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Allman Brothers Band 08/01/1999

Shoreline Amphitheatre, Mountain View, CA
SHNID 168164
Source Summary
flac1644 *Neumann AK-40's (x/y) >LC3->KM-100's >Beyer MV-100 >Tascam DA-P1, DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, Taiyo Uden CD Masters >WAV Via xACT 2.35 >Audacity (Minor Edits, Minor Selective Compression [To Repair Wind Noise] >FLAC (Level 8) + Tags Via xACT 2.44 Recorded, Transferred, FLAC’d, Tagged, & Front Cover Artwork By OldNeumanntapr *SEC 202, Row H (Some Minor Wind Noise / Distortion during first couple of songs.
Entered by Matt Vernon
Checksums ffp
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Date Circulated
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07/29/2024
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SHNID 100556 source: Neumann KM-140s (x/y)->Active...
SHNID 102356 Neumann Km 184 Mics > Lunatec V2 > Zefiro >...
SHNID 144823 flac16/44.1khz *Neumann AK-40's...
Allman Brothers Band
Aug 1,1999
Shoreline Amphitheatre
Mountain View, CA

*Neumann AK-40's (x/y) >LC3->KM-100's >Beyer MV-100 >Tascam DA-P1,
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
Taiyo Uden CD Masters >WAV Via xACT 2.35 >Audacity (Minor Edits, Minor Selective Compression [To Repair Wind Noise] >FLAC (Level 8) + Tags Via xACT 2.44

Recorded, Transferred, FLAC’d, Tagged, & Front Cover Artwork By OldNeumanntapr

*SEC 202, Row H (Some Minor Wind Noise / Distortion during first couple of songs.

Disc I:
01. True Gravity
02. Ain't Wastin' Time No More
03. You Don't Love Me
04. Good Times (Don't Fade Away)
05. Midnight Rider
06. Good Clean Fun
07. Blue Sky
08. End Of The Line

Disc II:
01. Seven Turns*
02. Melissa*
03. J.J.’s Alley
04. Trouble No More
05. Stormy Monday**
06. In Memory of Elizabeth Reed >***
07. Bass Jam >In Memory Of Elizabeth Reed
08. Revival

Encore:
09. No One To Run With

*acoustic
**w/Susan Tedeschi on guitar and vocals
***w/Martin Fierro on saxophone

Susan Tedeschi Opened

OldNeumanntapr Notes:
This was my third Allman Brothers Band recording at Shoreline, and at least by now the venue staff was clued into tapers and let us bring microphone stands into the venue. Whereas the Dead had a designated tapers section, the Allman Brothers would let you record wherever your seat was. This was both good and bad, because even though you could record from up front if you had the ticket, you were still at the mercy of the crowd around you. It's why they say 'safety in numbers'. In the tapers section you could be helped by like-minded individuals who all had the common goal of recording, but the Allman Brothers tapers were scattered hither and yon and your neighbors could make or break your recording. At least I was able to run my microphone capsules on the stand with the active cables so they took up as little room as possible. I remember people yelling to security about tapers with larger mics that were obscuring their view and they made them lower their stands. I think this was the only time that I was able to see Martin Fierro play. He added so much to Jerry Garcia's funk band 'Legion Of Mary'. I loved his playing.


Do NOT Convert To MP3.
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