Dave Matthews Band 06/10/2014
PNC Bank Arts Center, Holmdel, NJ
Source Summary
Taper: Christopher Jones
Source: DPA 4015-TL Transformerless Handmatched Wide Cardioid > Mogami Gold Neglex Studio Quad Microphone Cable > Rupert Neve Designs Portico 5012-H Microphone Preamplifier ("Silk" circuit engaged)
Location: Section 101, Row N, Seats 34 and 36; microphones elevated approximately 3.5 meters, approximately 3 meters from stageleft fill monitors, A-B
Taper: Christopher Jones
Source: DPA 4015-TL Transformerless Handmatched Wide Cardioid > Mogami Gold Neglex Studio Quad Microphone Cable > Rupert Neve Designs Portico 5012-H Microphone Preamplifier ("Silk" circuit engaged)
Location: Section 101, Row N, Seats 34 and 36; microphones elevated approximately 3.5 meters, approximately 3 meters from stageleft fill monitors, A-B
Other Sources
Dave Matthews Band
10 June 2014
PNC Bank Arts Center
Holmdel, New Jersey
Recorded by: Christopher Jones
Source: DPA 4015-TL Transformerless Handmatched Wide Cardioid > Mogami Gold Neglex Studio Quad Microphone Cable > Rupert Neve Designs Portico 5012-H Microphone Preamplifier ("Silk" circuit engaged) > Mogami Gold Neglex Studio Quad XLR Interconnect > Daniel Weiss Digital Audio ADC2 Analog-to-Digital Converter (@ 24-bit / 192 kHz) > Cardas Audio Neutral Reference AES / EBU Digital Interconnect > Sound Devices 722 Hard Disk Recorder (slaved to Weiss ADC2 @ 192 kHz; @ 24-bit / 192 kHz)
Location: Section 101, Row N, Seats 34 and 36; microphones elevated approximately 3.5 meters, approximately 3 meters from stageleft fill monitors, A-B
HDD > .flac: Sound Devices 722 Hard Disk Recorder > Apple Retina Macbook Pro (2.6 GHz Dual-Core Intel Core i5 / 16GB 1600 MHz DDR3) > Audiofile Engineering Wave Editor v1.5.7 > xACT v2.29
Resampled with iZotope Resampler at highest quality setting and a filter steepness of "150"; dithered using iZotope MBIT+ with a "Normal" amount of "Ultra" noise shaping applied. 24-bit / 192 kHz version of this recording available in .flac24.
Acoustic Set
t01 Introduction 02:48.07
t02 "Number Three..." 00:29.68
t03 Ants Marching 07:44.33
t04 Stolen Away on 55th and 3rd 08:16.09
t05 Oh 04:09.08
t06 Pay For What You Get 05:05.41
t07 Minarets 06:03.53
t08 Snow Outside 06:45.13
t09 What Would You Say 05:35.28
t10 Two Step 08:05.10
Electric Set
t11 Introduction 02:32.10
t12 Pig 07:08.11
t13 Granny 05:47.64
t14 Grey Street 05:16.28
t15 Intro To... 00:51.68
t16 Crush 15:30.71
t17 Seven 06:09.24
t18 Rooftop 06:55.45
t19 Say Goodbye > 09:07.02
t20 Intro To... 00:54.65
t21 Drive In Drive Out 06:56.39
t22 If Only 08:09.74
t23 Lie In Our Graves 13:20.15
t24 (#36) + 05:04.44
t25 Save Me + 04:53.11
t26 You And Me > + 05:09.21
t27 Stay (Wasting Time) + 12:35.03
-------
t28 The Space Between 05:18.68
t29 Pantala Naga Pampa > 00:39.60
t30 Rapunzel 08:13.02
Total: 185:37.20
> Indicates a segue into the next song
() Indicates a tease or partial song if not part of a song with a parenthetical subtitle
+ Featuring Tawatha Agee, Sharon Bryant and Cindy Mizelle on vocals
Notes:
Seats were outside coverage area of stageleft mains. This recording was made off of the stageleft orchestra fill monitors. Monitors sounded overdriven during certain passages, somewhat brittle in the high end and boomy in the low end, but results are best possible given location.
Compiled by Christopher Jones 16 June 2014.
10 June 2014
PNC Bank Arts Center
Holmdel, New Jersey
Recorded by: Christopher Jones
Source: DPA 4015-TL Transformerless Handmatched Wide Cardioid > Mogami Gold Neglex Studio Quad Microphone Cable > Rupert Neve Designs Portico 5012-H Microphone Preamplifier ("Silk" circuit engaged) > Mogami Gold Neglex Studio Quad XLR Interconnect > Daniel Weiss Digital Audio ADC2 Analog-to-Digital Converter (@ 24-bit / 192 kHz) > Cardas Audio Neutral Reference AES / EBU Digital Interconnect > Sound Devices 722 Hard Disk Recorder (slaved to Weiss ADC2 @ 192 kHz; @ 24-bit / 192 kHz)
Location: Section 101, Row N, Seats 34 and 36; microphones elevated approximately 3.5 meters, approximately 3 meters from stageleft fill monitors, A-B
HDD > .flac: Sound Devices 722 Hard Disk Recorder > Apple Retina Macbook Pro (2.6 GHz Dual-Core Intel Core i5 / 16GB 1600 MHz DDR3) > Audiofile Engineering Wave Editor v1.5.7 > xACT v2.29
Resampled with iZotope Resampler at highest quality setting and a filter steepness of "150"; dithered using iZotope MBIT+ with a "Normal" amount of "Ultra" noise shaping applied. 24-bit / 192 kHz version of this recording available in .flac24.
Acoustic Set
t01 Introduction 02:48.07
t02 "Number Three..." 00:29.68
t03 Ants Marching 07:44.33
t04 Stolen Away on 55th and 3rd 08:16.09
t05 Oh 04:09.08
t06 Pay For What You Get 05:05.41
t07 Minarets 06:03.53
t08 Snow Outside 06:45.13
t09 What Would You Say 05:35.28
t10 Two Step 08:05.10
Electric Set
t11 Introduction 02:32.10
t12 Pig 07:08.11
t13 Granny 05:47.64
t14 Grey Street 05:16.28
t15 Intro To... 00:51.68
t16 Crush 15:30.71
t17 Seven 06:09.24
t18 Rooftop 06:55.45
t19 Say Goodbye > 09:07.02
t20 Intro To... 00:54.65
t21 Drive In Drive Out 06:56.39
t22 If Only 08:09.74
t23 Lie In Our Graves 13:20.15
t24 (#36) + 05:04.44
t25 Save Me + 04:53.11
t26 You And Me > + 05:09.21
t27 Stay (Wasting Time) + 12:35.03
-------
t28 The Space Between 05:18.68
t29 Pantala Naga Pampa > 00:39.60
t30 Rapunzel 08:13.02
Total: 185:37.20
> Indicates a segue into the next song
() Indicates a tease or partial song if not part of a song with a parenthetical subtitle
+ Featuring Tawatha Agee, Sharon Bryant and Cindy Mizelle on vocals
Notes:
Seats were outside coverage area of stageleft mains. This recording was made off of the stageleft orchestra fill monitors. Monitors sounded overdriven during certain passages, somewhat brittle in the high end and boomy in the low end, but results are best possible given location.
Compiled by Christopher Jones
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