY, LOUD CONCERT MIC)
TRANSFER:
SONY HI-MD -> USB -> CONV. TO WAV -> SOUND FORGE TRACK INSERT & sPLIT -> WAV ->
FLAC LEVEL 6 ->
REMASTER:
TLH -> WAV
COOL EDIT 2.1 :
FFT filter to reduce extreme lows
Level adjust (and balance average signal of the channels)
SBE's corrected in reflacing
TLH -> FLAC (level 8, fix SBE's)
SETLIST:
{Opening for Coldplay}
1. // Get Him Back
2. Better Version Of Me
3. Shadowboxer
4. Criminal
5. Paper Bag
6. Tymps
7. I Know
8. Limp
9. Fast As You Can
Fiona Apple : vocals, piano
David Palmer : piano, keyboards
Jebin Bruni : keyboards
David Monsey : bass
Charley Drayton : drums
Arrowhead Pond
Anaheim, CA
2006-02-07
Sound at this venue did not seem to conducive to a clear recording.
The bass was extremely present, so I did a quick filter to reduce that
to more tolerable levels. The bass rolloff that was missing might
have helped. There is still a lot of reverb inherent in this.
Unfortunately the improved clarity uncovers more of the variability
that existed in the better parts of the sonic spectrum.
There is a lot of mic movement, which results in fairly extreme phase
shifting. It does not seem like anything can be done about that.
The first song starts in progress and the recorder (or a considerable
part of the crowd) is probably still moving toward their seat through
it.
This is a good show. Her voice may be a little jagged (as it often is)
but the passion is there.
Don't expect too much from this sound-wise though.
TAPER: DmLive2k
SOURCE:
Sonic Sound Binaural Microphones -> (no bass roll off - forgot to switch it!) ->
SONY HI-MD MZ-RH10 PCM (LOW SENSITIVITY, LOUD CONCERT MIC)
TRANSFER:
SONY HI-MD -> USB -> CONV. TO WAV -> SOUND FORGE TRACK INSERT & sPLIT -> WAV ->
FLAC LEVEL 6 ->
REMASTER:
TLH -> WAV
COOL EDIT 2.1 :
FFT filter to reduce extreme lows
Level adjust (and balance average signal of the channels)
SBE's corrected in reflacing
TLH -> FLAC (level 8, fix SBE's)
SETLIST:
{Opening for Coldplay}
1. // Get Him Back
2. Better Version Of Me
3. Shadowboxer
4. Criminal
5. Paper Bag
6. Tymps
7. I Know
8. Limp
9. Fast As You Can
Fiona Apple : vocals, piano
David Palmer : piano, keyboards
Jebin Bruni : keyboards
David Monsey : bass
Charley Drayton : drums
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