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Grateful Dead 12/19/1973

Curtis Hixon Convention Hall, Tampa, FL
SHNID 126124
Source Summary
flac16; Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer)
Entered by Matt Vernon
Checksums ffp, flac-md5
Disc Counts 0 / 0
Media Size Compressed: 1.03 GB (1105819443 bytes)
Uncompressed: 2.25 GB (2420936644 bytes)
Date Circulated
Date Added
11/14/2013
11/14/2013
Downloads Download Text | Download Zip
Archive Identifier gd1973-12-19.126124.mtx.dusborne.droncit.flac16 ↗

Other Sources
SHNID 197 "DP 1 Leftovers"; via Gans, D. Finney; rest is...
SHNID 8602 Audience; MAC>PCM>Cassette>CD; Seeded to etree...
SHNID 97361 flac16 ; Recording Info:SBD -> Master Reel ->...
SHNID 107984 flac16 ; soundboard source shnid=97361:...
SHNID 113503 flac16 ; Recording Info: SBD -> Master Reel ->...
12/19/73
Audience material from source B (almost entirely)
Set I
Source a= soundboard shnid 97361 (not pitch-corrected)
Source b= Dan McDonald (droncit) audience flat transfer of cassette masters
Source b transferred with Nakamichi BX-1 adapted for flat transfer; eq applied with Diamond Cut Forensics 8.


Notes:  I have put the longer audience, tuning, announcements, portions as separate tracks so that those who want the full
show will have that, while those who want only the music can eliminate those portions.  The single exception is the beginning of Weather Report Suite,
which is announced as "for all you rowdies out there."  Occasionally, there is variation in the vocal location. This appears to be some sort of anomaly between what was
recorded through the 'soundboard' tape and what actually went through the speakers.

Audience/tuning material from source B (almost entirely)

Dusborne did all the synchronization work.  Droncit is responsible for the overall mix and sound.
Designed to be played loud. If your speakers aren't able to handle the bass, please get new speakers.

Thanks to TDK for making tapes that can hold up well for 40 years.
Thanks to Craig of Diamond Cut for all the help with the theory and eq curves.
Thanks to my dad for the electronics tweaks.  87 and going strong!
Thanks to Dusborne for all the synchronization work.  Thanks to Mrs. Dusborne (Tina Usborne) for listening and offering opinions.
Thanks to Melinda B. (wherever you are) for help with the microphone/recorder and comments about Bob Weir's haircut.
Problems/Comments: droncit@yahoo.com

--Set I--
101 - Remember your hippie training
102 - The Promised Land
103 - Sugaree
104 - tuning/audience
105 - Mexicali Blues
106 - tuning/audience
107 - Dire Wolf
108 - tuning/audience
109 - Black Throated Wind
110 - Candyman
111 - Jack Straw
112 - audience: they're smoking a joint
113 - Big Railroad Blues
114-  tuning/audience
115 - Big River
116 - audience:
117 - Here Comes Sunshine*
118 - tuning/audience
119 - El Paso
120 - Ramble on Rose
121 - tuning/audience: maybe another 25 minutes
122 - Playing in the Band (21:15 or so minutes)**

--Set II--
201 - tuning/audience
202 - Mississippi Half-Step Uptown Toodeloo ->
203 - Me & Bobby McGee
204 - Row Jimmy
205 - Weather Report Suite***
206 - He's Gone ->
207 - Truckin' ->
208 - Nobody's Fault But Mine ->
209 - Bass Solo/Jam**** ->
210 - The Other One ->
211 - Feedback/Space
212 - Stella Blue ->
213 - Around & Around*****
--Encore--
214 - Casey Jones*****

*last 7 minutes or so from source A only (rejoins during last vocal)
**about 16 seconds of the jam portion from Source B only.
***verse beginning "she comes from the town" source b only for about a minute
****source b only
*****almost all of Around & Around and all of Casey Jones are soundboard only




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