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Grateful Dead 05/03/1969

Winterland Arena, San Francisco, CA
SHNID 124068
Source Summary
flac16; This is a matrix recording using two sources: SBD Reel shnid 124067: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification and Audience shnid 000733: Reel>PCM>Dat>Tascam DA20>Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn
Entered by Matt Vernon
Checksums ffp, flac-md5
Disc Counts 0 / 0
Media Size Compressed: 243 MB (254803968 bytes)
Uncompressed: 442 MB (463470592 bytes)
Date Circulated
Date Added
03/05/2013
03/05/2013
Downloads Download Text | Download Zip
Archive Identifier gd1969-05-03.124068.mtx.dusborne.droncit.flac16 ↗

Other Sources
SHNID 73 all that circulates; Reel> PCM> Dat> Tascam...
SHNID 95138 flac16 ; Recording Info:SBD -> Master Reel ->...
SHNID 124067 flac16 ; SBD/PA Reel: TASCAM 22-2 modified for...
SHNID 139575 flac16 ; Recording Info: (Stage) Sony Stereo...
SHNID 139576 flac24 ; Recording Info: (Stage) Sony Stereo...
Grateful Dead
5-3-69
Winterland Arena,
San Francisco,CA



This is a matrix recording using two sources, a soundboard/PA from droncit's tape collection, obtained in the early 1970s via a trade, and an audience recording (SHNID 00073)
The matrix developed by dusborne and droncit.  Contacts:  droncit@yahoo.com or ??

--Set 1--
101-t1 - Bill Graham introduction -> He Was a Friend of Mine
102-t2 - Cryptical Envelopment ->
103-t3 - Drums ->
104-t4 - The Other One ->
105-t5 - Cryptical reprise
106-t6 - Doin That Rag
107-t7 - Me & My Uncle

For the reel, we added harmonics, minor eq adjustment, and used light noise reduction.  For the audience files we
used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel.
The opening notes to cryptical sound like there are digital artifacts, but that's the way it sounds on the straight transfer.
We think it is a PA tape, not a soundboard as it appears to be mono.  We modified it to align better with the l-r distribution on the audience tape.
For the reel, we added harmonics, minor eq adjustment, and used light noise reduction.  For the audience files we
used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel.
The Introduction is noticeably louder than it is on the audience tape so that it can be heard better.  Because it comes from
the audience tape, the sound is muffled and boomy, but it's a fun part of the show so we included it this way.
Final edits to the PA and MTX files were done separately, so they do not match exactly.

Sources:
For Reel:  TASCAM 22-2 modified for flat transfer.
Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification

Audience:
flac encoded & tagged version of shnid: 000733
Reel>PCM>Dat>Tascam DA20>Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn
comment from original audience:
This is not a sbd. It was made with a stereo sony mic on the front
of the stage in front of the keyboards...
That is why TC is front and center and the vocals are low in the mix.
conversion by phunk1@aol.com

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