Grateful Dead Video 04/03/1989
Civic Arena, Pittsburgh, PA
Source Summary
BHP BD using a Dan Cole video with multiple audio tracks
Show Type: Single Camera Audience Generation (if known): ???
Media Type: BD Media Count: 1
Upgrade ?: No
Lossless Audio Source shnid= 125281
Misc Link(s): LosslessLegs Page & YouTube Page
BHP BD using a Dan Cole video with multiple audio tracks
Show Type: Single Camera Audience Generation (if known): ???
Media Type: BD Media Count: 1
Upgrade ?: No
Lossless Audio Source shnid= 125281
Misc Link(s): LosslessLegs Page & YouTube Page
Other Sources
SHNID 174821 BHP DVD using a Dan Cole video with Matrix...
SHNID 174823 BHP DVD using a video from Ian captured by...
SHNID 174824 BHP BD using a video from Ian captured by...
SHNID 174825 BHP MKV using a video from Ian captured by...
Grateful Dead
Pittsburgh Civic Arena,
Pittsburgh, PA
April 3, 1989
Single Camera Audience shot
Set One
Greatest Story Ever Told->
Bertha->
Walkin' Blues
Jack A Roe
El Paso
Built To Last
Victim Or The Crime
Just Like Tom Thumb's Blues
Don't Ease Me In
Set Two
Blow Away
Estimated Prophet->
Crazy Fingers->
Uncle John's Band->
Drums->
Space->
Gimme Some Lovin'->
I Need A Miracle->
Stella Blue->
Sugar Magnolia
Encore 1
Johnny B. Goode
Encore 2
Black Muddy River
Video Source:
Video: AUD > ??? > HI-8 tape (low generation but unknown lineage)
Transfer: Sony DCR-TRV460 Camera > Firewall > Sony Vegas Pro 11 > MPEG2
Audio Source Information:
Audio Track 1: Matrix
shnid = 125281
SBD + AUD Matrix 4 Source Mix (55%-AUD/45%-SBD)
Mix of Sbd and Audience tracks listed here
---------------------------------------------------------
Multitrack Mixdown Settings
SET ONE
Stereo Matrix
SBD 0
AUD +1
SET TWO
Stereo Matrix
SBD 0
AUD +1
---------------------------------------------------------
Audio Track 2: Soundboard
Upgraded Soundboard - patched and timing has been corrected
updated shnid = 125413
original shnid = 7507
Mastered by Jay Serafin, Serafin Station Studio B
LINEAGE: SBD > PCM (analog output) > D > D > CDR > EAC > SHN
Jay's comments:
any/all editing,fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96kHz data stream) at Serafin Station Studio B [this show was released in 05/00]
My comments:
Both sets (d1t01, d2t01) start rather abruptly. Most likely a few notes are lost in both cases.
There is a bit of distortion, tape flutter, or static in d1t01 from 1:11 to 1:15 and around 1:42.
Extracted with EAC in secure mode. There was a sync error on d1t9, bu copy completed.
Jay asks that the integrity and hard work of his mastering be respected: "all I ask is that the shows aren't edited in any way, such as taking out a lot of the between song lulls, etc. They're left in there because they were part of the show...". Sounds reasonable to me.
Thanks.
Bob H.
Audio Track 2: Audience
Audience1 (for patching)
shnid = 29758
Source Audience FOB (11th Row)
Mics Beyer Dynamic M88's
Tapedeck Sony TCD5M
Media Maxell MX90
Taper Glen Charlton
Digital Mastering by Charlie Connor
Shn'd 4/19/01 by Charlie Connor
I don't know why this didn't end up on the etree db until June 23, 2005 but I'm reseeding
the Etree BT tonight.
FoB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>
Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>
Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR
redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT)
Audience2
(used for patching and not included as an audio track)
shnid = 125023
Master Audience Recorded By Fitzy, Transfer By Keo!
Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's
Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz
Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave
Dithered/Flacked With Korg Aqua To 16/44
SBE's Checked/Fixed With Trader's Little Helper
Metadata Tagging With Tag&Rename
Video
(used for patching and not included as an audio track)
no shnid
Video: AUD > ??? > HI-8 tape (low generation but unknown lineage)
Transfer: Sony DCR-TRV460 Camera > Firewall > Sony Vegas Pro 11 > MPEG2 > LCPM
Audio Track 4: DTS 5.1
shnid = 125403
DTS-Audio-48khz 5.1 Mix
Please refer to notes below for playing this track - you need
a 5.1 complient system with digital connection to your
dvd player.
-----------------------------------------------------------
Front
Left Channel -0db SBD
Right Channel -0db SBD
Center
Mixed to mono -1db MTX
Surround
Left Channel -0db AUD
Right Channel -0db AUD
Sub/LFE
Mixed to mono -1db MTX
--------------------------------------------------------------
Audio Patches:
1) At the start of the show, 22.780 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the first 8 seconds of Greatest Story Ever Told.
2) Between Walkin' Blues and Jack-A-Roe, 12.101 seconds were missing from the audience1 and were filled in using audio from the soundboard.
3) Between Jack-A-Roe and El Paso, 2 minutes and 37.761 seconds were missing from the audience1 and were filled in using audio from the soundboard.
4) Between El Paso and Built To Last, 11.436 seconds were missing from the audience1 and were filled in using audio from the soundboard.
5) Between Built To Last and Victim And The Crime, 55.682 seconds were missing from the soundboard and were filled in using audio from the video.
6) Between Built To Last and Victim And The Crime, 1 minutes and 13.075 seconds were missing from the audience1 and were filled in using audio from the soundboard/video.
7) About 5 minutes into Victim And The Crime, 33.520 seconds were missing from the aduience1 and were filled in using audio from the soundboard.
8) At the start of the 2nd set, 48.400 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the beginning of Blow Away.
9) About 7 minutes into Crazy Fingers, 3.338 seconds were missing from the soundboard and were filled in using audio from the audience2.
10) About 5 minutes into Uncle John's Band, 2.595 seconds were missing from the soundboard and were filled in using audio from the audience2.
11) About 8 minutes into Uncle John's Band, 7.833 seconds were missing from the soundboard and were filled in using audio from the audience2.
12) About 4 minutes into Drums, 2 minutes and 8.652 seconds were missing from the soundboard and were filled in using audio from the audience2.
13) About 1 minutes into Space, 3 minutes and 11.697 seconds were missing from the audience1 and were filled in using audio from the audience2.
14) About 5 minutes into Sugar Magnolia, 11.243 seconds were missing from the soundboard and were filled in using audio from the audience2.
15) About 6 minutes into Sugar Magnolia, 4 minutes and 57.484 seconds were missing from the audience1 and were filled in using audio from the video\audience2. This includes the break between Sugar Magnolia and Johnny B. Goode.
16) Between Sugar Magnolia and Johnny B. Goode, 1 minute and 9.761 seconds were missing from the soundboard and were filled in using audio from the video\audience2. This includes the first notes of Johnny B. Goode.
17) At the end of the 2nd set, 27.656 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the last notes of Black Muddy River.
Video Patches:
1) At the start of the show, 22.780 seconds were missing from the video and were filled in using Audience audio and graphics filler. This includes the first 8 seconds of Greatest Story Ever Told.
Notes
-Video assets courtesy of Dan Cole and tranfered by Kevin Tobin - thank you very much Dan
-SBD torrented from LL with many thanks
-AUD downloaded from Archive.org with appreciation for all they do
-Audio synchronization by Kevin Tobin using Adobe Audition to
compress/expand the audio in multitrack mode to match the original audio.
-Video patches created with Ulead VideoStudio 11 by Kevin Tobin.
-Multiplexing via TMPGEnc MPEG Editor by Kevin Tobin.
-DVD authoring via DVD Architect 6.0 by Kevin Tobin.
