Grateful Dead Video 07/01/1979
Seattle Center Coliseum, Seattle, WA
Source Summary
BHP BD with video provided by ET Bensen & captured by Alan Bershaw with multiple audio tracks
Show Type: Single Camera Audience Generation (if known): Master
Media Type: BD Media Count: 2
Upgrade ?: NO
Lossless Audio Source shnid= 141514
Misc Link(s): LosslessLegs Page & YouTube Page
BHP BD with video provided by ET Bensen & captured by Alan Bershaw with multiple audio tracks
Show Type: Single Camera Audience Generation (if known): Master
Media Type: BD Media Count: 2
Upgrade ?: NO
Lossless Audio Source shnid= 141514
Misc Link(s): LosslessLegs Page & YouTube Page
Other Sources
SHNID 172526 Mattman-Awolf Production partial 2nd with sbd...
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SHNID 172530 BHP MKV with video provided by ET Bensen &...
SHNID 172526 Mattman-Awolf Production partial 2nd with sbd...
SHNID 172528 BHP DVD with video provided by ET Bensen &...
SHNID 172530 BHP MKV with video provided by ET Bensen &...
Grateful Dead
July 1, 1979
Seattle Center Coliseum
Seattle, WA
Bershaw Archival Management and Brokedown House Production
Taped by ET Benson
Videotape Masters provided by ET Benson and Mark Severson.
Videotape Master Transfers and Capture by Alan Bershaw (B.A.M.)
Edit & Synch & Author by Kevin Tobin
Set 1:
Mississippi Half-Step Uptown Toodeloo >
Franklin's Tower
Mama Tried >
Mexicali Blues
Peggy O
New Minglewood Blues
Stagger Lee
El Paso
Brown Eyed Women
Passenger
01:06:14
Set 2:
Don't Ease Me In
Samson & Delilah
Sugaree
Terrapin Station >
Playin' in the Band >
Drums >
Space >
Stella Blue >
Truckin' >
Around & Around
Encore:
Shakedown Street
01:42:17
Notes:
This is the same footage as the MattMan 2004 release but is from the Master VHS and more complete.
BHP Graphics fill in most of the beginning of the 1st set from Mississippi through Peggy-0. If you don't want an overload of graphic filler then start watching with Minglewood (only some small cuts and song breaks occur after Minglewood starts).
Set 1
00:00:00-00:24:59 - Filled With Graphics
00:27:25-00:35:45 - Filled With Graphics
00:36:08-00:38:06 - Filled With Graphics
00:41:26-00:42:00 - Filled With Graphics
00:48:37-00:49:07 - Filled With Graphics
00:53:37-00:54:25 - Filled With Graphics
00:59:58-01:00:40 - Filled With Graphics
01:05:59-01:06:14 - Filled With Graphics
Set 2
00:00:00-00:00:21 - Filled With Graphics
00:03:45-00:04:40 - Filled With Graphics
00:12:47-00:13:00 - Filled With Graphics
00:18:09-00:19:34 - Filled With Graphics
00:25:30-00:26:37 - Filled With Graphics
01:21:51-01:22:18 - Filled With Graphics
01:33:51-01:33:59 - Filled With Graphics
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Video Source: AUD (Handheld) > ET Benson’s Scotch T-120 VHS Masters (SP)
2022 Transfer by Alan Bershaw: VHS Masters playback on JVC HR-S9500U with built in Digital Time Base Correction via S-Video Out -> BlackMagic Intensity Thunderbolt Shuttle -> Apple Pro Res 422 (HQ), 720 x 486, 41615 kbps -> Final Cut -> H.264 720 x 480, 29.97fps, 6000 kbps.m4v -> TMPGEnc Video Mastering v7.0 > MPEG2 > TMPGEnc Authoring Works 6 > Bluray
[NTSC, 4:3, 6.0 Mbs, 720x480, 29.97 fps]
Audio Information:
Audio Track 1: SBD
SBD (shnid = 141415)
Recording Info:
Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels
Transfer Info:
2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
Notes:
- Thanks to Sandy Troy for the 2nd generation reel source
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
Mastered by Scott Clugston
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]
Audio Track 2: Matrix
shnid = 156176
SBD + AUD Matrix 2 Source Mix
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]
Audio Track 3: 5.1 LPCM Surround Sound
shnid = 156180
[LPCM, 4.6Mbs, 16 Bit, 48 kHz]
Audio Track 4: DTS 5.1
shnid = 156179
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]
NOTE: Track 2/3/4 are a combination of the Audio Track 1 (SBD) listed above and this audience:
AUD (shnid = 145358)
Source Info:
Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII)
Transfer Info:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Notes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
Mastered by Scott Clugston
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]
July 1, 1979
Seattle Center Coliseum
Seattle, WA
Bershaw Archival Management and Brokedown House Production
Taped by ET Benson
Videotape Masters provided by ET Benson and Mark Severson.
