Grateful Dead 10/09/1989
Hampton Coliseum, Hampton, VA
Source Summary
flac16; Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack and Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 80840 & 125738.
flac16; Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack and Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 80840 & 125738.
Other Sources
SHNID 443 Schoeps CMC421 (note change from previous mic...
SHNID 2276 SBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan...
SHNID 7721 Lineage: SBD > PCM (analog output) > D > D > D...
SHNID 17704 FOB Schoeps CMC421> DAT> HHB standalone CD>...
SHNID 26235 DTS-Audio-CD 5.1 Mix; SBD: PCM (analog out) >...
SHNID 26236 SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD:...
SHNID 31211 Recording by: Rob R 3 Nak CM300 - 2 CP4's and 1...
SHNID 32902 flac16 ; Recording Info: SBD -> Dat (48k)...
SHNID 80840 flac16 ; Recording Info: SBD -> Dat (48k)...
SHNID 89563 flac16 ; AUD: Nakamichi CM300's w/CP4 shotguns...
SHNID 92005 DTS Audio 5.1 Mix ; 4 Source Mix - SBD (ShnID...
SHNID 92495 flac16 ; SBD + AUD Matrix - 4 Source Mix...
SHNID 92553 - 4 Source Mix - DVD-Audio 5.1 Surround (6ch x...
SHNID 99647 flac16 ; Source: Nakamichi cm300/cp4->Sony...
SHNID 116646 flac16 ; Source: (OTS) Nakamichi cm300/cp4's >...
SHNID 120403 flac24 ; Master Audience Supplied By Mr....
SHNID 120404 flac16 ; Master Audience Supplied By Mr....
SHNID 125737 flac16/48kHz ; Source: Schoeps CMC3/MK4 > Oade...
SHNID 125738 flac16 ; Source: Schoeps CMC3/MK4 > Oade P/S >...
SHNID 131003 flac16 ; Master Digital FOB Recording by Lance...
SHNID 142510 flac16/48kHz ; Source Info: Ted Mattes' Master...
SHNID 147611 flac24 ; Recording Info: UltraMatrix SBD >...
SHNID 147621 flac16 ; Recording Info: UltraMatrix SBD >...
SHNID 154041 flac16 ; Matrix 2 Source Mix>/i> - SBD (shnid...
SHNID 154042 DTS-Audio-CD 5.1 Mix ; - SBD (shnid = 147611)...
SHNID 154043 flac16/48kHz ; 5.1 LPCM Surround Sound (48k)...
Grateful Dead
"Formerly The Warlocks"
Hampton Coliseum
Hampton, VA
October 9, 1989
Jerry Garcia - Lead Guitar, Vocals
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Brent Mydland - Keyboards, Vocals
Bob Weir - Rhythm Guitar, Vocals
*Matrix*
-----------------------------------------------------------------
SBD (shnid=80840):
Recording Info:
SBD -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 26, 2006
Patch Info:
The following songs were patched from Cassette Master SBD
Little Red Rooster, Ramble On Rose, Jack-A-Roe through Row Jimmy
Notes:
-- This has an upgraded patch source
-- Discs 2 and 3 can be re-joined seamlessly
-----------------------------------------------------------------
AUD (shnid=125738):
**16 bit/44.1khz**
Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz)
Location: FOB
Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>
Wave Editor 1.5.7 (iZotope Resampler)>
xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped by: Ted Mattes
DAT clone (2) provided by: Craig Hillwig
Transferred and seeded by: Lenny Stubbe
Seeded to etree on:
09/22/2013
-----------------------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
to Ted Mattes for recording the show,
and to Lenny Stubbe for the AUD transfer.
Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack and Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
October 9, 2022
Set I
-----
d1t01 - Feel Like A Stranger
d1t02 - Built To Last
d1t03 - Little Red Rooster
d1t04 - Ramble On Rose
d1t05 - We Can Run
d1t06 - Jack-A-Roe
d1t07 - Stuck Inside Of Mobile With The Memphis Blues Again
d1t08 - Row Jimmy
d1t09 - The Music Never Stopped
Set II
-----
d2t01 - Playing In The Band >
d2t02 - Uncle John's Band >
d2t03 - Playing In The Band >
d2t04 - Dark Star >
d2t05 - Drums >
d3t01 - Space >
d3t02 - Death Don't Have No Mercy >
d3t03 - Dear Mr. Fantasy >
d3t04 - Hey Jude >
d3t05 - Throwing Stones >
d3t06 - Good Lovin'
Encore
------
d3t07 - Attics Of My Life
Notes:
The cassette master soundboard patches were pitch corrected: Little Red Rooster, Ramble On Rose, Jack-A-Roe, Memphis Blues, and Row Jimmy.
Clicks and pops removed throughout the SBD recording.
A tonal shift occurs at the beginning of Memphis Blues in the SBD.
No EQ done for this matrix.
Review:
On this day in 1989 the Grateful Dead played at Hampton Coliseum for the second night of their now-famous pair of shows there, billed as “Formerly The Warlocks.” The sudden change to the group’s original thaumaturgic name was part of their larger logistical efforts to diminish what had become a roving sea of Dead Heads and partygoers to their concerts, an enduring psychedelic scene that had grown enormously since Jerry Garcia’s near-death experience in 1986 and the subsequent mainstream success of In The Dark and its hit single, “Touch Of Grey,” in 1987. The thousands of extra people invading towns by then was becoming a major issue for some locals and the authorities, along with the occasional problems such gigantic party gatherings outside the venues could precipitate. So, in light of several incidents the previous year that resulted in the Dead being banned from the Coliseum, these October dates in Hampton were their first “stealth” shows to maintain a low profile and curb the traveling circus. There were no mail-order tickets and the concerts were announced about a week before they occurred. Additionally, per a signed letter by the band that was sent out to fans and forwarded to media outlets, no vending or camping was allowed on the tour. The strategy seemed to work overall. While tons of people still managed to show up for the festivities, there were no troubles in Hampton that year and the Dead would return for two more shows in 1992.
Now regarding the music from this evening, this was not just another well played fall ’89 show from a great tour; October 9 in Hampton would prove to be one of the Dead’s most historically significant shows of their career. The Warlocks moniker was important, for sure, but adding to the show’s mystique was the epic return of “Dark Star” since its last performance five years earlier. The audience reaction on this recording says it all and can barely be contained, as fans cheer wildly for a whole minute before Jerry comes in with the first verse, where they erupt into cheers again. They play “Dark Star” for almost twenty minutes, replete with new MIDI effects and some ominous deep-dives through sonic interstellar space, a real beast of a version. Out of the following “Drums/Space” segment the crowd gets treated to an ultra rare performance of Reverend Gary Davis’s “Death Don’t Have No Mercy” blues number, hearkening back to 1969 and the Live/Dead album. Then we get yet another revival for the encore, “Attics Of My Life,” the melancholic Garcia/Hunter ballad from American Beauty, last played on 10/28/72. Brent Mydland now contributes to the vocal harmonies on this haunting rendition. Also worth mentioning is that the show’s opener, “Feel Like A Stranger,” would eventually become the first song on their 1990 live album, Without A Net. . . . We are pleased to offer up this magical night on its 33rd anniversary as a newly forged matrix, using John Cutler’s 24-track recording mixed with Ted Mattes’s superb audience tape, gratefully presented here as Volume 144.
