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Radiators 02/03/1996

Irving Plaza, New York, NY
SHNID 173701
Source Summary
Original master DAT recording: Official band soundboard patch -> Sony D7 (likely digitally patched out of EVs Apogee AD-1000->HHB Portadat) (master@16/48)
DAT playback: Sony R500 -> Sound Devices 722 digital input (@24/48)
Entered by Mark Goldey
Checksums ffp
Disc Counts 0 / 0
Media Size Compressed: 100.21 MB (105072921 bytes)
Date Circulated
Date Added

09/01/2025
Downloads Download Text | Download Zip
Archive Identifier rad1996-02-03 ↗

Other Sources
The Radiators
2/3/1996 -
Irving Plaza,
New York, NY
BARN226

  Set 1-
1.  tuning
2.  How Far To the Horizon ->
3.  Ghosts Along the Mississippi ->
4.  44 Blues ->
5.  You Gotta Move ->
6.  Go Back the Way You Came
7.  Make Fire ->
8.  Nail Your Heart To Mine
9.  Fine Life ->
10. If Your Heart Ain't In It
11. Doubled-Up In a Knot ->
12. Love Is a Tangle ->
13. Jessica ->
14. Love Is a Tangle ->
15. (I Heard That) Lonesome Whistle ->
16. Chevy '39
17. banter - dedication to Michael Denhofer
18. Long Hard Journey Home ->
19. Tipitina ->
20. Nightmare On the Misery Train ->
21. Take Your Dead Ass Home

  Set 2-
1.  "You Keep Me Hangin' On" tease -> "The Magnificent Seven" tease ->
2.  C.C.Rider ->
3.  Feedback Road ->
4.  Life On Mars ->
5.  Tomorrow Never Knows ->
6.  Things Delightful
7.  Henri ->
8.  Fire Water ->
9.  Big Chief
10. Stealin' a Feelin' ->
11. Lucinda ->
12. Cissy Strut
13. encore break
14. Winin' Boy Blues
15. New Orleans
16. Devil's Dream
17. People Get Ready ->
18. I'm In the Mood

Total time: 2:59:17

  cover tunes & their corresponding artists/writers:
"how far to the horizon?" - Jesse Winchester, artist (1st release in 1974);  Jesse Winchester, writer
""44" blues" - Roosevelt Sykes, artist (1st release in July 1929);  Howlin' Wolf, artist (1st release in December 1954 [of more commonly known version]);  Roosevelt Sykes/Chester Arthur "Howlin' Wolf" Burnett, writers
"you got to move" - Traditional African-American spiritual song;  writer unknown;  the Willing Four, artist (1st recording in February 1944)
"jessica" - the Allman Brothers Band, artist (1st recording in December 1972;  1st release in August 1973);  Dickey Betts, writer
"(i heard that) lonesome whistle" - Hank Williams/Jimmie Davis, writers;  Hank Williams with His Drifting Cowboys, artist (1st recording on 7/25/1951;  1st release on 9/15/1951)
"tipitina" - Professor Longhair & His Blues Scholars, artist (1st release in February 1954);  Henry Roeland Byrd ("Professor Longhair"), writer
"take your dead ass home! (say som'n nasty)" - Funkadelic, artist (1st release on 9/21/1976);  George Clinton/Glenn Goins/Garry Shider/Bernie Worrell, writers
"you keep me hangin' on" - the Supremes, artist (1st recording on 8/1/1966;  1st release on 10/12/1966);  Brian Holland/Lamont Dozier/Eddie Holland (Holland–Dozier–Holland), writers
"the magnificent seven" - Elmer Bernstein, artist (1st theatrical release on 10/23/1960);  Elmer Bernstein, writer;  Al Caiola & His Orchestra (1st release in September 1960)
"see see rider blues" - Gertrude "Ma" Rainey/Lena Arent, writers;  Ma Rainey & Her Georgia Jazz Band, artist (1st recording on 10/15/1924;  1st release in February 1925)
"tomorrow never knows" - the Beatles, artist (1st recording on 4/6,7,22/1966);  1st release on 8/5/1966);  John Lennon, primary writer (credited to "Lennon–McCartney")
"fire water" - the Wild Magnolias, artist (1st release in 1975);  the Wild Magnolias (music)/Wilson Turbinton (lyrics), writers
"big chief" - Professor Longhair, artist (1st release in February 1965);  Earl King/Wardell Quezergue, writers
"cissy strut" - the Meters, artist (1st release in 1969);  Ziggy Modeliste/Leo Nocentelli/George Porter Jr./Art Neville, writers
"winin' boy blues" - Jelly Roll Morton, artist (1st recording on September 14, 1939;  1st release in 1939);  Ferdinand Joseph LaMothe ("Jelly Roll Morton"), writer
"new orleans" - U.S.Bonds (Gary U.S.Bonds), artist (1st release in September 1960);  Frank Guida/Joseph Royster, writers
"people get ready" - the Impressions, artist (1st recording in 1964;  1st release in February 1965);  Curtis Mayfield, writer