Video Attribute :
Video compression mode : MPEG-2
TV system : 525/60 (NTSC)
Aspect Ratio : 4:3
Display Mode : reserved
Source picture resolution : 720x480
Frame Rate : 29.99
Source picture letterboxed : Not letterboxed
Bitrate : Disk 1: 8.000 Mbps
Menu : Yes (song list on separate menu)
Audio Attribute :
Number of Audio channels : 2
Number of Audio streams : 1
Audio Coding mode: Linear PCM audio
Sampling Rate : 48kHz 1536Kbps
More On DTS
Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the DVD LCPM
hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular DVD. To play a DTS-DVD you must connect
your DVD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-DVD, so the
first time you're trying to playback a DTS-DVD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-DVD through the
analog audio outputs of your DVD player. If you have
problems playing the DTS track - try the matrix.
Brokedown House Production
Do NOT buy or sell this video
Pittsburgh Civic Arena,
Pittsburgh, PA
April 3, 1989
Single Camera Audience shot
Set One
Greatest Story Ever Told->
Bertha->
Walkin' Blues
Jack A Roe
El Paso
Built To Last
Victim Or The Crime
Just Like Tom Thumb's Blues
Don't Ease Me In
Set Two
Blow Away
Estimated Prophet->
Crazy Fingers->
Uncle John's Band->
Drums->
Space->
Gimme Some Lovin'->
I Need A Miracle->
Stella Blue->
Sugar Magnolia
Encore 1
Johnny B. Goode
Encore 2
Black Muddy River
Video Source:
Video: AUD > ??? > HI-8 tape (low generation but unknown lineage)
Transfer: Sony DCR-TRV460 Camera > Firewall > Sony Vegas Pro 11 > MPEG2
Audio Source Information:
Audio Track 1: Matrix
shnid = 125281
SBD + AUD Matrix 4 Source Mix (55%-AUD/45%-SBD)
Mix of Sbd and Audience tracks listed here
---------------------------------------------------------
Multitrack Mixdown Settings
SET ONE
Stereo Matrix
SBD 0
AUD +1
SET TWO
Stereo Matrix
SBD 0
AUD +1
---------------------------------------------------------
Audio Track 2: Soundboard
Upgraded Soundboard - patched and timing has been corrected
updated shnid = 125413
original shnid = 7507
Mastered by Jay Serafin, Serafin Station Studio B
LINEAGE: SBD > PCM (analog output) > D > D > CDR > EAC > SHN
Jay's comments:
any/all editing,fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96kHz data stream) at Serafin Station Studio B [this show was released in 05/00]
My comments:
Both sets (d1t01, d2t01) start rather abruptly. Most likely a few notes are lost in both cases.
There is a bit of distortion, tape flutter, or static in d1t01 from 1:11 to 1:15 and around 1:42.
Extracted with EAC in secure mode. There was a sync error on d1t9, bu copy completed.
Jay asks that the integrity and hard work of his mastering be respected: "all I ask is that the shows aren't edited in any way, such as taking out a lot of the between song lulls, etc. They're left in there because they were part of the show...". Sounds reasonable to me.
Thanks.
Bob H.
Audio Track 2: Audience
Audience1 (for patching)
shnid = 29758
Source Audience FOB (11th Row)
Mics Beyer Dynamic M88's
Tapedeck Sony TCD5M
Media Maxell MX90
Taper Glen Charlton
Digital Mastering by Charlie Connor
Shn'd 4/19/01 by Charlie Connor
I don't know why this didn't end up on the etree db until June 23, 2005 but I'm reseeding
the Etree BT tonight.
FoB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>
Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>
Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR
redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT)
Audience2
(used for patching and not included as an audio track)
shnid = 125023
Master Audience Recorded By Fitzy, Transfer By Keo!
Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's
Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz
Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave
Dithered/Flacked With Korg Aqua To 16/44
SBE's Checked/Fixed With Trader's Little Helper
Metadata Tagging With Tag&Rename
Video
(used for patching and not included as an audio track)
no shnid
Video: AUD > ??? > HI-8 tape (low generation but unknown lineage)
Transfer: Sony DCR-TRV460 Camera > Firewall > Sony Vegas Pro 11 > MPEG2 > LCPM
Audio Track 4: DTS 5.1
shnid = 125403
DTS-Audio-48khz 5.1 Mix
Please refer to notes below for playing this track - you need
a 5.1 complient system with digital connection to your
dvd player.
