Grateful Dead 04/13/1984
Hampton Coliseum, Hampton, VA
Source Summary
flac24; Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook
flac24; Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook
Other Sources
SHNID 1521 Neumann U-87 mics > Sony D6 cass > Dat > CDR;...
SHNID 21130 Rob Eaton FOB Center (Neumann U89)>Sony...
SHNID 27733 flac16 ; SBD> Cassette Master> Cassette> Dat...
SHNID 34469 Source: unknown shotgun mics > Sony D6 > Maxell...
SHNID 90470 flac16 ; Recording Info: (FOB) Neumann U87 ->...
SHNID 102499 flac16 ;Recording Info:SBD -> Cassette Master...
SHNID 109288 flac16 ; source: 3 Beyer M160's (up front) >...
SHNID 122974 flac24 ; source: (3) audio technica atm 11...
SHNID 123178 flac16 ; MAC; Nakamichi 300's(w/shotguns) >...
SHNID 126039 flac16 ; Master: 2 Beter M-160s and Sony...
SHNID 132771 flac16 ; Source:Sennheiser MKE2002 Binaurals...
SHNID 137367 flac24 ; Set 2 Recording Info: (FOB) Schoeps...
SHNID 137369 flac16 ; Set 2 Recording Info: (FOB) Schoeps...
SHNID 149109 flac 16/44.1khz Source: MAUD CA: Sennheiser...
SHNID 149110 flac24/48khz Source: MAUD CA: Sennheiser...
SHNID 154377 flac16/48 Source Info: Doug Lamarre's...
SHNID 154378 flac24/96 Source Info: Doug Lamarre's...
SHNID 155212 FLAC 2496 Recording Info: (FOB) Neumann U87...
SHNID 155699 FLAC 16/44 Recording Info: (FOB) Neumann U87...
SHNID 157541 flac2448 Lineage: unknown mics -> Marantz...
SHNID 164044 flac1648 Source Info: 1st Set: Jim Vita's...
SHNID 164045 flac2496 Source Info: 1st Set: Jim Vita's...
SHNID 164368 flac1648 Rob Eaton's Master (FOB)(DFC)...
SHNID 164369 flac2496 Rob Eaton's Master (FOB)(DFC)...
SHNID 176744 flac2448 Tom Strizak Master Audience...
Grateful Dead
1984-04-13
Hampton Coliseum
Hampton VA
Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.
Transfer: Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC
Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH)
Transferred by Kyle Holbrook (kyle@rocksuitcase.com)
Set 1
01] Day Job
02] Minglewood Blues
03] Dire Wolf
04] Beat It On Down The Line >
05] West L.A. Fadeaway
06] It's All Over Now
07] Bird Song
08] crowd
09] Hell In A Bucket>
10] Don't Ease Me In
Set 2
01] Scarlet Begonias >Fire On The Mountain# >
02] Estimated Prophet >
03] Space >
04] Drums# >
05] Space >
06] The Wheel >
07] Truckin'>
08] Goin' Down The Road Feelin' Bad >
09] Around & Around >
10] Good Lovin'
Encore:
11] U.S. Blues
Notes: # Mickey Hart on Djimbe. This is from the legendary 1984 Spring Tour run the first time they sold tour booklets, one ticket to every show that tour- we bought several. The second set Scarlet >Fire is considered one of the top ten ever performed. Listen to Mickey on "talking drum" during Fire; the space/drums/space following Estimated is far far out there.
Recording Notes:
1] The Sennheiser binaurals were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. This is one of the best representations of how they sounded in this type of live environment. this will sound BEST through headphones; through a stereo you may choose to increase bass slightly.
2] First set tape was stopped between every song break; we must have been trying to conserve batteries. Second set same method until after drums.
+ Tape flip ~41.05
3] First minute has recording level variations; the Sound crew doesn't get it set for levels until start of second song.
4] During the first set, first four songs have variable levels and some very fast up and down points. After that, the sound is consistent, although the second set is somewhat "better" then the first.
