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Phish 04/14/1994

Beacon Theatre, New York, NY
SHNID 127470
Source Summary
flac16 48kHz FOB (13th Row); AKG460B/CK61 > Custon Pre-Amp > Teac DAP-20; DAT(m) @ 48k > Sony PCM-R500 > Canare Coax > Korg MR-2000S > USB 2.0 > Samplitude Pro X v12.4.1.246 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Recorded by Dave Flaschner & Tom McMinn; Transfer & edits by Jeff Mitchell
Entered by Matt Vernon
Checksums ffp
Disc Counts 0 / 0
Media Size
Date Circulated
Date Added
03/25/2014
03/25/2014
Downloads Download Text | Download Zip
Archive Identifier phish1994-04-14.127470.newyork.ck61.akg460.flaschner.mcminn.flac1648 ↗

Other Sources
SHNID 4696 Schoeps CMC5/Mk4 (ORTF)-> Sonosax SX-M2->...
SHNID 92807 B&K 4011 > D3; Sony PCM R500 > Opcode DatPort >...
SHNID 112898 Neumann RSM-191i stereo mic -> Neumann PS ->...
Phish
1994-04-14
Beacon Theatre
New York, NY

Source:  FOB (13th Row); AKG460B/CK61 > Custon Pre-Amp > Teac DAP-20
Transfer:  DAT(m) @ 48k > Sony PCM-R500 > Canare Coax > Korg MR-2000S > USB 2.0 > Samplitude Pro X v12.4.1.246 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger

Recorded by Dave Flaschner & Tom McMinn
DAT(m) provided by Dave Flaschner
Transfer & edits by Jeff Mitchell (jeffhmitchell@gmail.com)
Seeded to etree 2014-03-25

This recording was made with pre-emphasis.  This was removed using Waves Q10 Paragraphic EQ in Samplitude.

Set 1:
s1t01 - Runaway Jim
s1t02 - Foam
s1t03 - Sparkle >
s1t04 - Down With Disease
s1t05 - Glide >
s1t06 - Rift >
s1t07 - Demand
s1t08 - Split Open & Melt
s1t09 - The Squirming Coil

Set 2:
s2t01 - 2001 >
s2t02 - Run Like An Antelope
s2t03 - The Horse >
s2t04 - Silent In The Morning >
s2t05 - Scent Of A Mule
s2t06 - You Enjoy Myself
s2t07 - Nellie Kane
s2t08 - Dog Faced Boy
s2t09 - Slave To The Traffic Light
s2t10 - Encore Break

Encore:
s2t11 - Rocky Top

Notes: Antelope contained a Random Note signal. YEM featured a guest trampoline jumper pulled from the audience taking Trey’s place in the tramps routine. Nellie Kane and Dog Faced Boy, which made its debut, were performed acoustic and without microphones.


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