Ed "Zeke" Volker - keys, percussion, vox
Dave Malone - guitar, vox
Camile Baudoin - guitar, vox
Reggie Scanlan - bass guitar
Frank Bua - drums, percussion

Original master DAT recording: Official band soundboard patch -> Sony D7 (likely digitally patched out of EVs Apogee AD-1000->HHB Portadat) (master@16/48)

DAT playback: Sony R500 -> Sound Devices 722 digital input (@24/48)

Mastered: Sound Forge Pro 13.0 - *All file manipulation in Soundforge done at 24 bits*. File processed in Sound Forge for volume normalization, scrubbing out about 1 subsecond digital dropout; 24 -> 16 bit dither using POW-r Dither with POW-r #3 noise shaping. Tracked in CDWav. Tagged in Tag&Rename 3.9.15

Note that this recording is in the 48khz sampling rate and I'm not providing a resampled 44.1khz version anymore.

Recorded by Scott Bernstein
Transferred (5/5/2020), tracked (1/31-2/1/2022), mastered (1/22/2022) and posted (2/2/2022) by Scott Bernstein

Special thanks to Eric (RIP) and Jill Vandercar for twisting my arm to finally get out to see the Rads!

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Taper notes:
Not the first of my Radiators recordings to appear in my archive series -- nor by any means the best performance of theirs that I witnessed and captured, BARN226 does present an historic night for ME -- as it was the first time I ever saw the Radiators perform live.  (This is despite having been very impressed by live some radio broadcasts I'd heard of them on WNEW-FM from the Lone Star Roadhouse when I was still in high school).

I do not have a lot of memories of this show...which starts out just OK as they bang through a lot of short songs quickly, but things start to heat up around 2/3 of the way through the first set with "Doubled-Up In a Knot" and "Love Is a Tangle" (with the Allman Brothers' "Jessica" thrown in for good measure) and then bring it home with a strong closing of "Long Hard Journey Home", "Tipitina", "Nightmare On the Misery Train", and Funkadelic's "Take Your Dead Ass Home".  Can't go wrong with that!

Set 2 also takes a little bit to heat up -- early on they play what seems to be a couple of rarer originals -- "Feedback Road" and "Life On Mars" (no, not the Bowie one that you're expecting), but really starts to pick up steam with their NOLA-flavored take on the Beatles' trippy "Tomorrow Never Knows" and then really kicks into gear with the "Henri/Fire Water/Big Chief" medley, with "Lucinda" and the Meters' "Cissy Strut" bringing it home for a strong finish.

A very meaty encore is a worthwhile mini set in and of itself --  a high energy cover of Gary U.S.Bonds' "New Orleans", "Devil's Dream", the Curtis Mayfield classic "People Get Ready", and "I'm In the Mood" make for a great combo to send us home in a good mood.

Enjoy!


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