Grateful Dead 12/27/1989
Oakland-Alameda County Coliseum, Oakland, CA
Source Summary
flac16; Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints
flac16; Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints
Other Sources
SHNID 6662 Dan Healy's Master Soundboard Cassette > CDR;...
SHNID 8960 AUD>DAT>CDR; Seeded to etree by Tim W
SHNID 20785 FOB>Shoeps CMC3/mk-4 > DAT > CDR > WAV > SHNv3;...
SHNID 82051 Source: Dan Healy's Master Soundboard Cassette...
SHNID 88397 flac16 ; SBD -> Dat -> Cassette Master (TDK...
SHNID 105433 flac16 ; Nakamichi Shotgun Mics>Sony...
SHNID 117696 flac16 ; Set 2 only Source: 2 Neumann KMF4...
SHNID 131027 flac16 ; Digital FOB by Lance Deal using...
SHNID 140369 flac24 ; Toa K1’s head high > Sony WM-D6c;...
SHNID 142683 flac16/48kHz ; Source Info: Ted Mattes' Master...
SHNID 142852 flac16 ; Recording Info: UltraMatrix SBD >...
SHNID 142853 flac24 ; Recording Info: UltraMatrix SBD >...
SHNID 144151 flac16 ; Matrix 2 Source Mix - SBD (shnid =...
SHNID 144152 DTS-Audio-CD 5.1 Mix; SBD (shnid = 142853)...
SHNID 144153 flac16/48kHz ; 5.1 LPCM Surround Sound (48k)...
SHNID 165017 flac16; Matrix by Hunter Seamons using Final...
Grateful Dead
1989-12-27
Oakland Coliseum Arena
Oakland, CA
______________________________________________________________________________________________________
*********** This file set is 16 bit *********
Recorded and Mastered by ArchivalAudio [Ian Stoy]
ArchivalAudio [at] gmail [dot] com
______________________________________________________________________________________________________
Front Of Board Master Audience cassette:
Toa K1’s head high > Sony WM-D6c
media: Maxell (Metal position IV) MX c90’s Dolby C on
______________________________________________________________________________________________________
Mastering:
Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48
Transcend 600x SDHD class10 U1 128gb
Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3
Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24
xACT Flac Fingerprints
______________________________________________________________________________________________________
An ArchivalAudio Production 12/2017
First shared at Lossless Legs www.shnflac.net
Grateful Dead 1989-12-27 Oakland Coliseum Arena - Oakland, CA
12/27/89
Oakland Coliseum Arena - Oakland, CA
Set 1:
Crowd
Cold Rain And Snow
Greatest Story Ever Told
Never Trust A Woman
Althea
Me And My Uncle >
Big River
Just Like Tom Thumb's Blues
Birdsong
Promised Land
Set 2:
Iko Iko
Playin' In The Band >
Crazy Fingers >
Uncle John's Band >
Drums
The Wheel >
I Need A Miracle >
Morning Dew
Encore:
Pre Encore Tuning
Johnny B. Goode >
Black Muddy River
All of set 2 with Clarence Clemmons
http://www.setlists.net/?show_id=1927
______________________________________________________________________________________________________
Notes:
______________
I was taping with taper buddy, John DeTally and we were up front in the quite zone with John Ammons, and I think Clay and or Sean, though I am not sure of who exactly we were with, we were acting as quiet blockers and redirecting folks around as best we could. John DeTally and I took turns wearing the mics and running the decks, both WM-D6C's Mine first then his. The blanket space was about half way between the house soundboard mix position and the stage and was fairly large I believe it was 4 large king size tie died sheets sewn together... plus made a few others surrounding the quite fob taping zone... It sounds very sweet way up in there.
I had DIY'd my To a K1 capsules to be "active" from the bodies sometime in 1988 , I believe. Later Some on I knew "machines some threaded parts, though out of aluminum, and with the fine threading it proved to be too soft and would occasionally lose connections, I think for this run I simply had the cables electrical taped on to the caps and bodies. There were multiple pops and high transient clips and crackles, in the left channel. I only ran 12/27 and 12/28 upfront, I did not want the stress on 12./30 or 12/31 so I ran from way in the back in the Official Taping Section (OTS) which was not even on the floor, but in the back elevated stands.
