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Gregg Allman 08/12/2014

Artpark, Lewiston, NY
SHNID 143266
Source Summary
flac16/44.1 2 taper matrix Taper 1: Binko Gear: Audio Technica AT 831 mics > Tascam DR-08 Location: immediately behind the soundboard to the right Taper 2: }{eywood Gear: Tascam DR-08 Location: 20 feet in front of hillside PA speaker Transfers and mastering by }{eywood Lineage for both: DR-08 (wav @ 24/96) > USB > Adobe Audition 1.5 (EQ, multitrack synchronization & mixdown, limiting, splits & fades, conversion to 16/44.1) > TLH (SBE fix, flac 8)
Entered by Matt Vernon
Checksums ffp
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10/07/2018
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SHNID 143029 flac16 44.1khz Source: DPA 4061 mics >...
Gregg Allman
Artpark
Lewiston, NY
August 12, 2014

2 taper matrix
16 bit version


Taper 1: Binko
Gear: Audio Technica AT 831 mics > Tascam DR-08
Location: immediately behind the soundboard to the right

Taper 2: }{eywood
Gear: Tascam DR-08
Location: 20 feet in front of hillside PA speaker

Transfers and mastering by }{eywood
Lineage for both: DR-08 (wav @ 24/96) > USB > Adobe Audition 1.5 (EQ, multitrack synchronization & mixdown, limiting, splits & fades, conversion to 16/44.1) > TLH (SBE fix, flac 8)


I've just become aware that Gregg is allowed to be posted on TTD.  I thought that anything Allman Brothers or related was on the NAB list, but I was in error.  So, by request, I'm posting this show.  Before anyone asks, I have no 24 bit version, as I do not archive these space wasting filesets.

This is a mix of two recordings designed to counter the weaknesses of both. Binko's tape had a bit of wind rumble for the last 20 minutes or so (it got really windy near the end, and the windscreens he bought can't withstand gusts like we were having).  My recording came out essentially perfect, but there was no audience at all, making it a bit lifeless.  Also, the PA speaker I sat in front of didn't have the rich tonal quality that the main PA had, so it sounded a bit hollow.  The closeness to it, however, gave a near soundboard quality to the recording, close and dry.  Mixing the two together allowed me to retain the crowd and tonal quality of Binko's tape, yet add to it the clarity of my recording.  It also allowed me to scoop out the low end on Binko's recording where the wind rumble was while retaining the lows from my recording. Together they sound better than either one did separately.


01 Statesboro Blues
02 I'm No Angel
03 I Can't Be Satisfied
04 I Found a Love
05 Ain't Wastin' Time No More
06 Before The Bullets Fly
07 Sweet Feelin'
08 Ebdless Road
09 Cradle of Civilization
10 Melissa
11 Black Hearted Woman >
12 Hot 'lanta
13 Please Call Home
14 Midnight Rider
15 Love Like Kerosene
16 Whipping Post

17 One Way Out





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