length expanded size cdr WAVE problems fmt ratio filename
8:35.69 91008332 B --- -- ---xx flac 0.5919 gd89-10-09d1t01.flac
5:22.00 56800844 B --- -- ---xx flac 0.6053 gd89-10-09d1t02.flac
9:27.28 100084700 B --- -- ---xx flac 0.5700 gd89-10-09d1t03.flac
8:04.36 85462316 B --- -- ---xx flac 0.5615 gd89-10-09d1t04.flac
6:42.15 70948124 B --- -- ---xx flac 0.5993 gd89-10-09d1t05.flac
4:37.26 48923996 B --- -- ---xx flac 0.6179 gd89-10-09d1t06.flac
11:20.73 120123740 B --- -- ---xx flac 0.5664 gd89-10-09d1t07.flac
11:07.47 117769388 B --- -- ---xx flac 0.5627 gd89-10-09d1t08.flac
8:12.41 86885276 B --- -- ---xx flac 0.6145 gd89-10-09d1t09.flac
11:16.03 119253500 B --- -- ---xx flac 0.5630 gd89-10-09d2t01.flac
12:05.37 127977068 B --- -- ---xx flac 0.5645 gd89-10-09d2t02.flac
2:20.61 24839516 B --- -- ---xx flac 0.6120 gd89-10-09d2t03.flac
19:22.66 205132076 B --- -- ---xx flac 0.5342 gd89-10-09d2t04.flac
9:11.04 97205852 B --- -- ---xx flac 0.4610 gd89-10-09d2t05.flac
7:41.07 81336908 B --- -- ---xx flac 0.5037 gd89-10-09d3t01.flac
8:34.70 90834284 B --- -- ---xx flac 0.5734 gd89-10-09d3t02.flac
5:14.13 55420220 B --- -- ---xx flac 0.6040 gd89-10-09d3t03.flac
3:12.07 33885308 B --- -- ---xx flac 0.6072 gd89-10-09d3t04.flac
10:18.04 109024652 B --- -- ---xx flac 0.5631 gd89-10-09d3t05.flac
9:22.27 99200348 B --- -- ---xx flac 0.5518 gd89-10-09d3t06.flac
5:30.61 58355516 B --- -- ---xx flac 0.5337 gd89-10-09d3t07.flac
177:40.20 1880471964 B 0.5622 (21 files)
"Formerly The Warlocks"
Hampton Coliseum
Hampton, VA
October 9, 1989
Jerry Garcia - Lead Guitar, Vocals
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Brent Mydland - Keyboards, Vocals
Bob Weir - Rhythm Guitar, Vocals
*Matrix*
-----------------------------------------------------------------
SBD (shnid=80840):
Recording Info:
SBD -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 26, 2006
Patch Info:
The following songs were patched from Cassette Master SBD
Little Red Rooster, Ramble On Rose, Jack-A-Roe through Row Jimmy
Notes:
-- This has an upgraded patch source
-- Discs 2 and 3 can be re-joined seamlessly
-----------------------------------------------------------------
AUD (shnid=125738):
**16 bit/44.1khz**
Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz)
Location: FOB
Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>
Wave Editor 1.5.7 (iZotope Resampler)>
xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped by: Ted Mattes
DAT clone (2) provided by: Craig Hillwig
Transferred and seeded by: Lenny Stubbe
Seeded to etree on:
09/22/2013
-----------------------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
to Ted Mattes for recording the show,
and to Lenny Stubbe for the AUD transfer.
Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack and Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
October 9, 2022
Set I
-----
d1t01 - Feel Like A Stranger
d1t02 - Built To Last
d1t03 - Little Red Rooster
d1t04 - Ramble On Rose
d1t05 - We Can Run
d1t06 - Jack-A-Roe
d1t07 - Stuck Inside Of Mobile With The Memphis Blues Again
d1t08 - Row Jimmy
d1t09 - The Music Never Stopped
Set II
-----
d2t01 - Playing In The Band >
d2t02 - Uncle John's Band >
d2t03 - Playing In The Band >
d2t04 - Dark Star >
d2t05 - Drums >
d3t01 - Space >
d3t02 - Death Don't Have No Mercy >
d3t03 - Dear Mr. Fantasy >
d3t04 - Hey Jude >
d3t05 - Throwing Stones >
d3t06 - Good Lovin'
Encore
------
d3t07 - Attics Of My Life
Notes:
The cassette master soundboard patches were pitch corrected: Little Red Rooster, Ramble On Rose, Jack-A-Roe, Memphis Blues, and Row Jimmy.