1984-04-13
Hampton Coliseum
Hampton VA
Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.
Transfer: Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC
Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH)
Transferred by Kyle Holbrook (kyle@rocksuitcase.com)
Set 1
01] Day Job
02] Minglewood Blues
03] Dire Wolf
04] Beat It On Down The Line >
05] West L.A. Fadeaway
06] It's All Over Now
07] Bird Song
08] crowd
09] Hell In A Bucket>
10] Don't Ease Me In
Set 2
01] Scarlet Begonias >Fire On The Mountain# >
02] Estimated Prophet >
03] Space >
04] Drums# >
05] Space >
06] The Wheel >
07] Truckin'>
08] Goin' Down The Road Feelin' Bad >
09] Around & Around >
10] Good Lovin'
Encore:
11] U.S. Blues
Notes: # Mickey Hart on Djimbe. This is from the legendary 1984 Spring Tour run the first time they sold tour booklets, one ticket to every show that tour- we bought several. The second set Scarlet >Fire is considered one of the top ten ever performed. Listen to Mickey on "talking drum" during Fire; the space/drums/space following Estimated is far far out there.
Recording Notes:
1] The Sennheiser binaurals were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. This is one of the best representations of how they sounded in this type of live environment. this will sound BEST through headphones; through a stereo you may choose to increase bass slightly.
2] First set tape was stopped between every song break; we must have been trying to conserve batteries. Second set same method until after drums.
+ Tape flip ~41.05
3] First minute has recording level variations; the Sound crew doesn't get it set for levels until start of second song.
4] During the first set, first four songs have variable levels and some very fast up and down points. After that, the sound is consistent, although the second set is somewhat "better" then the first.
Comments
Other Sources (comments)
Neumann U-87 mics > Sony D6... (0)
Rob Eaton FOB Center... (1)
flac16 ; SBD> Cassette... (0)
Source: unknown shotgun... (0)
flac16 ; Recording Info:... (0)
flac16 ;Recording Info:SBD... (0)
flac16 ; source: 3 Beyer... (0)
flac24 ; source: (3) audio... (0)
flac16 ; MAC; Nakamichi... (0)
flac16 ; Master: 2 Beter... (0)
flac16 ; Source:Sennheiser... (1)
flac24 ; Set 2 Recording... (0)
flac16 ; Set 2 Recording... (0)
flac 16/44.1khz Source:... (0)
flac24/48khz Source:... (0)
flac16/48 Source Info:... (0)
flac24/96 Source Info:... (0)
FLAC 2496 Recording Info:... (0)
FLAC 16/44 Recording... (0)
flac2448 Lineage: unknown... (0)
flac1648 Source Info:... (0)
flac2496 Source Info:... (0)
flac1648 Rob Eaton's... (0)
flac2496 Rob Eaton's... (0)
flac2448 Tom Strizak... (0)
Neumann U-87 mics > Sony D6... (0)
Rob Eaton FOB Center... (1)
flac16 ; SBD> Cassette... (0)
Source: unknown shotgun... (0)
flac16 ; Recording Info:... (0)
flac16 ;Recording Info:SBD... (0)
flac16 ; source: 3 Beyer... (0)
flac24 ; source: (3) audio... (0)
flac16 ; MAC; Nakamichi... (0)
flac16 ; Master: 2 Beter... (0)
flac16 ; Source:Sennheiser... (1)
flac24 ; Set 2 Recording... (0)
flac16 ; Set 2 Recording... (0)
flac 16/44.1khz Source:... (0)
flac24/48khz Source:... (0)
flac16/48 Source Info:... (0)
flac24/96 Source Info:... (0)
FLAC 2496 Recording Info:... (0)
FLAC 16/44 Recording... (0)
flac2448 Lineage: unknown... (0)
flac1648 Source Info:... (0)
flac2496 Source Info:... (0)
flac1648 Rob Eaton's... (0)
flac2496 Rob Eaton's... (0)
flac2448 Tom Strizak... (0)
Date: 03/30/2015
User:
Wharfrat73
Updated info file.
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