Grateful Dead Video 09/23/1987
The Spectrum, Philadelphia, PA
Source Summary
BHP BD Partial 1st Set & All 2nd Set using a video from Ian captured by P.Togas with multiple audio tracks
Show Type: Single Camera Audience Generation (if known): Master
Media Type: BD Media Count: 1
Upgrade ?: NO
Lossless Audio Source shnid= 30887
Misc Link(s): LosslessLegs Page & YouTube Page
BHP BD Partial 1st Set & All 2nd Set using a video from Ian captured by P.Togas with multiple audio tracks
Show Type: Single Camera Audience Generation (if known): Master
Media Type: BD Media Count: 1
Upgrade ?: NO
Lossless Audio Source shnid= 30887
Misc Link(s): LosslessLegs Page & YouTube Page
Grateful Dead
September 23, 1987
The Spectrum
Philadelphia, PA
Brokedown House Production
Taped & Provided by Ian
Capture & Edit by P.Togos
Synch & Author by Kevin Tobin
Set 1
//Desolation Row
Big Railroad Blues
The Music Never Stopped
Set 2
Bertha
Cumberland Blues
Playin' In The Band
Uncle John's Band
Playin' In The Band
Drums
Space
I Need A Miracle
Dear Mr. Fantasy
Around & Around
Good Lovin'
La Bamba
Good Lovin'
U.S. Blues
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Video: AUD (Tripod) > Master
Master: JVC GX-N8U > JVC HR-S20U > VHS Master (Maxell RX Pro 120)
Transfer: VHS Master > Panasonic AG-7150 > Canopus ADVC-300 > Firewire > HD > Sony Vegas 9 (.avi) > MPEG2 > TMPGEnc MPEG Editor 2.0 > TMPGEnc Authoring Works 5 > Bluray
[NTSC, 4:3, 25.0 Mbs, 720x480, 29.97 fps]
Audio Track 1: SBD
Original SBD (shnid = 30887)
Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes.
Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5.
Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC.
No noise reduction or selective frequency augmentation/attenuation was performed.
Transfer and encoding by Chris Ladner.
Comments:
Last performances of "Tons of Steel" and "La Bamba".
Thanks to the provider of the MSCs who for various reasons wishes to remain anonymous.
Overall this recording has a lot more high end than the source listed on the archive as being a MSC >DAT transfer. This is likely the MSC that was used on that DAT transfer as the "Healy Weirdness" described during Desolation Row corresponds to a poorly patched tape flip. There are no dropouts in La Bamba on this recording.
Notes:
This recording has the nasty digital static at the beginning of the show (Stranger) coming through with what sounds like Bob's vocal mic as his voice is all distorted while you can hear Jerry and Brent's ok.
Tape flip during the first verse of Desolation Row patched from a similar sounding performance (no drums, just guitars/voices) on 5/10/87 using Wavelab.
Tape flip durin Space was very short and crossfaded into near-imperceptiblity.
Audio Track 2: Matrix
shnid = 137228
SBD + AUD Matrix 2 Source Mix
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]
Audio Track 3: AUD
Original AUD (shnid = 90559)
taper : Joe D'Amico ''aka'' Joebeacon
nak 300 mics w/cp4 shotguns > sony d-5
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]
Audio Track 4: DTS 5.1
shnid = 137230
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]
Brokedown House Production
September 23, 1987
The Spectrum
Philadelphia, PA
Brokedown House Production
Taped & Provided by Ian
Capture & Edit by P.Togos
Synch & Author by Kevin Tobin
Set 1
//Desolation Row
Big Railroad Blues
The Music Never Stopped
Set 2
Bertha
Cumberland Blues
Playin' In The Band
Uncle John's Band
Playin' In The Band
Drums
Space
I Need A Miracle
Dear Mr. Fantasy
Around & Around
Good Lovin'
La Bamba
Good Lovin'
U.S. Blues
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Video: AUD (Tripod) > Master
Master: JVC GX-N8U > JVC HR-S20U > VHS Master (Maxell RX Pro 120)
Transfer: VHS Master > Panasonic AG-7150 > Canopus ADVC-300 > Firewire > HD > Sony Vegas 9 (.avi) > MPEG2 > TMPGEnc MPEG Editor 2.0 > TMPGEnc Authoring Works 5 > Bluray
[NTSC, 4:3, 25.0 Mbs, 720x480, 29.97 fps]
Audio Track 1: SBD
Original SBD (shnid = 30887)
Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes.
Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5.
Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC.
No noise reduction or selective frequency augmentation/attenuation was performed.
Transfer and encoding by Chris Ladner.
Comments:
Last performances of "Tons of Steel" and "La Bamba".
Thanks to the provider of the MSCs who for various reasons wishes to remain anonymous.
Overall this recording has a lot more high end than the source listed on the archive as being a MSC >DAT transfer. This is likely the MSC that was used on that DAT transfer as the "Healy Weirdness" described during Desolation Row corresponds to a poorly patched tape flip. There are no dropouts in La Bamba on this recording.
Notes:
This recording has the nasty digital static at the beginning of the show (Stranger) coming through with what sounds like Bob's vocal mic as his voice is all distorted while you can hear Jerry and Brent's ok.
Tape flip during the first verse of Desolation Row patched from a similar sounding performance (no drums, just guitars/voices) on 5/10/87 using Wavelab.
Tape flip durin Space was very short and crossfaded into near-imperceptiblity.
Audio Track 2: Matrix
shnid = 137228
SBD + AUD Matrix 2 Source Mix
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]
Audio Track 3: AUD
Original AUD (shnid = 90559)
taper : Joe D'Amico ''aka'' Joebeacon
nak 300 mics w/cp4 shotguns > sony d-5
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]
Audio Track 4: DTS 5.1
shnid = 137230
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]
Brokedown House Production
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