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Grateful Dead 01/11/1978

Shrine Auditorium, Los Angeles, CA
SHNID 13190
Source Summary
SBD>MC>R>PCM>D>CD>EAC>SHN (??); see comments on lineage; Thanks to Raoul Duke edits/encoding by Matt Vernon & JCotsman
Entered by dr.unclear
Checksums shn-md5, st5
Disc Counts 2 / 2
Media Size
Date Circulated
Date Added
10-14-02
11/17/2002
Downloads Download Text | Download Zip
Archive Identifier gd78-01-11.sbd.cotsman.13190.sbeok.shnf ↗

Other Sources
SHNID 12894 SBD master reel > Cass > DAT > CD-R > EAC >...
SHNID 89475 flac16 ; Source: audience recording on a...
SHNID 92086 flac16 ; Matrix, Sources used: 1) SBD > MC > R...
SHNID 110959 flac16 ; Matrix: Analog Aud: 2 x AKG D224E >>...
SHNID 135498 flac16 ; Recording Info: SBD -> Cassette...
SHNID 135499 flac24 ; Recording Info: SBD -> Cassette...
Grateful Dead
1-11-78

Shrine Auditorium,
Los Angeles

SBD>MC>R>PCM>D>CD>EAC>SHN (??)
--see comments on lineage below
  
Disc 1 (73:42)
set 1:
1.  New Minglewood Blues (6:57)
2.  Dire Wolf (5:20)
3.  Looks Like Rain (9:56)
4.  They Love Each Other (7:06)
5.  tuning (2:24)
6.  Big River--> (5:57)
7.  El Paso (5:54)
8.  Brown Eyed Women (4:58)
9.  tuning (3:13)
10. Let It Grow (13:57)
set 2:
11. Samson & Delilah (7:55)

Disc 2 (71:32)
set 2 continued:
1.  Sunrise (4:19)
2.  Terrapin Station--> (11:25)
3.  Playing In The Band--> (12:59)
4.  Jam%--> (7:48)
5.  St. Stephen--> (9:48)
6.  Not Fade Away--> (9:18)
7.  Playing In The Band (7:54)
8.  tuning (2:39)
encore:
9.  Passenger (5:19)


Comments on lineage:
--The lineage of the copy I received was listed as SBD>MR>PCM>D>CD.
However:
--Copies of this show circulate with lineages indicating both reel and cassette masters, but the cuts are in the same locations, so it seems likely that only one or the other circulates/exists in SBD.  Eaton indicates this show as being mastered on cassette.  His info is also confusing, in that he mentions two different 1st gen media, one on cassette, and one on reel.   Perhaps the 1st gen copy of the show had the 2nd set stored on cassette and the 1st set stored on a reel (keeping in mind that the master was made on cassette).  Whatever the actual lineage is, the recording sounds pretty good, as if mastered on cassette with another analog generation.    

Notes:
--splice @ 4:19 in Jam
--Sound Forge was used for a few minor edits

part of The Music Never Stopped Project 2002

Thanks to Raoul Duke & Matt Vernon
edits/encoding by JCotsman

Comments