Finally I am able to master both of these FOB nights, and use the right channel to patch the left, where needed. It is certainly a labor of love, but well worth the effort I hope that you enjoy the recordings too.
No EQ or other effects were applied.
Tech Notes:
________________
The first 23 minutes primarily patched with Right as Left (AKA mono).
Cold Rain and Snow to Althea
Multiple patches in Althea.
You will notice patches, but they are better then "dead channel", trust me on that or the sever pops and transient spikes as well as the portions of buzz in the left if it were left untouched.
Patches in Big River
And the Crowd at the end and the beginning of Tom Thumbs, No further patches.... !
Birdsong intact as 2 channel
Very amazing sounding - Check out Birdsong!
No patches in second set
For many years this was the only source I had to listen to my own and is why I started taping, so I could hear the shows I attended.
enjoy - ArchivalAudio
______________________________________________________________________________________________________
length expanded size cdr WAVE problems fmt ratio filename
0:07.27 1298348 B --- -- ---xx flac 0.3979 gd1989-12-27-set1-AA-fob-toaK1-01.flac
6:27.51 68386796 B --- -- ---xx flac 0.4219 gd1989-12-27-set1-AA-fob-toaK1-02.flac
4:35.02 48514748 B --- -- ---xx flac 0.4449 gd1989-12-27-set1-AA-fob-toaK1-03.flac
7:16.62 77056268 B --- -- ---xx flac 0.4152 gd1989-12-27-set1-AA-fob-toaK1-04.flac
9:47.44 103650332 B --- -- ---xx flac 0.4952 gd1989-12-27-set1-AA-fob-toaK1-05.flac
3:15.56 34529756 B --- -- ---xx flac 0.5690 gd1989-12-27-set1-AA-fob-toaK1-06.flac
7:31.57 79690508 B --- -- ---xx flac 0.4969 gd1989-12-27-set1-AA-fob-toaK1-07.flac
5:43.18 60547580 B --- -- ---xx flac 0.4658 gd1989-12-27-set1-AA-fob-toaK1-08.flac
13:58.00 147823244 B --- -- ---xx flac 0.5211 gd1989-12-27-set1-AA-fob-toaK1-09.flac
4:48.44 50906732 B --- -- ---xx flac 0.5614 gd1989-12-27-set1-AA-fob-toaK1-10.flac
0:19.24 3408092 B --- -- ---xx flac 0.4331 gd1989-12-27-set2-AA-fob-toaK1-01.flac
8:25.26 89143196 B --- -- ---xx flac 0.5609 gd1989-12-27-set2-AA-fob-toaK1-02.flac
14:01.03 148359500 B --- -- ---xx flac 0.5340 gd1989-12-27-set2-AA-fob-toaK1-03.flac
8:57.74 94900892 B --- -- ---xx flac 0.5360 gd1989-12-27-set2-AA-fob-toaK1-04.flac
9:09.27 96907148 B --- -- ---xx flac 0.5698 gd1989-12-27-set2-AA-fob-toaK1-05.flac
20:47.54 220097852 B --- -- ---xx flac 0.4755 gd1989-12-27-set2-AA-fob-toaK1-06.flac
5:44.66 60836876 B --- -- ---xx flac 0.5655 gd1989-12-27-set2-AA-fob-toaK1-07.flac
4:03.72 43034588 B --- -- ---xx flac 0.5781 gd1989-12-27-set2-AA-fob-toaK1-08.flac
13:00.31 137664956 B --- -- ---xx flac 0.5442 gd1989-12-27-set2-AA-fob-toaK1-09.flac
0:51.09 9017612 B --- -- ---xx flac 0.4278 gd1989-12-27-set2-AA-fob-toaK1-10.flac
4:08.54 43874252 B --- -- ---xx flac 0.5907 gd1989-12-27-set2-AA-fob-toaK1-11.flac
6:35.35 69760364 B --- -- ---xx flac 0.5262 gd1989-12-27-set2-AA-fob-toaK1-12.flac
159:37.11 1689409640 B 0.5147 (22 files)
1989-12-27
Oakland Coliseum Arena
Oakland, CA
______________________________________________________________________________________________________
*********** This file set is 16 bit *********
Recorded and Mastered by ArchivalAudio [Ian Stoy]
ArchivalAudio [at] gmail [dot] com
______________________________________________________________________________________________________
Front Of Board Master Audience cassette:
Toa K1’s head high > Sony WM-D6c
