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Dave Matthews Band 06/18/2022
Xfinity Theatre, Hartford, CT
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Source Summary
FLAC 24/96 5.1 Surround
Source: 5.1 Channel Surround (24-bit / 96 kHz multichannel LPCM)
FLAC 24/96 5.1 Surround
Source: 5.1 Channel Surround (24-bit / 96 kHz multichannel LPCM)
Other Sources
SHNID 177715 Source: AKG 480/ck61 > Zoom F8 Conversion:...
SHNID 177716 **Remastered Version** Source: AKG 480/ck61...
SHNID 177739 Source: AKG C414 XLII (Cardioid) > MixPre 6 II...
SHNID 177742 Source: AKG C414 XLII (Cardioid) > MixPre 6 II...
SHNID 177745 Source: AKG ck61 (DINa, ~12’) > Nbob active...
SHNID 177746 FLAC 24/44.1 Source: AKG ck61 (DINa,...
SHNID 177747 Source: Sennheiser MKH 800 TWIN dual capsule...
SHNID 177748 FLAC 24/96 Source: Sennheiser MKH 800 TWIN...
SHNID 177715 Source: AKG 480/ck61 > Zoom F8 Conversion:...
SHNID 177716 **Remastered Version** Source: AKG 480/ck61...
SHNID 177739 Source: AKG C414 XLII (Cardioid) > MixPre 6 II...
SHNID 177742 Source: AKG C414 XLII (Cardioid) > MixPre 6 II...
SHNID 177745 Source: AKG ck61 (DINa, ~12’) > Nbob active...
SHNID 177746 FLAC 24/44.1 Source: AKG ck61 (DINa,...
SHNID 177747 Source: Sennheiser MKH 800 TWIN dual capsule...
SHNID 177748 FLAC 24/96 Source: Sennheiser MKH 800 TWIN...
Dave Matthews Band
18 June 2022
Xfinity Theatre
Hartford, Connecticut
Recorded and mixed by: Christopher Jones
Source: 5.1 Channel Surround (24-bit / 96 kHz multichannel LPCM)
Lf / Rf: Sennheiser MKH 800 TWIN dual capsule condenser (forward-facing; mixed to hypercardioid) > Canare 5-pin multichannel XLR interconnect > Sonosax SX-R4+ (non-U.S. version with unconstrained headroom; @ 24-bit / 96 kHz)
Center: Schoeps CMC1L4V (MK4V cardioid capsule and CMC 1L preamplifier) > lemo-to-XLR > Sonosax SX-M2D2 integrated preamplifier and analog-to-digital converter (@ 24-bit / 96 kHz) > AES / EBU TA3 interconnect > Sonosax SX-R4+ (@ 24-bit / 96 kHz)
LFE: Material below 100 Hz from Lf band-passed to LFE. LFE minimally included in mix (LFE peaks around -30 dB) under presumption that full range speakers will be used for playback. No rolloff in mains on account of LFE band-pass. Rely on playback bass management as appropriate.
Lr / Rr: Sennheiser MKH 800 TWIN dual capsule condenser (rear-facing; mixed to wide cardioid) > Canare 5-pin multichannel XLR interconnect > Sonosax SX-R4+ (@ 24-bit / 96 kHz)
Location: Rear of stageright GA pit, in front of stageright sidestage line array; microphones elevated approximately 4.5 meters
SD > .flac: SD Card > Apple 14" Macbook Pro (Apple M1 Max / 32GB RAM) > Avid Pro Tools Ultimate v. 2021.12.0 > xACT v2.50
24-bit / 96 kHz stereo version of this recording available in .flac24.
t01 Introduction 02:02.71
t02 One Sweet World 07:44.47
t03 When The World Ends 04:19.80
t04 What Would You Say 06:36.37
t05 Break For It 06:49.00
t06 The Stone 10:48.45
t07 Funny The Way It Is 06:16.02
t08 Lying In The Hands Of God 11:48.91
t09 Grace Is Gone 08:21.08
t10 Can't Stop 05:23.63
t11 Dancing Nancies 10:56.38
t12 Walk Around The Moon 06:10.90
t13 So Damn Lucky 09:55.80
t14 Break Free 08:15.70
t15 Say Goodbye 06:50.71
t16 Intro To... 00:50.35
t17 Crush 15:40.71
t18 Kill The Preacher > 01:13.22
t19 Why I Am 05:09.63
t20 Come On Come On 06:05.44
t21 Ants Marching 15:04.19
---
t22 Steady As We Go 03:59.70
t23 Two Step 12:56.92
Notes:
Compiled by Christopher Jones 24 September 2022.
18 June 2022
Xfinity Theatre
Hartford, Connecticut
Recorded and mixed by: Christopher Jones
Source: 5.1 Channel Surround (24-bit / 96 kHz multichannel LPCM)
Lf / Rf: Sennheiser MKH 800 TWIN dual capsule condenser (forward-facing; mixed to hypercardioid) > Canare 5-pin multichannel XLR interconnect > Sonosax SX-R4+ (non-U.S. version with unconstrained headroom; @ 24-bit / 96 kHz)
Center: Schoeps CMC1L4V (MK4V cardioid capsule and CMC 1L preamplifier) > lemo-to-XLR > Sonosax SX-M2D2 integrated preamplifier and analog-to-digital converter (@ 24-bit / 96 kHz) > AES / EBU TA3 interconnect > Sonosax SX-R4+ (@ 24-bit / 96 kHz)
LFE: Material below 100 Hz from Lf band-passed to LFE. LFE minimally included in mix (LFE peaks around -30 dB) under presumption that full range speakers will be used for playback. No rolloff in mains on account of LFE band-pass. Rely on playback bass management as appropriate.
Lr / Rr: Sennheiser MKH 800 TWIN dual capsule condenser (rear-facing; mixed to wide cardioid) > Canare 5-pin multichannel XLR interconnect > Sonosax SX-R4+ (@ 24-bit / 96 kHz)
Location: Rear of stageright GA pit, in front of stageright sidestage line array; microphones elevated approximately 4.5 meters
SD > .flac: SD Card > Apple 14" Macbook Pro (Apple M1 Max / 32GB RAM) > Avid Pro Tools Ultimate v. 2021.12.0 > xACT v2.50
24-bit / 96 kHz stereo version of this recording available in .flac24.
t01 Introduction 02:02.71
t02 One Sweet World 07:44.47
t03 When The World Ends 04:19.80
t04 What Would You Say 06:36.37
t05 Break For It 06:49.00
t06 The Stone 10:48.45
t07 Funny The Way It Is 06:16.02
t08 Lying In The Hands Of God 11:48.91
t09 Grace Is Gone 08:21.08
t10 Can't Stop 05:23.63
t11 Dancing Nancies 10:56.38
t12 Walk Around The Moon 06:10.90
t13 So Damn Lucky 09:55.80
t14 Break Free 08:15.70
t15 Say Goodbye 06:50.71
t16 Intro To... 00:50.35
t17 Crush 15:40.71
t18 Kill The Preacher > 01:13.22
t19 Why I Am 05:09.63
t20 Come On Come On 06:05.44
t21 Ants Marching 15:04.19
---
t22 Steady As We Go 03:59.70
t23 Two Step 12:56.92
Notes:
Compiled by Christopher Jones
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