Phish 03/13/1992
Campus Club, Providence, RI
Source Summary
SBD > Cass/0 > DAT > PCM > CDR > EAC > SHN > Reba (fixes) > SHN
SBD > Cass/0 > DAT > PCM > CDR > EAC > SHN > Reba (fixes) > SHN
Other Sources
SHNID 2232 SBD > DAT @ 48Khz; Tascam DA-20mMkII > TB...
SHNID 14317 SBD; CDR > EAC > SHN
SHNID 81639 SBD > DAT; Panasonic SV-3700 > M-Audio 24/96 >...
SHNID 141271 flac16 48kHz SBD Transfer: DAT(c) @48kHz >...
Phish
Campus Club
Providence, RI
3/13/92
Lineage: S:MCass>(DAT ?)>PCM>CD>EAC>SHN
**update**
S:MCass>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHN
Disc 1 / Set 1:
1. The Curtain >
2. Split Open and Melt *
3. Poor Heart >
4. Guelah Papyrus
5. Maze
6. Dinner and a Movie >
7. Divided Sky
Disc 2:
1. Mound >
2. Fluffhead >
3. Run Like an Antelope >
4. BBFCFM^ >
5. Run Like an Anteope
Set 2
6. Wilson^^ >
7. Brother >
8. The Horse >
9. Silent in the Morning
Disc 3:
1. The Landlady >
2. Lizards
3. My Mind's Got a Mind of its Own
4. The Sloth >
5. Rift
6. Cold As Ice
7. Love You >
8. Cold As Ice
9. Possum^^^
Encore
10. Contact
11. Fire
Notes: The "?" in the lineage is not an extra analog generation. I'm just not
sure if the PCM came from a DAT or not, thus I put the question mark in. I
transferred the PCM, removed the DC offset, converted from 44.056Khz to
44.1Khz at the highest quality setting, tracked, and burned this show on
July 30, 2003. I wonder if perhaps the master was recorded with Dolby on and
played back with it off. It seems a bit too bright to me. However, I did
not mess with the recording in any way. Enjoy!
* - There is a very small dropout at 2:10. I tried several times to get a
clean read off the PCM tape at that spot, but could not. It's hardly
noticable, though.
^ - Has a vocal jam based on "Hawaii" and a "Lullabye" tease in it.
^^ - "Somewhere Over the Rainbow" tease to start
^^^ - Trey explains secret language
David Hollister
***RE-MASTERING NOTES 8/2003***
This show almost certainly has the pre-emphisis enabled if this a *true* PCM recording. That is the most likely cause for the overly harsh sound of the show. Upon getting these SHN's, they were loaded into REBA and passed through a 20band Parametric EQ with the J17 de-emphisis setting. Next in store for this show was a pass through the BBE Sonic Maximizer. This was used to really bring the mix together....it really brought out the low end very well. You can actually hear Mike's bass now ;-) The reason this was done is because if you listen real closely, you may notice you hear a lot of room dynamics....the recording had a slight time smear problem because of the 2 sources used to record this. The BBE unit was used to correct for this. Yes, you heard me right...I think this is a matrix, SBD+AUD. The SOAM has some nasty feedback. I crossfaded the feedback to "lessen" the damage to our ears. The pops in Fluffhead were toned down somewhat, but I had to leave BBFCFM alone....most of the distortion you hear is not dropouts but rather mic overload.
The show was re-mastered, re-tracked, then shn'd in August 2003.
Remastering by Mr. Marmar
Campus Club
Providence, RI
3/13/92
Lineage: S:MCass>(DAT ?)>PCM>CD>EAC>SHN
**update**
S:MCass>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHN
Disc 1 / Set 1:
1. The Curtain >
2. Split Open and Melt *
3. Poor Heart >
4. Guelah Papyrus
5. Maze
6. Dinner and a Movie >
7. Divided Sky
Disc 2:
1. Mound >
2. Fluffhead >
3. Run Like an Antelope >
4. BBFCFM^ >
5. Run Like an Anteope
Set 2
6. Wilson^^ >
7. Brother >
8. The Horse >
9. Silent in the Morning
Disc 3:
1. The Landlady >
2. Lizards
3. My Mind's Got a Mind of its Own
4. The Sloth >
5. Rift
6. Cold As Ice
7. Love You >
8. Cold As Ice
9. Possum^^^
Encore
10. Contact
11. Fire
Notes: The "?" in the lineage is not an extra analog generation. I'm just not
sure if the PCM came from a DAT or not, thus I put the question mark in. I
transferred the PCM, removed the DC offset, converted from 44.056Khz to
44.1Khz at the highest quality setting, tracked, and burned this show on
July 30, 2003. I wonder if perhaps the master was recorded with Dolby on and
played back with it off. It seems a bit too bright to me. However, I did
not mess with the recording in any way. Enjoy!