media: Maxell (Metal position IV) MX c90’s Dolby C on
______________________________________________________________________________________________________
Mastering:
Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48
Transcend 600x SDHD class10 U1 128gb
Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3
Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24
xACT Flac Fingerprints
______________________________________________________________________________________________________
An ArchivalAudio Production 12/2017
First shared at Lossless Legs www.shnflac.net
Grateful Dead 1989-12-27 Oakland Coliseum Arena - Oakland, CA
12/27/89
Oakland Coliseum Arena - Oakland, CA
Set 1:
Crowd
Cold Rain And Snow
Greatest Story Ever Told
Never Trust A Woman
Althea
Me And My Uncle >
Big River
Just Like Tom Thumb's Blues
Birdsong
Promised Land
Set 2:
Iko Iko
Playin' In The Band >
Crazy Fingers >
Uncle John's Band >
Drums
The Wheel >
I Need A Miracle >
Morning Dew
Encore:
Pre Encore Tuning
Johnny B. Goode >
Black Muddy River
All of set 2 with Clarence Clemmons
http://www.setlists.net/?show_id=1927
______________________________________________________________________________________________________
Notes:
______________
I was taping with taper buddy, John DeTally and we were up front in the quite zone with John Ammons, and I think Clay and or Sean, though I am not sure of who exactly we were with, we were acting as quiet blockers and redirecting folks around as best we could. John DeTally and I took turns wearing the mics and running the decks, both WM-D6C's Mine first then his. The blanket space was about half way between the house soundboard mix position and the stage and was fairly large I believe it was 4 large king size tie died sheets sewn together... plus made a few others surrounding the quite fob taping zone... It sounds very sweet way up in there.
I had DIY'd my To a K1 capsules to be "active" from the bodies sometime in 1988 , I believe. Later Some on I knew "machines some threaded parts, though out of aluminum, and with the fine threading it proved to be too soft and would occasionally lose connections, I think for this run I simply had the cables electrical taped on to the caps and bodies. There were multiple pops and high transient clips and crackles, in the left channel. I only ran 12/27 and 12/28 upfront, I did not want the stress on 12./30 or 12/31 so I ran from way in the back in the Official Taping Section (OTS) which was not even on the floor, but in the back elevated stands.
Finally I am able to master both of these FOB nights, and use the right channel to patch the left, where needed. It is certainly a labor of love, but well worth the effort I hope that you enjoy the recordings too.
No EQ or other effects were applied.
Tech Notes:
________________
The first 23 minutes primarily patched with Right as Left (AKA mono).
Cold Rain and Snow to Althea
Multiple patches in Althea.
You will notice patches, but they are better then "dead channel", trust me on that or the sever pops and transient spikes as well as the portions of buzz in the left if it were left untouched.
Patches in Big River
And the Crowd at the end and the beginning of Tom Thumbs, No further patches.... !
Birdsong intact as 2 channel
Very amazing sounding - Check out Birdsong!
No patches in second set
For many years this was the only source I had to listen to my own and is why I started taping, so I could hear the shows I attended.