Clicks and pops removed throughout the SBD recording.
A tonal shift occurs at the beginning of Memphis Blues in the SBD.
No EQ done for this matrix.
Review:
On this day in 1989 the Grateful Dead played at Hampton Coliseum for the second night of their now-famous pair of shows there, billed as “Formerly The Warlocks.” The sudden change to the group’s original thaumaturgic name was part of their larger logistical efforts to diminish what had become a roving sea of Dead Heads and partygoers to their concerts, an enduring psychedelic scene that had grown enormously since Jerry Garcia’s near-death experience in 1986 and the subsequent mainstream success of In The Dark and its hit single, “Touch Of Grey,” in 1987. The thousands of extra people invading towns by then was becoming a major issue for some locals and the authorities, along with the occasional problems such gigantic party gatherings outside the venues could precipitate. So, in light of several incidents the previous year that resulted in the Dead being banned from the Coliseum, these October dates in Hampton were their first “stealth” shows to maintain a low profile and curb the traveling circus. There were no mail-order tickets and the concerts were announced about a week before they occurred. Additionally, per a signed letter by the band that was sent out to fans and forwarded to media outlets, no vending or camping was allowed on the tour. The strategy seemed to work overall. While tons of people still managed to show up for the festivities, there were no troubles in Hampton that year and the Dead would return for two more shows in 1992.
Now regarding the music from this evening, this was not just another well played fall ’89 show from a great tour; October 9 in Hampton would prove to be one of the Dead’s most historically significant shows of their career. The Warlocks moniker was important, for sure, but adding to the show’s mystique was the epic return of “Dark Star” since its last performance five years earlier. The audience reaction on this recording says it all and can barely be contained, as fans cheer wildly for a whole minute before Jerry comes in with the first verse, where they erupt into cheers again. They play “Dark Star” for almost twenty minutes, replete with new MIDI effects and some ominous deep-dives through sonic interstellar space, a real beast of a version. Out of the following “Drums/Space” segment the crowd gets treated to an ultra rare performance of Reverend Gary Davis’s “Death Don’t Have No Mercy” blues number, hearkening back to 1969 and the Live/Dead album. Then we get yet another revival for the encore, “Attics Of My Life,” the melancholic Garcia/Hunter ballad from American Beauty, last played on 10/28/72. Brent Mydland now contributes to the vocal harmonies on this haunting rendition. Also worth mentioning is that the show’s opener, “Feel Like A Stranger,” would eventually become the first song on their 1990 live album, Without A Net. . . . We are pleased to offer up this magical night on its 33rd anniversary as a newly forged matrix, using John Cutler’s 24-track recording mixed with Ted Mattes’s superb audience tape, gratefully presented here as Volume 144.
