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Bob Weir & The Wolf Brothers 02/29/2020

Bob Carr Theater, Orlando, FL
SHNID 150177
Source Summary
Source: AKG ck63 (Hypers/XY) > nBob Actives > MixPre-3 (24/48) > SD Card
Location: FOB/SLOC ~4’ (Set I) | ~5.5’ (Set II) (Orch Left | Row GG | Seat 18, clamped to armrest) Transfer: Wave Agent (Split PolyWav Files) > Audacity (Normalizing/Fades) > dBpoweramp (Conversion to 16/44.1) > CD Wave (Tracking) > Trader's Little Helper (Fix SBEs/FLAC Level 8)
Recorded & Transferred by mccordo
Entered by Mark Goldey
Checksums ffp
Disc Counts 0 / 0
Media Size
Date Circulated
Date Added
03/03/2020
06/21/2020
Downloads Download Text | Download Zip
Archive Identifier bwwb2020-02-29.AKGck63 ↗

Other Sources
Bob Weir & Wolf Bros.
2/29/2020
Bob Carr Theater
Orlando, FL

Source: AKG ck63 (Hypers/XY) > nBob Actives > MixPre-3 (24/48) > SD Card
Location: FOB/SLOC ~4’ (Set I) | ~5.5’ (Set II) (Orch Left | Row GG | Seat 18, clamped to armrest)
Transfer: Wave Agent (Split PolyWav Files) > Audacity (Normalizing/Fades) > dBpoweramp (Conversion to 16/44.1) > CD Wave (Tracking) > Trader's Little Helper (Fix SBEs/FLAC Level 8)
Recorded & Transferred by mccordo

Set I
1. Intro/Crowd
2. Iko Iko
3. Ramble On Rose
4. Only a River
5. Deep Elum Blues
6. Little Red Rooster
7. The Maker
8. The Music Never Stopped >
9. Easy Answers >
10. The Music Never Stopped
11. Crowd/Outro

Set II
1. Intro/Crowd
2. Me and Bobby McGee
3. Scarlet Begonias >
4. Two Dijnn
5. The Other One >
6. Dear Prudence
7. One More Saturday Night
(Encore)
8. Crowd
9. Knocking on Heaven’s Door
10. Crowd/Outro

Notes:
My seat was 7th row about 4 seats left of DFC. For the first set I clamped onto the seat armrest with an extension pole completely collapsed so it was about head height when seated since everyone was sitting down prior to the show. As soon as the music started, everybody stood up and remained up for the rest of the set. During setbreak I raised the extension pole ~1.5' to make it just under standing head height for the second set. This was fine until the balloons appeared, leading to a direct hit and a handful of pops from me swatting balloons away from close proximity of the mics. Most of the balloon pops and loudest of claps have lowered in volume or edited out.

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