enjoy - ArchivalAudio
______________________________________________________________________________________________________
length expanded size cdr WAVE problems fmt ratio filename
0:07.27 1298348 B --- -- ---xx flac 0.3979 gd1989-12-27-set1-AA-fob-toaK1-01.flac
6:27.51 68386796 B --- -- ---xx flac 0.4219 gd1989-12-27-set1-AA-fob-toaK1-02.flac
4:35.02 48514748 B --- -- ---xx flac 0.4449 gd1989-12-27-set1-AA-fob-toaK1-03.flac
7:16.62 77056268 B --- -- ---xx flac 0.4152 gd1989-12-27-set1-AA-fob-toaK1-04.flac
9:47.44 103650332 B --- -- ---xx flac 0.4952 gd1989-12-27-set1-AA-fob-toaK1-05.flac
3:15.56 34529756 B --- -- ---xx flac 0.5690 gd1989-12-27-set1-AA-fob-toaK1-06.flac
7:31.57 79690508 B --- -- ---xx flac 0.4969 gd1989-12-27-set1-AA-fob-toaK1-07.flac
5:43.18 60547580 B --- -- ---xx flac 0.4658 gd1989-12-27-set1-AA-fob-toaK1-08.flac
13:58.00 147823244 B --- -- ---xx flac 0.5211 gd1989-12-27-set1-AA-fob-toaK1-09.flac
4:48.44 50906732 B --- -- ---xx flac 0.5614 gd1989-12-27-set1-AA-fob-toaK1-10.flac
0:19.24 3408092 B --- -- ---xx flac 0.4331 gd1989-12-27-set2-AA-fob-toaK1-01.flac
8:25.26 89143196 B --- -- ---xx flac 0.5609 gd1989-12-27-set2-AA-fob-toaK1-02.flac
14:01.03 148359500 B --- -- ---xx flac 0.5340 gd1989-12-27-set2-AA-fob-toaK1-03.flac
8:57.74 94900892 B --- -- ---xx flac 0.5360 gd1989-12-27-set2-AA-fob-toaK1-04.flac
9:09.27 96907148 B --- -- ---xx flac 0.5698 gd1989-12-27-set2-AA-fob-toaK1-05.flac
20:47.54 220097852 B --- -- ---xx flac 0.4755 gd1989-12-27-set2-AA-fob-toaK1-06.flac
5:44.66 60836876 B --- -- ---xx flac 0.5655 gd1989-12-27-set2-AA-fob-toaK1-07.flac
4:03.72 43034588 B --- -- ---xx flac 0.5781 gd1989-12-27-set2-AA-fob-toaK1-08.flac
13:00.31 137664956 B --- -- ---xx flac 0.5442 gd1989-12-27-set2-AA-fob-toaK1-09.flac
0:51.09 9017612 B --- -- ---xx flac 0.4278 gd1989-12-27-set2-AA-fob-toaK1-10.flac
4:08.54 43874252 B --- -- ---xx flac 0.5907 gd1989-12-27-set2-AA-fob-toaK1-11.flac
6:35.35 69760364 B --- -- ---xx flac 0.5262 gd1989-12-27-set2-AA-fob-toaK1-12.flac
159:37.11 1689409640 B 0.5147 (22 files)
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FOB>Shoeps CMC3/mk-4 > DAT... (1)
Source: Dan Healy's Master... (1)
flac16 ; SBD -> Dat ->... (1)
flac16 ; Nakamichi Shotgun... (0)
flac16 ; Set 2 only... (0)
flac16 ; Digital FOB by... (0)
flac24 ; Toa K1’s head... (0)
flac16/48kHz ; Source... (0)
flac16 ; Recording Info:... (0)
flac24 ; Recording Info:... (0)
flac16 ; Matrix 2 Source... (0)
DTS-Audio-CD 5.1 Mix; SBD... (0)
flac16/48kHz ; 5.1 LPCM... (0)
flac16; Matrix by Hunter... (0)
Dan Healy's Master... (1)
AUD>DAT>CDR; Seeded to... (0)
FOB>Shoeps CMC3/mk-4 > DAT... (1)
Source: Dan Healy's Master... (1)
flac16 ; SBD -> Dat ->... (1)
flac16 ; Nakamichi Shotgun... (0)
flac16 ; Set 2 only... (0)
flac16 ; Digital FOB by... (0)
flac24 ; Toa K1’s head... (0)
flac16/48kHz ; Source... (0)
flac16 ; Recording Info:... (0)
flac24 ; Recording Info:... (0)
flac16 ; Matrix 2 Source... (0)
DTS-Audio-CD 5.1 Mix; SBD... (0)
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flac16; Matrix by Hunter... (0)
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