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Los Lobos 02/20/2003

The Conga Room, Los Angeles, CA
SHNID 15531
Source Summary
Master: Neumann KM 140's (ORTF, suspended over main floor from ceiling beam, 15'from stage, 8' high, center) > SD MP-2 > SBM-1 > DAT @48kHz (D8) Transfer: DAT @ 48kHz (PCM R500) > VXPocket v2>Sound Forge (v. 4.5a) (48>44.1kHz resample) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN Mastered and Transfered by Dan Gale (dgale@loslobos.org) http://LosLobos.setlist.com
Entered by John Cook
Checksums d1, d2
Disc Counts 1 / 2
Media Size
Date Circulated
Date Added
02/28/03
02/28/2003
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Los Lobos
20-Feb-2003
The Conga Room
Los Angeles, CA

(Benefit for Los Lobos Scholarship Fund)

***FOR TRADE ONLY***
Please Do Not encode to MP3

Master: Neumann KM 140's (ORTF, suspended over main floor from ceiling beam,
- 15'from stage, 8' high, center) > SD MP-2 > SBM-1 > DAT @48kHz (D8)

Transfer: DAT @ 48kHz (PCM R500) > VXPocket v2 > Sound Forge (v. 4.5a) (48>44.1kHz resample)> WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN

Mastered and Transfered by Dan Gale (dgale@loslobos.org)
http://LosLobos.setlist.com


Disc 1:
01. El Canelo *  5:09
02. La Iguana *  4:42
03. La Pistola y El Coraz?n *  4:15
04. La Feria de Las Flores *  3:34
05. Imploraci?n *  3:53
06. Los Ojos de Pancha *  3:58
07. Sabor a M? *  5:53
08. Bon Bon de Elena *  5:21
09. Luz De Mi Vida  5:10
10. Malaq?e>  5:19
11. Maria Christina  4:55
12. Carabina 30-30  4:04
13. Soy Mexico Americano  2:39
14. Volver, Volver  4:33
15. Big Boss Man Tease  0:52

Disc 2:
01. Cumbia Raza +  7:25
02. Good Morning Aztl?n  5:09
---------
Encores:
03. Crowd/Tuning  1:47
04. Maricela  5:32
05. Mas y Mas  10:16

* Performed with acoustic instruments
+ with David Hidalgo on percussion

Note:  This show was plagued with various sound problems, including an intermittent PA buzz (due to grounding problems caused by the last minute addition of a neon light over the stage by venue staff), and low vocal levels in the mix (especially Cesar's vocals durint the acoustic portion).  In addition, the uptight nature of the venue management resulted in the need to suspend mics out of sight from a ceiling beam near the stage...this recording suffers somewhat from these problems but otherwise captures a unique and enjoyable show.

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