-----------------------------------------------------------
Front
Left Channel -0db SBD
Right Channel -0db SBD
Center
Mixed to mono -1db MTX
Surround
Left Channel -0db AUD
Right Channel -0db AUD
Sub/LFE
Mixed to mono -1db MTX
--------------------------------------------------------------
Audio Patches:
1) At the start of the show, 22.780 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the first 8 seconds of Greatest Story Ever Told.
2) Between Walkin' Blues and Jack-A-Roe, 12.101 seconds were missing from the audience1 and were filled in using audio from the soundboard.
3) Between Jack-A-Roe and El Paso, 2 minutes and 37.761 seconds were missing from the audience1 and were filled in using audio from the soundboard.
4) Between El Paso and Built To Last, 11.436 seconds were missing from the audience1 and were filled in using audio from the soundboard.
5) Between Built To Last and Victim And The Crime, 55.682 seconds were missing from the soundboard and were filled in using audio from the video.
6) Between Built To Last and Victim And The Crime, 1 minutes and 13.075 seconds were missing from the audience1 and were filled in using audio from the soundboard/video.
7) About 5 minutes into Victim And The Crime, 33.520 seconds were missing from the aduience1 and were filled in using audio from the soundboard.
8) At the start of the 2nd set, 48.400 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the beginning of Blow Away.
9) About 7 minutes into Crazy Fingers, 3.338 seconds were missing from the soundboard and were filled in using audio from the audience2.
10) About 5 minutes into Uncle John's Band, 2.595 seconds were missing from the soundboard and were filled in using audio from the audience2.
11) About 8 minutes into Uncle John's Band, 7.833 seconds were missing from the soundboard and were filled in using audio from the audience2.
12) About 4 minutes into Drums, 2 minutes and 8.652 seconds were missing from the soundboard and were filled in using audio from the audience2.
13) About 1 minutes into Space, 3 minutes and 11.697 seconds were missing from the audience1 and were filled in using audio from the audience2.
14) About 5 minutes into Sugar Magnolia, 11.243 seconds were missing from the soundboard and were filled in using audio from the audience2.
15) About 6 minutes into Sugar Magnolia, 4 minutes and 57.484 seconds were missing from the audience1 and were filled in using audio from the video\audience2. This includes the break between Sugar Magnolia and Johnny B. Goode.
16) Between Sugar Magnolia and Johnny B. Goode, 1 minute and 9.761 seconds were missing from the soundboard and were filled in using audio from the video\audience2. This includes the first notes of Johnny B. Goode.
17) At the end of the 2nd set, 27.656 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the last notes of Black Muddy River.
Video Patches:
1) At the start of the show, 22.780 seconds were missing from the video and were filled in using Audience audio and graphics filler. This includes the first 8 seconds of Greatest Story Ever Told.
Notes
-Video assets courtesy of Dan Cole and tranfered by Kevin Tobin - thank you very much Dan
-SBD torrented from LL with many thanks
-AUD downloaded from Archive.org with appreciation for all they do
-Audio synchronization by Kevin Tobin using Adobe Audition to
compress/expand the audio in multitrack mode to match the original audio.
-Video patches created with Ulead VideoStudio 11 by Kevin Tobin.
-Multiplexing via TMPGEnc MPEG Editor by Kevin Tobin.
-DVD authoring via DVD Architect 6.0 by Kevin Tobin.
Video Attribute :
Video compression mode : MPEG-2
TV system : 525/60 (NTSC)
Aspect Ratio : 4:3
Display Mode : reserved
Source picture resolution : 720x480
Frame Rate : 29.99
Source picture letterboxed : Not letterboxed
Bitrate : Disk 1: 8.000 Mbps
Menu : Yes (song list on separate menu)
Audio Attribute :
Number of Audio channels : 2
Number of Audio streams : 1
Audio Coding mode: Linear PCM audio
Sampling Rate : 48kHz 1536Kbps
More On DTS
Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the DVD LCPM
hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular DVD. To play a DTS-DVD you must connect
your DVD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-DVD, so the
first time you're trying to playback a DTS-DVD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-DVD through the
analog audio outputs of your DVD player. If you have
problems playing the DTS track - try the matrix.
Brokedown House Production
Do NOT buy or sell this video
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