Grateful Dead 08/30/1983
Silva Hall, Hult Center, Eugene, OR
Source Summary
flac24/48 Source: MAC: Beyer M201's X-Y 7'up > Sony TCD5M no dolby Denon DXM 90 Metal x 2 Location: ~70 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
flac24/48 Source: MAC: Beyer M201's X-Y 7'up > Sony TCD5M no dolby Denon DXM 90 Metal x 2 Location: ~70 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
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SHNID 12485 AUD (Senn. 421?s)> MC> DAT> CDR; Eac >cool edit...
SHNID 15110 Keysey intro: MSC>Cass. x 2>PCM>DAT>CDR Set Ip...
SHNID 29342 flac16 ; Source: Sennheiser 421's > Sony TC-D5...
SHNID 111590 flac16 ; Source: 2 Sennheiser 441 microphones...
SHNID 141487 flac24 ; Source Info: Otto Rice's Master (FOB)...
SHNID 141488 flac16 ; Source Info: Otto Rice's Master (FOB)...
SHNID 142996 flac16/44.1kh Source: MAC: Beyer M201's...
SHNID 148764 flac16/48kHz ; Source Info: Mark Severson's...
SHNID 148765 flac24 ; Source Info: Mark Severson's Master...
Grateful Dead
Date 1983-08-30
Silva Hall at the Hult Center
Eugene OR
d1t01 - Feel Like A Stranger /
d1t02 - Candyman /
d1t03 - My Brother Esau /
d1t04 - Dire Wolf /
d1t05 - Little Red Rooster /
d1t06 - Tennessee Jed //
d1t07 - Lazy Lightnin' > Supplication >
d1t08 - Deal
d2t01 - Touch Of Grey >
d2t02 - Samson And Delilah
d2t03 - Terrapin Station >
d2t04 - Drums >
d2t05 - Space > //
d2t06 - Throwing Stones >
d2t07 - Not Fade Away >
d2t08 - Wharf Rat >
d2t09 - Sugar Magnolia
d2t10 - Encore Brokedown Palace
/ Tape paused between songs
// Tape Flip
Source: MAC: Beyer M201's X-Y 7'up > Sony TCD5M no dolby
Denon DXM 90 Metal x 2
Location: ~70 feet from stage, DFC
Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7
Audacity > cdwav editor > TLH flac level 8
This is 24 bit copy
Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney
Transferred: Kyle Holbrook
==================================================================================================================
The tour story:
We met Ken Kesey on the street across from the restaurant we ate breakfast at in Eugene. I would not have know it was him by face, but one of us shouted "Hey Ken" and then as he walked toward us said in a lower voice, "That's Ken Kesey". We were standing in front of Chris' Saab with the D5 on the hood, headphones plugged in and letting some new friends we made in the restaurant listen to the night one recording. So, Ken Kesey walks up, says "Hey fellas", points to the deck and asks me, "Is that Last night?"; I say yes, he asks to listen. We handed him the headphones (He IS/was tall) he took a quick listen, handed the phones back, said it sounded great and engaged us in conversation for a few minutes. I think he actually thanked us for coming to Eugene!
I could probably stop with the story right there now that I think about it 35 years later!
The rest of the story goes as the previous night. Tickets were so hard to find, our counterfeit friends had set up shop big time and were making them look VERY accurate.WE were able to obtain tickets for a couple of us but some of us still resorted to the stub in scam. Which only seemed to work until just before the show started. Once the show started, they must have figured out the scam as they started using a marker to signal a used ticket. This rendered the stub in scam useless but made more determination to make more tickets at Kinkos for night three. I will say in my up until then 3 years being a Deadhead I had never witnessed such a thing. I can't, however, say it was the last time I witnessed such scheming behavior; I observed all sorts of sneaking in scams in the 1990's being a lot vendor.
As for the show and recording I can offer an opinion that this was a nice tight show fitting into the venues curfew and the recording seems to be the most up front of the three nights. The Candyman, Brother Esau sequence is one to pay attention to. I really liked the second set. The song selection would be considered "classic dead" by 1990's standards but in 1983 Touch of Grey and Throwing Stones were relatively new and getting quite the workout in the rotation. The finale of Touch of Grey fades into Samson and Delilah as we were reminded that it was a Sunday and the whole place was singing "If I Had My Way I'd Tear This Old Building Down"! Wonder how that made the architects of the brand new performance space feel. The rest of the set is strong, I like the Wharf Rat with Jerry doing nice vocals and sweet solo runs with the crowd so quiet in this fine acoustic space. A rousing Sugar Mags and Brokedown to send us into the Saturday night with a tight curfew making for a somewhat short runtime.
