Blues Traveler 12/30/1997
Pompano Beach Amphitheater, Pompano Beach, FL
Source Summary
Master: DAT>SBD + AKG 391's>Tascam DA-P1
SBD by Jason Millner; AUD taper unknown
Matrixing: SHN>WAV>SoundEdit 6.0>CD Wave>SHN
by Peter Park [jeepark20@hotmail.com]
Master: DAT>SBD + AKG 391's>Tascam DA-P1
SBD by Jason Millner; AUD taper unknown
Matrixing: SHN>WAV>SoundEdit 6.0>CD Wave>SHN
by Peter Park [jeepark20@hotmail.com]
Other Sources
SHNID 9311 Master: SBD>DA-P1 by Jason Millner...
SHNID 28019 Master: SBD>DA-P1 by Jason Millner...
SHNID 9311 Master: SBD>DA-P1 by Jason Millner...
SHNID 28019 Master: SBD>DA-P1 by Jason Millner...
Blues Traveler
12-30-97 Pompano Beach Amphitheater, Pompano Beach Florida
Original SBD Source:
SBD>DAT>Hard Drive via Prodiff Plus with Samplitude Project 5.5
Tracks separated via CD Wave
Converted to shn via mkw Audio Compression Tool
Taped by Jason Millner
Converted by the Rev. Kevin Robbins
Original AUD Source:
AKG 391->Tascam DA-P1 20 Rows, Center
Transfered to CD: D100->Philips 870, unknown method
Matrix Compiled using Soundforge 6.0
Tracks seperated via CD wave
Disc One:
1. But Anyway 06:29
2. Justify the Thrill-> 04:07
3. Carolina Blues 05:34
4. NY Prophesie-> 05:15
5. The Joker 07:44
6. Whoops 13:36
7. Outta My Hands*-> 04:52
8. Go Outside and Drive*-> 08:53
9. Low Rider*-> 03:40
10. Go Outside and Drive*-> 04:16
11. Blister In The Sun*-> 01:17
12. Go Outside and Drive* 02:24
Total Time: 68:04
Disc Two:
1. Alone** 19:02
2. Best Part** 05:38
3. Manhattan Bridge**-> 03:35
4. Runaround** 05:35
5. Stand 06:39
6. Psycho Joe 05:18
7. Yours 07:59
8. Come Together-> 04:55
9. MotherFunker 08:47
10. Band Intro 01:07
11. Encore: Johnny B. Goode 02:54
Total Time: 61:26
*=with Nil Lara
**=Acoustic
Notes:
The SBD copy is missing most of But Anyway. Threfore, SBD portion of the show was not mixed/matrixed into disc one until Justify The Thrill. This also gives you a taste of what the true AUD copy sounds like with But Anyway. If you want the same SBD only comparison, d/l But Anwyay, which is approx. one min in length.
The approximate matrix mix was 75/25 SBD/AUD. The levels were a bit hotter on the AUD mix, therefore the actual sound volume matrix is approximately 65/35 SBD/AUD.
12-30-97 Pompano Beach Amphitheater, Pompano Beach Florida
Original SBD Source:
SBD>DAT>Hard Drive via Prodiff Plus with Samplitude Project 5.5
Tracks separated via CD Wave
Converted to shn via mkw Audio Compression Tool
Taped by Jason Millner
Converted by the Rev. Kevin Robbins
Original AUD Source:
AKG 391->Tascam DA-P1 20 Rows, Center
Transfered to CD: D100->Philips 870, unknown method
Matrix Compiled using Soundforge 6.0
Tracks seperated via CD wave
Disc One:
1. But Anyway 06:29
2. Justify the Thrill-> 04:07
3. Carolina Blues 05:34
4. NY Prophesie-> 05:15
5. The Joker 07:44
6. Whoops 13:36
7. Outta My Hands*-> 04:52
8. Go Outside and Drive*-> 08:53
9. Low Rider*-> 03:40
10. Go Outside and Drive*-> 04:16
11. Blister In The Sun*-> 01:17
12. Go Outside and Drive* 02:24
Total Time: 68:04
Disc Two:
1. Alone** 19:02
2. Best Part** 05:38
3. Manhattan Bridge**-> 03:35
4. Runaround** 05:35
5. Stand 06:39
6. Psycho Joe 05:18
7. Yours 07:59
8. Come Together-> 04:55
9. MotherFunker 08:47
10. Band Intro 01:07
11. Encore: Johnny B. Goode 02:54
Total Time: 61:26
*=with Nil Lara
**=Acoustic
Notes:
The SBD copy is missing most of But Anyway. Threfore, SBD portion of the show was not mixed/matrixed into disc one until Justify The Thrill. This also gives you a taste of what the true AUD copy sounds like with But Anyway. If you want the same SBD only comparison, d/l But Anwyay, which is approx. one min in length.
