Phish 04/14/1994
Beacon Theatre, New York, NY
Source Summary
flac16 48kHz FOB (13th Row); AKG460B/CK61 > Custon Pre-Amp > Teac DAP-20; DAT(m) @ 48k > Sony PCM-R500 > Canare Coax > Korg MR-2000S > USB 2.0 > Samplitude Pro X v12.4.1.246 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Recorded by Dave Flaschner & Tom McMinn; Transfer & edits by Jeff Mitchell
flac16 48kHz FOB (13th Row); AKG460B/CK61 > Custon Pre-Amp > Teac DAP-20; DAT(m) @ 48k > Sony PCM-R500 > Canare Coax > Korg MR-2000S > USB 2.0 > Samplitude Pro X v12.4.1.246 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Recorded by Dave Flaschner & Tom McMinn; Transfer & edits by Jeff Mitchell
Other Sources
SHNID 4696 Schoeps CMC5/Mk4 (ORTF)-> Sonosax SX-M2->...
SHNID 92807 B&K 4011 > D3; Sony PCM R500 > Opcode DatPort >...
SHNID 112898 Neumann RSM-191i stereo mic -> Neumann PS ->...
Phish
1994-04-14
Beacon Theatre
New York, NY
Source: FOB (13th Row); AKG460B/CK61 > Custon Pre-Amp > Teac DAP-20
Transfer: DAT(m) @ 48k > Sony PCM-R500 > Canare Coax > Korg MR-2000S > USB 2.0 > Samplitude Pro X v12.4.1.246 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger
Recorded by Dave Flaschner & Tom McMinn
DAT(m) provided by Dave Flaschner
Transfer & edits by Jeff Mitchell (jeffhmitchell@gmail.com)
Seeded to etree 2014-03-25
This recording was made with pre-emphasis. This was removed using Waves Q10 Paragraphic EQ in Samplitude.
Set 1:
s1t01 - Runaway Jim
s1t02 - Foam
s1t03 - Sparkle >
s1t04 - Down With Disease
s1t05 - Glide >
s1t06 - Rift >
s1t07 - Demand
s1t08 - Split Open & Melt
s1t09 - The Squirming Coil
Set 2:
s2t01 - 2001 >
s2t02 - Run Like An Antelope
s2t03 - The Horse >
s2t04 - Silent In The Morning >
s2t05 - Scent Of A Mule
s2t06 - You Enjoy Myself
s2t07 - Nellie Kane
s2t08 - Dog Faced Boy
s2t09 - Slave To The Traffic Light
s2t10 - Encore Break
Encore:
s2t11 - Rocky Top
Notes: Antelope contained a Random Note signal. YEM featured a guest trampoline jumper pulled from the audience taking Trey’s place in the tramps routine. Nellie Kane and Dog Faced Boy, which made its debut, were performed acoustic and without microphones.
1994-04-14
Beacon Theatre
New York, NY
Source: FOB (13th Row); AKG460B/CK61 > Custon Pre-Amp > Teac DAP-20
Transfer: DAT(m) @ 48k > Sony PCM-R500 > Canare Coax > Korg MR-2000S > USB 2.0 > Samplitude Pro X v12.4.1.246 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger
Recorded by Dave Flaschner & Tom McMinn
DAT(m) provided by Dave Flaschner
Transfer & edits by Jeff Mitchell (jeffhmitchell@gmail.com)
Seeded to etree 2014-03-25
This recording was made with pre-emphasis. This was removed using Waves Q10 Paragraphic EQ in Samplitude.
Set 1:
s1t01 - Runaway Jim
s1t02 - Foam
s1t03 - Sparkle >
s1t04 - Down With Disease
s1t05 - Glide >
s1t06 - Rift >
s1t07 - Demand
s1t08 - Split Open & Melt
s1t09 - The Squirming Coil
Set 2:
s2t01 - 2001 >
s2t02 - Run Like An Antelope
s2t03 - The Horse >
s2t04 - Silent In The Morning >
s2t05 - Scent Of A Mule
s2t06 - You Enjoy Myself
s2t07 - Nellie Kane
s2t08 - Dog Faced Boy
s2t09 - Slave To The Traffic Light
s2t10 - Encore Break
Encore:
s2t11 - Rocky Top
Notes: Antelope contained a Random Note signal. YEM featured a guest trampoline jumper pulled from the audience taking Trey’s place in the tramps routine. Nellie Kane and Dog Faced Boy, which made its debut, were performed acoustic and without microphones.
Comments
Other Sources (comments)
Schoeps CMC5/Mk4 (ORTF)->... (2)
B&K 4011 > D3; Sony PCM... (0)
Neumann RSM-191i stereo mic... (0)
Schoeps CMC5/Mk4 (ORTF)->... (2)
B&K 4011 > D3; Sony PCM... (0)
Neumann RSM-191i stereo mic... (0)
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