- - - - -
length expanded size cdr WAVE problems fmt ratio filename
8:28.853 146549804 B cxx -- ---xx flac 0.7512 gd1983-08-30beyerm201-24s1t01.flac
6:28.040 111755564 B cxx -- ---xx flac 0.7333 gd1983-08-30beyerm201-24s1t02.flac
5:12.227 89921324 B cxx -- ---xx flac 0.7448 gd1983-08-30beyerm201-24s1t03.flac
3:27.613 59792684 B cxx -- ---xx flac 0.7474 gd1983-08-30beyerm201-24s1t04.flac
8:57.773 154878764 B cxx -- ---xx flac 0.7469 gd1983-08-30beyerm201-24s1t05.flac
8:32.507 147601964 B cxx -- ---xx flac 0.7477 gd1983-08-30beyerm201-24s1t06.flac
11:57.787 206722604 B cxx -- ---xx flac 0.7691 gd1983-08-30beyerm201-24s1t07.flac
8:27.672 146209520 B cxx -- ---xx flac 0.7655 gd1983-08-30beyerm201-24s1t08.flac
6:10.893 106817324 B cxx -- ---xx flac 0.7685 gd1983-08-30beyerm201-24s2t01.flac
7:48.000 134784044 B cxx -- ---xx flac 0.7655 gd1983-08-30beyerm201-24s2t02.flac
16:02.187 277109804 B cxx -- ---xx flac 0.7436 gd1983-08-30beyerm201-24s2t03.flac
8:56.400 154483244 B cxx -- ---xx flac 0.7205 gd1983-08-30beyerm201-24s2t04.flac
10:18.947 178256684 B cxx -- ---xx flac 0.6868 gd1983-08-30beyerm201-24s2t05.flac
7:56.507 137233964 B cxx -- ---xx flac 0.7466 gd1983-08-30beyerm201-24s2t06.flac
7:49.240 135141164 B cxx -- ---xx flac 0.7385 gd1983-08-30beyerm201-24s2t07.flac
9:49.187 169685804 B cxx -- ---xx flac 0.7314 gd1983-08-30beyerm201-24s2t08.flac
8:37.587 149065004 B cxx -- ---xx flac 0.7596 gd1983-08-30beyerm201-24s2t09.flac
7:07.801 123206660 B cxx -- ---xx flac 0.7651 gd1983-08-30beyerm201-24s2t10.flac
152:09.219 2629215924 B 0.7453 (18 files)
Date 1983-08-30
Silva Hall at the Hult Center
Eugene OR
d1t01 - Feel Like A Stranger /
d1t02 - Candyman /
d1t03 - My Brother Esau /
d1t04 - Dire Wolf /
d1t05 - Little Red Rooster /
d1t06 - Tennessee Jed //
d1t07 - Lazy Lightnin' > Supplication >
d1t08 - Deal
d2t01 - Touch Of Grey >
d2t02 - Samson And Delilah
d2t03 - Terrapin Station >
d2t04 - Drums >
d2t05 - Space > //
d2t06 - Throwing Stones >
d2t07 - Not Fade Away >
d2t08 - Wharf Rat >
d2t09 - Sugar Magnolia
d2t10 - Encore Brokedown Palace
/ Tape paused between songs
// Tape Flip
Source: MAC: Beyer M201's X-Y 7'up > Sony TCD5M no dolby
Denon DXM 90 Metal x 2
Location: ~70 feet from stage, DFC
Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7
Audacity > cdwav editor > TLH flac level 8
This is 24 bit copy
Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney
Transferred: Kyle Holbrook
==================================================================================================================
The tour story:
We met Ken Kesey on the street across from the restaurant we ate breakfast at in Eugene. I would not have know it was him by face, but one of us shouted "Hey Ken" and then as he walked toward us said in a lower voice, "That's Ken Kesey". We were standing in front of Chris' Saab with the D5 on the hood, headphones plugged in and letting some new friends we made in the restaurant listen to the night one recording. So, Ken Kesey walks up, says "Hey fellas", points to the deck and asks me, "Is that Last night?"; I say yes, he asks to listen. We handed him the headphones (He IS/was tall) he took a quick listen, handed the phones back, said it sounded great and engaged us in conversation for a few minutes. I think he actually thanked us for coming to Eugene!