The approximate matrix mix was 75/25 SBD/AUD. The levels were a bit hotter on the AUD mix, therefore the actual sound volume matrix is approximately 65/35 SBD/AUD.
Comments
Date: 02/20/2003
User:
greenone
Additional comments from Pete:
Background Info 01/21/2003
I was really interested in creating a post Soundboard/Audience matrix since November 1997 when I first heard the DATSBD source of the Chicago show. Unfortunately I never had a chance to aquire a good audience copy of the 11/22/97 show. Additionally, the trashing my CPU/Hard drive would take back then seemed too time consuming (running a newly introduced Pentium 2 back then). It took me literally hours to just transfer DAT->Hard drive->CD. With the new processor speeds, (I am currently using a Pentium 3 with 364 megs ram) I knew this process could be done in a decent amount of time.
When I downloaded 12/30/97 SBD off of Marc's server, I noticed several "flaws". First off, the majority of But Anyway was missing. The tape/cd itself sounded as I would describe it to be dry and flat, almost had no life. The music itself was nice, but the SBD source didn't have that "concert" feel to it. Most soundboards have a small problem with this, but I thought this show particularly worse off.
The audience copy of this show I recieved on disc several years ago, early 1998, right after the show. Overall, I thought the sound was fairly good, but being so Front of Board (20 rows back, I assume the mics were not allowed to be 15ft high), the immediate crowd noise around the mics were very loud throughout the whole show.
In the end, what I wanted to accomplish with this Matrix is that this is the best of both worlds. The music clearity, presence and stereo affects are all there, along with the crowd interaction.
In end, even the band does not Matrix shows for live releases, which I think is a damn shame. Some of the complaints of "What You And I Have Been Through" are exactly this, flat, dry SBD sound. Maybe this will inspire them to try a new live release in this format (doubtful, but hey wishing doesn't hurt).
Let me know what you think, and if this is worthwhile in the future.
Pete
jeepark20@hotmail.com
Background Info 01/21/2003
I was really interested in creating a post Soundboard/Audience matrix since November 1997 when I first heard the DATSBD source of the Chicago show. Unfortunately I never had a chance to aquire a good audience copy of the 11/22/97 show. Additionally, the trashing my CPU/Hard drive would take back then seemed too time consuming (running a newly introduced Pentium 2 back then). It took me literally hours to just transfer DAT->Hard drive->CD. With the new processor speeds, (I am currently using a Pentium 3 with 364 megs ram) I knew this process could be done in a decent amount of time.
When I downloaded 12/30/97 SBD off of Marc's server, I noticed several "flaws". First off, the majority of But Anyway was missing. The tape/cd itself sounded as I would describe it to be dry and flat, almost had no life. The music itself was nice, but the SBD source didn't have that "concert" feel to it. Most soundboards have a small problem with this, but I thought this show particularly worse off.
The audience copy of this show I recieved on disc several years ago, early 1998, right after the show. Overall, I thought the sound was fairly good, but being so Front of Board (20 rows back, I assume the mics were not allowed to be 15ft high), the immediate crowd noise around the mics were very loud throughout the whole show.
In the end, what I wanted to accomplish with this Matrix is that this is the best of both worlds. The music clearity, presence and stereo affects are all there, along with the crowd interaction.
In end, even the band does not Matrix shows for live releases, which I think is a damn shame. Some of the complaints of "What You And I Have Been Through" are exactly this, flat, dry SBD sound. Maybe this will inspire them to try a new live release in this format (doubtful, but hey wishing doesn't hurt).
Let me know what you think, and if this is worthwhile in the future.
Pete
jeepark20@hotmail.com
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