length expanded size cdr WAVE problems fmt ratio filename
8:35.69 91008332 B --- -- ---xx flac 0.5919 gd89-10-09d1t01.flac
5:22.00 56800844 B --- -- ---xx flac 0.6053 gd89-10-09d1t02.flac
9:27.28 100084700 B --- -- ---xx flac 0.5700 gd89-10-09d1t03.flac
8:04.36 85462316 B --- -- ---xx flac 0.5615 gd89-10-09d1t04.flac
6:42.15 70948124 B --- -- ---xx flac 0.5993 gd89-10-09d1t05.flac
4:37.26 48923996 B --- -- ---xx flac 0.6179 gd89-10-09d1t06.flac
11:20.73 120123740 B --- -- ---xx flac 0.5664 gd89-10-09d1t07.flac
11:07.47 117769388 B --- -- ---xx flac 0.5627 gd89-10-09d1t08.flac
8:12.41 86885276 B --- -- ---xx flac 0.6145 gd89-10-09d1t09.flac
11:16.03 119253500 B --- -- ---xx flac 0.5630 gd89-10-09d2t01.flac
12:05.37 127977068 B --- -- ---xx flac 0.5645 gd89-10-09d2t02.flac
2:20.61 24839516 B --- -- ---xx flac 0.6120 gd89-10-09d2t03.flac
19:22.66 205132076 B --- -- ---xx flac 0.5342 gd89-10-09d2t04.flac
9:11.04 97205852 B --- -- ---xx flac 0.4610 gd89-10-09d2t05.flac
7:41.07 81336908 B --- -- ---xx flac 0.5037 gd89-10-09d3t01.flac
8:34.70 90834284 B --- -- ---xx flac 0.5734 gd89-10-09d3t02.flac
5:14.13 55420220 B --- -- ---xx flac 0.6040 gd89-10-09d3t03.flac
3:12.07 33885308 B --- -- ---xx flac 0.6072 gd89-10-09d3t04.flac
10:18.04 109024652 B --- -- ---xx flac 0.5631 gd89-10-09d3t05.flac
9:22.27 99200348 B --- -- ---xx flac 0.5518 gd89-10-09d3t06.flac
5:30.61 58355516 B --- -- ---xx flac 0.5337 gd89-10-09d3t07.flac
177:40.20 1880471964 B 0.5622 (21 files)
Comments
Other Sources (comments)
Schoeps CMC421 (note change... (1)
SBD> CASS(x)> DAT> CDR>... (5)
Lineage: SBD > PCM (analog... (9)
FOB Schoeps CMC421> DAT>... (0)
DTS-Audio-CD 5.1 Mix; SBD:... (1)
SBD + AUD Matrix Mix... (0)
Recording by: Rob R 3 Nak... (0)
flac16 ; Recording Info:... (0)
flac16 ; Recording Info:... (0)
flac16 ; AUD: Nakamichi... (0)
DTS Audio 5.1 Mix ; 4... (0)
flac16 ; SBD + AUD Matrix... (0)
- 4 Source Mix - DVD-Audio... (0)
flac16 ; Source: Nakamichi... (2)
flac16 ; Source: (OTS)... (0)
flac24 ; Master Audience... (0)
flac16 ; Master Audience... (0)
flac16/48kHz ; Source:... (0)
flac16 ; Source: Schoeps... (0)
flac16 ; Master Digital... (0)
flac16/48kHz ; Source... (0)
flac24 ; Recording Info:... (0)
flac16 ; Recording Info:... (0)
flac16 ; Matrix 2 Source... (0)
DTS-Audio-CD 5.1 Mix ; -... (0)
flac16/48kHz ; 5.1 LPCM... (0)
Schoeps CMC421 (note change... (1)
SBD> CASS(x)> DAT> CDR>... (5)
Lineage: SBD > PCM (analog... (9)
FOB Schoeps CMC421> DAT>... (0)
DTS-Audio-CD 5.1 Mix; SBD:... (1)
SBD + AUD Matrix Mix... (0)
Recording by: Rob R 3 Nak... (0)
flac16 ; Recording Info:... (0)
flac16 ; Recording Info:... (0)
flac16 ; AUD: Nakamichi... (0)
DTS Audio 5.1 Mix ; 4... (0)
flac16 ; SBD + AUD Matrix... (0)
- 4 Source Mix - DVD-Audio... (0)
flac16 ; Source: Nakamichi... (2)
flac16 ; Source: (OTS)... (0)
flac24 ; Master Audience... (0)
flac16 ; Master Audience... (0)
flac16/48kHz ; Source:... (0)
flac16 ; Source: Schoeps... (0)
flac16 ; Master Digital... (0)
flac16/48kHz ; Source... (0)
flac24 ; Recording Info:... (0)
flac16 ; Recording Info:... (0)
flac16 ; Matrix 2 Source... (0)
DTS-Audio-CD 5.1 Mix ; -... (0)
flac16/48kHz ; 5.1 LPCM... (0)
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