I could probably stop with the story right there now that I think about it 35 years later!
The rest of the story goes as the previous night. Tickets were so hard to find, our counterfeit friends had set up shop big time and were making them look VERY accurate.WE were able to obtain tickets for a couple of us but some of us still resorted to the stub in scam. Which only seemed to work until just before the show started. Once the show started, they must have figured out the scam as they started using a marker to signal a used ticket. This rendered the stub in scam useless but made more determination to make more tickets at Kinkos for night three. I will say in my up until then 3 years being a Deadhead I had never witnessed such a thing. I can't, however, say it was the last time I witnessed such scheming behavior; I observed all sorts of sneaking in scams in the 1990's being a lot vendor.
As for the show and recording I can offer an opinion that this was a nice tight show fitting into the venues curfew and the recording seems to be the most up front of the three nights. The Candyman, Brother Esau sequence is one to pay attention to. I really liked the second set. The song selection would be considered "classic dead" by 1990's standards but in 1983 Touch of Grey and Throwing Stones were relatively new and getting quite the workout in the rotation. The finale of Touch of Grey fades into Samson and Delilah as we were reminded that it was a Sunday and the whole place was singing "If I Had My Way I'd Tear This Old Building Down"! Wonder how that made the architects of the brand new performance space feel. The rest of the set is strong, I like the Wharf Rat with Jerry doing nice vocals and sweet solo runs with the crowd so quiet in this fine acoustic space. A rousing Sugar Mags and Brokedown to send us into the Saturday night with a tight curfew making for a somewhat short runtime.
- - - - -
length expanded size cdr WAVE problems fmt ratio filename
8:28.853 146549804 B cxx -- ---xx flac 0.7512 gd1983-08-30beyerm201-24s1t01.flac
6:28.040 111755564 B cxx -- ---xx flac 0.7333 gd1983-08-30beyerm201-24s1t02.flac
5:12.227 89921324 B cxx -- ---xx flac 0.7448 gd1983-08-30beyerm201-24s1t03.flac
3:27.613 59792684 B cxx -- ---xx flac 0.7474 gd1983-08-30beyerm201-24s1t04.flac
8:57.773 154878764 B cxx -- ---xx flac 0.7469 gd1983-08-30beyerm201-24s1t05.flac
8:32.507 147601964 B cxx -- ---xx flac 0.7477 gd1983-08-30beyerm201-24s1t06.flac
11:57.787 206722604 B cxx -- ---xx flac 0.7691 gd1983-08-30beyerm201-24s1t07.flac
8:27.672 146209520 B cxx -- ---xx flac 0.7655 gd1983-08-30beyerm201-24s1t08.flac
6:10.893 106817324 B cxx -- ---xx flac 0.7685 gd1983-08-30beyerm201-24s2t01.flac
7:48.000 134784044 B cxx -- ---xx flac 0.7655 gd1983-08-30beyerm201-24s2t02.flac
16:02.187 277109804 B cxx -- ---xx flac 0.7436 gd1983-08-30beyerm201-24s2t03.flac
8:56.400 154483244 B cxx -- ---xx flac 0.7205 gd1983-08-30beyerm201-24s2t04.flac
10:18.947 178256684 B cxx -- ---xx flac 0.6868 gd1983-08-30beyerm201-24s2t05.flac
7:56.507 137233964 B cxx -- ---xx flac 0.7466 gd1983-08-30beyerm201-24s2t06.flac
7:49.240 135141164 B cxx -- ---xx flac 0.7385 gd1983-08-30beyerm201-24s2t07.flac
9:49.187 169685804 B cxx -- ---xx flac 0.7314 gd1983-08-30beyerm201-24s2t08.flac
8:37.587 149065004 B cxx -- ---xx flac 0.7596 gd1983-08-30beyerm201-24s2t09.flac
7:07.801 123206660 B cxx -- ---xx flac 0.7651 gd1983-08-30beyerm201-24s2t10.flac
152:09.219 2629215924 B 0.7453 (18 files)
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