Videotape Master Transfers and Capture by Alan Bershaw (B.A.M.)
Edit & Synch & Author by Kevin Tobin
Set 1:
Mississippi Half-Step Uptown Toodeloo >
Franklin's Tower
Mama Tried >
Mexicali Blues
Peggy O
New Minglewood Blues
Stagger Lee
El Paso
Brown Eyed Women
Passenger
01:06:14
Set 2:
Don't Ease Me In
Samson & Delilah
Sugaree
Terrapin Station >
Playin' in the Band >
Drums >
Space >
Stella Blue >
Truckin' >
Around & Around
Encore:
Shakedown Street
01:42:17
Notes:
This is the same footage as the MattMan 2004 release but is from the Master VHS and more complete.
BHP Graphics fill in most of the beginning of the 1st set from Mississippi through Peggy-0. If you don't want an overload of graphic filler then start watching with Minglewood (only some small cuts and song breaks occur after Minglewood starts).
Set 1
00:00:00-00:24:59 - Filled With Graphics
00:27:25-00:35:45 - Filled With Graphics
00:36:08-00:38:06 - Filled With Graphics
00:41:26-00:42:00 - Filled With Graphics
00:48:37-00:49:07 - Filled With Graphics
00:53:37-00:54:25 - Filled With Graphics
00:59:58-01:00:40 - Filled With Graphics
01:05:59-01:06:14 - Filled With Graphics
Set 2
00:00:00-00:00:21 - Filled With Graphics
00:03:45-00:04:40 - Filled With Graphics
00:12:47-00:13:00 - Filled With Graphics
00:18:09-00:19:34 - Filled With Graphics
00:25:30-00:26:37 - Filled With Graphics
01:21:51-01:22:18 - Filled With Graphics
01:33:51-01:33:59 - Filled With Graphics
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Video Source: AUD (Handheld) > ET Benson’s Scotch T-120 VHS Masters (SP)
2022 Transfer by Alan Bershaw: VHS Masters playback on JVC HR-S9500U with built in Digital Time Base Correction via S-Video Out -> BlackMagic Intensity Thunderbolt Shuttle -> Apple Pro Res 422 (HQ), 720 x 486, 41615 kbps -> Final Cut -> H.264 720 x 480, 29.97fps, 6000 kbps.m4v -> TMPGEnc Video Mastering v7.0 > MPEG2 > TMPGEnc Authoring Works 6 > Bluray
[NTSC, 4:3, 6.0 Mbs, 720x480, 29.97 fps]
Audio Information:
Audio Track 1: SBD
SBD (shnid = 141415)
Recording Info:
Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels
Transfer Info:
2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
Notes:
- Thanks to Sandy Troy for the 2nd generation reel source
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
Mastered by Scott Clugston
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]
Audio Track 2: Matrix
shnid = 156176
SBD + AUD Matrix 2 Source Mix
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]
Audio Track 3: 5.1 LPCM Surround Sound
shnid = 156180
[LPCM, 4.6Mbs, 16 Bit, 48 kHz]
Audio Track 4: DTS 5.1
shnid = 156179
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]
NOTE: Track 2/3/4 are a combination of the Audio Track 1 (SBD) listed above and this audience:
AUD (shnid = 145358)
Source Info:
Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII)
Transfer Info:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Notes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
Mastered by Scott Clugston
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]
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