Grateful Dead Video 10/08/1989
Hampton Coliseum, Hampton, VA
Source Summary
BHP BD (Angle 1) using a video from Lazy Cow captured by Markiki with multiple audio tracks
Show Type: Single Camera Audience Generation (if known): Master
Media Type: BD Media Count: 2
Upgrade ?: NO
Lossless Audio Source shnid= 147605
Misc Link(s): LosslessLegs Page
BHP BD (Angle 1) using a video from Lazy Cow captured by Markiki with multiple audio tracks
Show Type: Single Camera Audience Generation (if known): Master
Media Type: BD Media Count: 2
Upgrade ?: NO
Lossless Audio Source shnid= 147605
Misc Link(s): LosslessLegs Page
Other Sources
SHNID 175060 Lazy Cow DVD (angle 1) with SBD audio Show...
SHNID 175061 Lazy Cow DVD (angle 2) with SBD audio Show...
SHNID 175063 Lazy Cow DVD (remastered angle 1) with SBD...
SHNID 176093 BHP DVD (Angle 1) using a video from Lazy Cow...
SHNID 176288 BHP MKV (Angle 1) using a video from Lazy Cow...
Grateful Dead (Formerly The Warlocks)
October 8, 1989
Hampton Coliseum
Hampton, VA
Lazy Cow Production
Audio Upgrade by Brokedown House Production
Set 1:
Foolish Heart
Walkin' Blues
Candyman
Me And My Uncle
Big River
Stagger Lee
Queen Jane Approximately
Bird Song
Promised Land
Set 2:
Tuning
Help On The Way
Slipknot!
Franklin's Tower
Victim Or The Crime
Eyes Of The World
Drums
Space
I Need A Miracle
The Wheel
Gimme Some Lovin'
Morning Dew
Encore:
We Bid You Goodnight
Jerry Garcia - Guitar
Bob Weir - Guitar
Phil Lesh - Bass
Brent Mydland - Keys
Bill Kreutzmann - Drums
Mickey Hart - Drums
Video: AUD (Tripod) > Master [Angle 1]
Set 1 & 2
Master: JVC Single Tube Camera, Nak 300 Shotguns > 1 or 2 Decks > JVC Deck > VHS Master
Transfer Set 1: VHS Master > Panasonic AG-7150 > Canopus ADVC-100 > iMac Core 2 Duo > Final Cut Pro 6 > Compressor 3 > DVD Studio Pro 4 > DVD5
Transfer Set 2: VHS Master > Panasonic AG-7150 > Canopus ADVC-100 > iMac G4 > Final Cut Pro 3 > DV > iMac Core 2 Duo > Final Cut Pro 6 > Compressor 3 > DVD Studio Pro 4 > DVD5
Notes:
2012 Remaster
Add Border
Original Lazy Cow DVD5 > TMPGEnc Smart Render 6 > MPEG2 > TMPGEnc Authoring Works 7 > Bluray (BHP Note: the original video has not been altered in any way except to make set 2 complete vice spread between 2 dvd5)
[NTSC, 4:3, 7.4 & 8.2 Mbs, 720x480, 29.97 fps]
Audio Information:
Audio Track 1: SBD (shnid=147605)
Recording Info:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Transfer Info:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
All Transfers and Mastering By Charlie Miller
September 21, 2019
Notes:
-- Recorded by Don Pearson
-- Billed as 'Formally The Warlocks'
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]
Audio Track 2: Matrix
shnid = 176216
SBD + AUD Matrix 2 Source Mix
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]
Audio Track 3: 5.1 LPCM Surround Sound
shnid = 176237
[LPCM, 4.6Mbs, 16 Bit, 48 kHz]
Audio Track 4: DTS 5.1
shnid = 176232
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]
NOTE: Track 2/3/4 are a combination of the Audio Track 1 (SBD) listed above and this audience:
AUD (shnid = 120376)
Master Audience Supplied By Mr. Currier
Source: 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob>
Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier
Tapes Maxell MX-100's
Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo
Tracking/Sample Rate Conversion/Flacked With
AudioGate Software To 24/96 Khz
Audience was patched with:
Audience (shnid = 142509)
Source Info:
Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k)
Transfer Info:
Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]
October 8, 1989
Hampton Coliseum
Hampton, VA
Lazy Cow Production
Audio Upgrade by Brokedown House Production
Set 1:
Foolish Heart
Walkin' Blues
Candyman
Me And My Uncle
Big River
Stagger Lee
Queen Jane Approximately
Bird Song
Promised Land
Set 2:
Tuning
Help On The Way
Slipknot!
Franklin's Tower
Victim Or The Crime
Eyes Of The World
Drums
Space
I Need A Miracle
The Wheel
Gimme Some Lovin'
Morning Dew
Encore:
We Bid You Goodnight
Jerry Garcia - Guitar
Bob Weir - Guitar
Phil Lesh - Bass
Brent Mydland - Keys
Bill Kreutzmann - Drums
Mickey Hart - Drums
Video: AUD (Tripod) > Master [Angle 1]
Set 1 & 2
Master: JVC Single Tube Camera, Nak 300 Shotguns > 1 or 2 Decks > JVC Deck > VHS Master
Transfer Set 1: VHS Master > Panasonic AG-7150 > Canopus ADVC-100 > iMac Core 2 Duo > Final Cut Pro 6 > Compressor 3 > DVD Studio Pro 4 > DVD5
Transfer Set 2: VHS Master > Panasonic AG-7150 > Canopus ADVC-100 > iMac G4 > Final Cut Pro 3 > DV > iMac Core 2 Duo > Final Cut Pro 6 > Compressor 3 > DVD Studio Pro 4 > DVD5
Notes:
2012 Remaster
Add Border
Original Lazy Cow DVD5 > TMPGEnc Smart Render 6 > MPEG2 > TMPGEnc Authoring Works 7 > Bluray (BHP Note: the original video has not been altered in any way except to make set 2 complete vice spread between 2 dvd5)
[NTSC, 4:3, 7.4 & 8.2 Mbs, 720x480, 29.97 fps]
Audio Information:
Audio Track 1: SBD (shnid=147605)
Recording Info:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Transfer Info:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
All Transfers and Mastering By Charlie Miller
September 21, 2019
Notes:
-- Recorded by Don Pearson
-- Billed as 'Formally The Warlocks'
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]
Audio Track 2: Matrix
shnid = 176216
SBD + AUD Matrix 2 Source Mix
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]
Audio Track 3: 5.1 LPCM Surround Sound
shnid = 176237
[LPCM, 4.6Mbs, 16 Bit, 48 kHz]
Audio Track 4: DTS 5.1
shnid = 176232
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]
NOTE: Track 2/3/4 are a combination of the Audio Track 1 (SBD) listed above and this audience:
AUD (shnid = 120376)
Master Audience Supplied By Mr. Currier
Source: 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob>
Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier
Tapes Maxell MX-100's
Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo
Tracking/Sample Rate Conversion/Flacked With
AudioGate Software To 24/96 Khz
Audience was patched with:
Audience (shnid = 142509)
Source Info:
Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k)
Transfer Info:
Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]
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