* - There is a very small dropout at 2:10. I tried several times to get a
clean read off the PCM tape at that spot, but could not. It's hardly
noticable, though.
^ - Has a vocal jam based on "Hawaii" and a "Lullabye" tease in it.
^^ - "Somewhere Over the Rainbow" tease to start
^^^ - Trey explains secret language
David Hollister
***RE-MASTERING NOTES 8/2003***
This show almost certainly has the pre-emphisis enabled if this a *true* PCM recording. That is the most likely cause for the overly harsh sound of the show. Upon getting these SHN's, they were loaded into REBA and passed through a 20band Parametric EQ with the J17 de-emphisis setting. Next in store for this show was a pass through the BBE Sonic Maximizer. This was used to really bring the mix together....it really brought out the low end very well. You can actually hear Mike's bass now ;-) The reason this was done is because if you listen real closely, you may notice you hear a lot of room dynamics....the recording had a slight time smear problem because of the 2 sources used to record this. The BBE unit was used to correct for this. Yes, you heard me right...I think this is a matrix, SBD+AUD. The SOAM has some nasty feedback. I crossfaded the feedback to "lessen" the damage to our ears. The pops in Fluffhead were toned down somewhat, but I had to leave BBFCFM alone....most of the distortion you hear is not dropouts but rather mic overload.
The show was re-mastered, re-tracked, then shn'd in August 2003.
Remastering by Mr. Marmar
Comments
Other Sources (comments)
SBD > DAT @ 48Khz; Tascam... (1)
SBD; CDR > EAC > SHN (2)
SBD > DAT; Panasonic... (0)
flac16 48kHz SBD... (0)
SBD > DAT @ 48Khz; Tascam... (1)
SBD; CDR > EAC > SHN (2)
SBD > DAT; Panasonic... (0)
flac16 48kHz SBD... (0)
Date: 11/22/2003
User:
Chris Black
FYI: Only 10 tracks on disc 3, not 11. Love You > Cold as Ice are one track, #7. Thanks for the great seed!
Date: 11/24/2003
User:
DaveH
Problem here is that the original seed of this show is flawed, so why polish a turd? I received a low gen cassette SBD copy of this show back in 6/92 and listened to it for years. When I eventually heard the etree "digital" seed a couple years ago, I couldn't believe it. It was horrible, and obviously not the claimed lineage based on the first minute of Curtain, which sounds like the tape had been sent through a cheese grater.
Also, concerning mix issues, it must be remembered that in this period it is often not the fault of the recording but something Paul L. was doing live. In Fall '91 to Spring '92 he would add in bursts of reverb at times during the music, for whatever reason...I'm guessing for effect but I was never really sure.
Also, concerning mix issues, it must be remembered that in this period it is often not the fault of the recording but something Paul L. was doing live. In Fall '91 to Spring '92 he would add in bursts of reverb at times during the music, for whatever reason...I'm guessing for effect but I was never really sure.
Date: 05/27/2004
User:
Weave
I think DaveH's comments are referring to this earlier etree seed http://db.etree.org/shninfo_detail.php?shnid=2232
This remaster came from a PCM source that was seeded to Furthurnet. Those SHNs never made it into the Etree db before the remastering was done.
See this thread in the Furthurnet forums:
http://forums.furthurnet.org/viewtopic.php?t=11182
This remaster came from a PCM source that was seeded to Furthurnet. Those SHNs never made it into the Etree db before the remastering was done.
See this thread in the Furthurnet forums:
http://forums.furthurnet.org/viewtopic.php?t=11182
Date: 05/27/2004
User:
Mr. Marmar
This show is NOT a turd that was polished.....this was a true "gem in the rough"...there is no cheese grater sound to "The Curtain"....if there was, I wouldda found the Master cassette and did the txfer myself....ask around, I don't try to fix shows that are *crap* ;)
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