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Grateful Dead 09/09/1982

Saenger Performing Arts Center, New Orleans, LA
SHNID 11735
Source Summary
SBD> MC> PCM> DAT> CD; With aud patches; See info file for details; Missing both encores; via Kevin Gills; Seeded to etree by Willy; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments)
Entered by dr.unclear
Checksums shn-md5, st5
Disc Counts 2 / 2
Media Size
Date Circulated
Date Added
08/30/02
09/15/2002
Downloads Download Text | Download Zip
Archive Identifier gd82-09-09.sbd.willy.11735.sbeok.shnf ↗

Other Sources
SHNID 123191 flac16 ; Recording Info: Beyer M160 ->...
SHNID 134287 flac16 ; SBD>MC>PCM>DAT>CD; source ID 11735...
SHNID 140051 flac24 ; Source: (FOB) Beyer M160's > Sony...
SHNID 142762 flac16/48kHz ; Source Info: Dan Healy's Master...
SHNID 145246 flac16 ; Source: (FOB) Beyer M160's > Sony...
SHNID 149747 flac24 ; Source: Set One & Encore, Unknown AUD...
Grateful Dead
Saenger Theatre
New Orleans, LA
September 9, 1982

SBD>MC>PCM>DAT>CD

DISC ONE

1st Set

Half-Step*>
Franklin's>
Stranger
West L.A.
Mama Tried>
Mexicali
Althea

DISC TWO

2nd Set

Uncle John's>
Samson>
Uncle John's>
Estimated>
Eyes>
Drums//>
Space>
The Wheel>
Other One>
Wharf Rat>
Good Lovin'

Encore

Day Job> (Missing)
Johnny B. Goode (Missing)

Notes-

-*Poor aud source supplies Halfstep & first 8 seconds of Franklin's
-d/o 3:33 Franklins; Missing 3/4 of the 'harvest wind' verse; and half-second level drop at 3:20
-d/o 3:40 Stranger; Small portion of the jam missing
-First notes of UJB missing
-End Drums cut (tape flip)
-Missing both encores

-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.

EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 08/30/02
Audio discs provided by Kevin Gills

Comments

Date: 08/30/2002
User: darrin
Another PCM-sourced show -- I do not have this recording, but want to suggest that somebody who does conduct listening tests to determine whether these shns have pre-emphasis applied and need to be burned with the emphasis flag set for each track.

Almost all PCM-sourced recordings have pre-emphasis applied, and if the PCM was digitally transfered to DAT and then digitally transferred to shn, the pre-emphasis will still be applied to the digital signal, but the electronic "flag" telling a cd player to apply de-emphasis on playback will be lost. A recording with pre-emphasis encoded, but not decoded will sound artificially bright (similar to how a cassette recorded with dolby, but played back without dolby would sound).

Feurio! allows one to manually set emphasis flags when burning disks.

Subcode information regarding whether pre-emphasis was initially applied (it's applied before the initial a>d and de-emphasis is applied after d>a if the subcode's present) is LOST when a pcm/dat/cdr is converted to a wav (and subsequently compressed as a shn/flac).

If anybody does conduct this experiment on this or on any other PCM-sourced show, PLEASE post your results so others may benefit :)