Phish 07/11/2014
Randall’s Island, New York, NY
Source Summary
flac16 44.1kHz Neumann TLM-170 (hypercardoids, center, approx 6' split FOB about 1/3 of the distance between the soundboard and the stage) -> Sound Devices 722(@24/96); FLAC File processing in SoundForge 11 (L/R channel time sync; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; major clap & whistle scrubbing); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.8.1; Recorded, mastered, tracked, tagged, and posted by Scott Bernstein
flac16 44.1kHz Neumann TLM-170 (hypercardoids, center, approx 6' split FOB about 1/3 of the distance between the soundboard and the stage) -> Sound Devices 722(@24/96); FLAC File processing in SoundForge 11 (L/R channel time sync; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; major clap & whistle scrubbing); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.8.1; Recorded, mastered, tracked, tagged, and posted by Scott Bernstein
Other Sources
SHNID 130615 flac16 44.1kHz Source: Busman BSC2 (hyper...
SHNID 130616 flac16 44.1kHz AKG C414xls Hypercardioid >...
SHNID 130627 flac16 44.1 kHz ; (FOB) Neumann TLM-102...
SHNID 132717 flac16 FOB; Microtech Gefell M210s > Oade...
SHNID 168647 flac1648 Oktava MK-012...
Phish
Randall's Island
New York, NY
7/11/2014
Neumann TLM-170 (hypercardoids, center, approx 6' split FOB about 1/3 of the distance between the soundboard and the stage) -> Sound Devices 722(@24/96); FLAC File processing in SoundForge 11 (L/R channel time sync; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; major clap & whistle scrubbing); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.8.1
Set 1
1. The Moma Dance
2. Kill Devil Falls
3. Ya Mar
4. Bathtub Gin
5. 5:55
6. Rift
7. Sample In A Jar
8. The Wedge
9. Waiting All Night
10. Stash *
Set 2
1. Steam ->
2. Down With Disease ->
3. Golden Age
4. Limb By Limb
5. Fuego ->
6. David Bowie
7. Cavern
8. encore break
9. Character Zero
* = w/"The Munsters Theme" tease
Thanks to Rick Duro for the clamp space for my right microphone :)
Due to the height restrictions given to us for our tripods, I had to do a LOT of clap,whistle,yell scrubbing -- just SOME of the stuff I cleaned up (there were more....): S1T1(15 claps/pops), S1T2(7 claps), S1T3(47 claps, 1 yell), S1T4(16 claps), S1T5(3 claps, 1 yell), S1T6(1 yell, 1 clap), S1T7(30 claps, 1 yell), S1T8(7 claps), S1T9(3 claps), S1T10(7 claps, 1 yell), S2T1(6 claps), S2T2(41 claps, 1 yell), S2T3(10 claps), S2T5(16 claps, 2 yells), S2T6(1 clap), S2T7(13 claps), S2T9(18 claps)
Recorded, mastered, tracked, tagged, and posted by Scott Bernstein (7/15-17/2014)
Randall's Island
New York, NY
7/11/2014
Neumann TLM-170 (hypercardoids, center, approx 6' split FOB about 1/3 of the distance between the soundboard and the stage) -> Sound Devices 722(@24/96); FLAC File processing in SoundForge 11 (L/R channel time sync; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; major clap & whistle scrubbing); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.8.1
Set 1
1. The Moma Dance
2. Kill Devil Falls
3. Ya Mar
4. Bathtub Gin
5. 5:55
6. Rift
7. Sample In A Jar
8. The Wedge
9. Waiting All Night
10. Stash *
Set 2
1. Steam ->
2. Down With Disease ->
3. Golden Age
4. Limb By Limb
5. Fuego ->
6. David Bowie
7. Cavern
8. encore break
9. Character Zero
* = w/"The Munsters Theme" tease
Thanks to Rick Duro for the clamp space for my right microphone :)
Due to the height restrictions given to us for our tripods, I had to do a LOT of clap,whistle,yell scrubbing -- just SOME of the stuff I cleaned up (there were more....): S1T1(15 claps/pops), S1T2(7 claps), S1T3(47 claps, 1 yell), S1T4(16 claps), S1T5(3 claps, 1 yell), S1T6(1 yell, 1 clap), S1T7(30 claps, 1 yell), S1T8(7 claps), S1T9(3 claps), S1T10(7 claps, 1 yell), S2T1(6 claps), S2T2(41 claps, 1 yell), S2T3(10 claps), S2T5(16 claps, 2 yells), S2T6(1 clap), S2T7(13 claps), S2T9(18 claps)
Recorded, mastered, tracked, tagged, and posted by Scott Bernstein (7/15-17/2014)
Comments
Other Sources (comments)
flac16 44.1kHz Source:... (0)
flac16 44.1kHz AKG... (0)
flac16 44.1 kHz ; (FOB)... (0)
flac16 FOB; Microtech... (0)
flac1648 Oktava MK-012... (0)
flac16 44.1kHz Source:... (0)
flac16 44.1kHz AKG... (0)
flac16 44.1 kHz ; (FOB)... (0)
flac16 FOB; Microtech... (0)
flac1648 Oktava MK-012... (0)
Add Show
Comments
Source Collectors
Related Artist Sources
History
Add Comment