Grateful Dead 04/05/1991
The Omni, Atlanta, GA
Source Summary
flac16/48kHz; Set 2, unknown taper: Schoeps CMC34 at 100 degrees ORTF > M1000 Cables > Tao Research PS > Panasonic SV255; FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
flac16/48kHz; Set 2, unknown taper: Schoeps CMC34 at 100 degrees ORTF > M1000 Cables > Tao Research PS > Panasonic SV255; FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
Other Sources
SHNID 4162 sbd> ?> cdr> eac> shn; shn by Jay James, hosted...
SHNID 103624 flac16 ; Taper: Greg Holtz SOURCE: Front Row...
SHNID 112389 flac16 ; Master Audience Nakamichi CM300/CP4...
SHNID 112390 flac24 ; Master Audience Nakamichi CM300/CP4...
SHNID 132572 flac16/48kHz ; DAT sound board master recorded...
SHNID 133955 flac16 ; Master Audience Recorded By Mr....
SHNID 133956 flac24 ; Master Audience Recorded By Mr....
SHNID 140692 flac16/48kHz ; Oade Brothers Recording:...
SHNID 149628 flac16/48kHz ; Recording: Schoeps CMC3 MK4’s...
SHNID 152099 flac24/96 Recording Info: UltraMatrix SBD >...
SHNID 152171 flac16/44 Recording Info: UltraMatrix SBD >...
Grateful Dead
April 5, 1991
The Omni,
Atlanta, GA
Set II only
From the Ammons Archive
unknown taper: Schoeps CMC34 at 100 degrees ORTF > M1000 Cables > Tao Research PS > Panasonic SV255; FOB
John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave.
Edited & Mastered in Audacity by Joe Noel > flac 16/48.
Checksum & tags created in xACT.
Notes:
- gots ta give Bob Melomed's & his gear its due. Pretty certain these are his pulls.
- once the levels are set, you are jock-a-mo fee na-né
- Stir it up little darlin' (then I blaze ya fire)
- Set II -
s2t01 - Iko Iko
s2t02 - Saint of Circumstance ->
s2t03 - Terrapin Station ->
s2t04 - Stir It Up jam ->
s2t05 - Drums ->
s2t06 - Space ->
s2t07 - The Other One ->
s2t08 - Wharf Rat ->
s2t09 - Throwing Stones —>
s2t10 - Not Fade Away
s2t11 - encore break
s2t12 - Quinn The Eskimo (Mighty Quinn)
Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac files.
If converted to wav during processing, all tags will be stripped,
however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp or st5 to validate audio integrity.
Md5 values will change if tagging is altered.
(J.Noel 21 July 2017)
April 5, 1991
The Omni,
Atlanta, GA
Set II only
From the Ammons Archive
unknown taper: Schoeps CMC34 at 100 degrees ORTF > M1000 Cables > Tao Research PS > Panasonic SV255; FOB
John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave.
Edited & Mastered in Audacity by Joe Noel > flac 16/48.
Checksum & tags created in xACT.
Notes:
- gots ta give Bob Melomed's & his gear its due. Pretty certain these are his pulls.
- once the levels are set, you are jock-a-mo fee na-né
- Stir it up little darlin' (then I blaze ya fire)
- Set II -
s2t01 - Iko Iko
s2t02 - Saint of Circumstance ->
s2t03 - Terrapin Station ->
s2t04 - Stir It Up jam ->
s2t05 - Drums ->
s2t06 - Space ->
s2t07 - The Other One ->
s2t08 - Wharf Rat ->
s2t09 - Throwing Stones —>
s2t10 - Not Fade Away
s2t11 - encore break
s2t12 - Quinn The Eskimo (Mighty Quinn)
Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac files.
If converted to wav during processing, all tags will be stripped,
however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp or st5 to validate audio integrity.
Md5 values will change if tagging is altered.
(J.Noel 21 July 2017)
Comments
Other Sources (comments)
sbd> ?> cdr> eac> shn; shn... (3)
flac16 ; Taper: Greg Holtz... (0)
flac16 ; Master Audience... (0)
flac24 ; Master Audience... (0)
flac16/48kHz ; DAT sound... (0)
flac16 ; Master Audience... (0)
flac24 ; Master Audience... (0)
flac16/48kHz ; Oade... (0)
flac16/48kHz ; Recording:... (0)
flac24/96 Recording... (0)
flac16/44 Recording... (0)
sbd> ?> cdr> eac> shn; shn... (3)
flac16 ; Taper: Greg Holtz... (0)
flac16 ; Master Audience... (0)
flac24 ; Master Audience... (0)
flac16/48kHz ; DAT sound... (0)
flac16 ; Master Audience... (0)
flac24 ; Master Audience... (0)
flac16/48kHz ; Oade... (0)
flac16/48kHz ; Recording:... (0)
flac24/96 Recording... (0)
flac16/44 Recording... (0)
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