moe. 06/16/2008
Highline Ballroom, New York, NY
Source Summary
flac1644 early Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96); FLAC File processing in SoundForge Audio Studio 10.0b; Recorded, Mastered, and Tracked by Scott Bernstein
flac1644 early Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96); FLAC File processing in SoundForge Audio Studio 10.0b; Recorded, Mastered, and Tracked by Scott Bernstein
Other Sources
SHNID 160130 flac1644 Schoeps MK41(DINA) > kcy > Sonosax...
SHNID 160131 flac1644 Schoeps mk4 > actives > Nbox+ >...
SHNID 160132 flac1644 Neumann TLM-170 (card, split 30" in...
SHNID 160133 flac2496 Neumann TLM-170 (card, split 30" in...
SHNID 160135 flac2496 Neumann TLM-170 (card, split 30" in...
moe.
Highline Ballroom
New York, NY
6/16/08
Early show
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (volume normalization; L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ with Ultra noise shaping, High dither settings); Tracked in CDWav.
Acoustic set:
1. tuning/banter
2. Shoot First
3. banter - crazy day for us
4. New York City
5. banter - Headcount support
6. Can't Seem To Find
7. tuning
8. Okayalright ->
9. Time Again
10. thanks
Notes:
This was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which benefitted HeadCount.
No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording.
You get the benefit of an April 2010 mastering in SoundForge 10, which has improved Izotope resampling and MBit+ Dithering over SoundForge 9 which I was using at the time, as well as the knoweldge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second), but I did it just because I care and hope you appricate.
Recorded, Mastered, and Tracked by Scott Bernstein
length expanded size cdr WAVE problems fmt ratio filename
1:18.17 13799228 B --- -- ---xx flac 0.3699 moe2008-06-16earlyt01.flac
6:04.21 64259036 B --- -- ---xx flac 0.5444 moe2008-06-16earlyt02.flac
0:57.20 10101884 B --- -- ---xx flac 0.3997 moe2008-06-16earlyt03.flac
5:14.60 55530764 B --- -- ---xx flac 0.5598 moe2008-06-16earlyt04.flac
1:29.59 15838412 B --- -- ---xx flac 0.4228 moe2008-06-16earlyt05.flac
6:44.35 71347964 B --- -- ---xx flac 0.5723 moe2008-06-16earlyt06.flac
0:44.63 7909820 B --- -- ---xx flac 0.3879 moe2008-06-16earlyt07.flac
5:06.46 54086636 B --- -- ---xx flac 0.5701 moe2008-06-16earlyt08.flac
8:57.54 94853852 B --- -- ---xx flac 0.5812 moe2008-06-16earlyt09.flac
0:34.64 6148172 B --- -- ---xx flac 0.4518 moe2008-06-16earlyt10.flac
37:12.64 393875768 B 0.5447 (10 files)
Highline Ballroom
New York, NY
6/16/08
Early show
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (volume normalization; L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ with Ultra noise shaping, High dither settings); Tracked in CDWav.
Acoustic set:
1. tuning/banter
2. Shoot First
3. banter - crazy day for us
4. New York City
5. banter - Headcount support
6. Can't Seem To Find
7. tuning
8. Okayalright ->
9. Time Again
10. thanks
Notes:
This was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which benefitted HeadCount.
No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording.
You get the benefit of an April 2010 mastering in SoundForge 10, which has improved Izotope resampling and MBit+ Dithering over SoundForge 9 which I was using at the time, as well as the knoweldge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second), but I did it just because I care and hope you appricate.
Recorded, Mastered, and Tracked by Scott Bernstein
length expanded size cdr WAVE problems fmt ratio filename
1:18.17 13799228 B --- -- ---xx flac 0.3699 moe2008-06-16earlyt01.flac
6:04.21 64259036 B --- -- ---xx flac 0.5444 moe2008-06-16earlyt02.flac
0:57.20 10101884 B --- -- ---xx flac 0.3997 moe2008-06-16earlyt03.flac
5:14.60 55530764 B --- -- ---xx flac 0.5598 moe2008-06-16earlyt04.flac
1:29.59 15838412 B --- -- ---xx flac 0.4228 moe2008-06-16earlyt05.flac
6:44.35 71347964 B --- -- ---xx flac 0.5723 moe2008-06-16earlyt06.flac
0:44.63 7909820 B --- -- ---xx flac 0.3879 moe2008-06-16earlyt07.flac
5:06.46 54086636 B --- -- ---xx flac 0.5701 moe2008-06-16earlyt08.flac
8:57.54 94853852 B --- -- ---xx flac 0.5812 moe2008-06-16earlyt09.flac
0:34.64 6148172 B --- -- ---xx flac 0.4518 moe2008-06-16earlyt10.flac
37:12.64 393875768 B 0.5447 (10 files)
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flac1644 Schoeps... (0)
flac1644 Schoeps mk4 >... (0)
flac1644 Neumann TLM-170... (0)
flac2496 Neumann TLM-170... (0)
flac2496 Neumann TLM-170... (0)
flac1644 Schoeps... (0)
flac1644 Schoeps mk4 >... (0)
flac1644 Neumann TLM-170... (0)
flac2496 Neumann TLM-170... (0)
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