Grateful Dead 12/30/1989
Oakland-Alameda County Coliseum, Oakland, CA
Source Summary
flac16/48kHz; Set 1 unknown taper: (FOB) Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; hand held on Schoeps t-bar; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48; Checksum & tags created in xACT
flac16/48kHz; Set 1 unknown taper: (FOB) Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; hand held on Schoeps t-bar; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48; Checksum & tags created in xACT
Other Sources
SHNID 5069 mixed source: Set 1- DSBD> ?> D> CDR; Set 2-...
SHNID 9122 Source: Ultramatrix (SBD/AUD mix); Lineage:...
SHNID 9754 Tony G shntool fix of original Braverman...
SHNID 109948 (OTS) Nakamichi CM-300/CP-4 > TCD-D10 Lineage:...
SHNID 117741 flac16 ; Source: 2 Neumann KMF4 microphones >...
SHNID 126075 flac24 ; Master Audience Recorded By Mr....
SHNID 126076 flac16 ; Master Audience Recorded By Mr....
SHNID 131029 flac16 ; Digital FOB by Lance Deal using...
SHNID 141200 flac24 ; Recording Info: Ultra Matrix SBD >...
SHNID 141314 flac16 ; Recording Info: Ultra Matrix SBD >...
SHNID 142692 flac16/48kHz ; Source Info: Ted Mattes' Master...
SHNID 158322 flac16 ; Matrix 2 Source Mix - SBD (shnid =...
SHNID 158323 DTS-Audio-CD 5.1 Mix ; - SBD (shnid = 140200)...
SHNID 158324 flac16/48kHz ; 5.1 LPCM Surround Sound (48k)...
SHNID 165033 flac1644 ; Matrix by Hunter Seamons using...
Grateful Dead
December 30, 1989
Oakland-Alameda County Coliseum,
Oakland, CA
Set I only
From the Ammons Archive
unknown taper: (FOB) Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; hand held on Schoeps t-bar.
John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave.
Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48.
Checksum & tags created in xACT.
notes:
- Could be a Weber pull, could be a Mattes. My $$'s on Weber.
- Ballon pops softened.
- Here's what I remember about this show. Getting shut out.
* with Airto Moreira on percussion.
-Set I-
s1t01 - tuning
s1t02 - Bertha ->
s1t03 - Good Lovin' ->
s1t04 - Sugaree *
s1t05 - Walkin' Blues *
s1t06 - Jack A Roe *
s1t07 - When I Paint My Masterpiece *
s1t08 - West L.A. Fadeaway *
s1t09 - The Music Never Stopped *
Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac files.
If converted to wav during processing, all tags will be stripped,
however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp or st5 to validate audio integrity.
Md5 values will change if tagging is altered.
(J.Noel 30 August 2017)
December 30, 1989
Oakland-Alameda County Coliseum,
Oakland, CA
Set I only
From the Ammons Archive
unknown taper: (FOB) Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; hand held on Schoeps t-bar.
John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave.
Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48.
Checksum & tags created in xACT.
notes:
- Could be a Weber pull, could be a Mattes. My $$'s on Weber.
- Ballon pops softened.
- Here's what I remember about this show. Getting shut out.
* with Airto Moreira on percussion.
-Set I-
s1t01 - tuning
s1t02 - Bertha ->
s1t03 - Good Lovin' ->
s1t04 - Sugaree *
s1t05 - Walkin' Blues *
s1t06 - Jack A Roe *
s1t07 - When I Paint My Masterpiece *
s1t08 - West L.A. Fadeaway *
s1t09 - The Music Never Stopped *
Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac files.
If converted to wav during processing, all tags will be stripped,
however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp or st5 to validate audio integrity.
Md5 values will change if tagging is altered.
(J.Noel 30 August 2017)
Comments
Other Sources (comments)
mixed source: Set 1- DSBD>... (0)
Source: Ultramatrix... (0)
Tony G shntool fix of... (0)
(OTS) Nakamichi CM-300/CP-4... (0)
flac16 ; Source: 2 Neumann... (0)
flac24 ; Master Audience... (0)
flac16 ; Master Audience... (0)
flac16 ; Digital FOB by... (0)
flac24 ; Recording Info:... (0)
flac16 ; Recording Info:... (0)
flac16/48kHz ; Source... (0)
flac16 ; Matrix 2 Source... (0)
DTS-Audio-CD 5.1 Mix ; -... (0)
flac16/48kHz ; 5.1 LPCM... (0)
flac1644 ; Matrix by... (0)
mixed source: Set 1- DSBD>... (0)
Source: Ultramatrix... (0)
Tony G shntool fix of... (0)
(OTS) Nakamichi CM-300/CP-4... (0)
flac16 ; Source: 2 Neumann... (0)
flac24 ; Master Audience... (0)
flac16 ; Master Audience... (0)
flac16 ; Digital FOB by... (0)
flac24 ; Recording Info:... (0)
flac16 ; Recording Info:... (0)
flac16/48kHz ; Source... (0)
flac16 ; Matrix 2 Source... (0)
DTS-Audio-CD 5.1 Mix ; -... (0)
flac16/48kHz ; 5.1 LPCM... (0)
flac1644 ; Matrix by... (0)
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