Phish 05/10/1990
Pearl Street Night Club, Northampton, MA
Source Summary
SBD > Nak CR-3A (Maxell XLII-S 90min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +14dB, no "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV (@24bit/48kHz)> FLAC (24bit/48kHz) > remastering (see info file) > WAV (16bit,44.1kHz) > CDWav > SHNv3; Taped by John Redmond
SBD > Nak CR-3A (Maxell XLII-S 90min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +14dB, no "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV (@24bit/48kHz)> FLAC (24bit/48kHz) > remastering (see info file) > WAV (16bit,44.1kHz) > CDWav > SHNv3; Taped by John Redmond
Other Sources
PHiSH - 5/10/90
Pearl St - Northampton, MA
SOURCE SBD > Nak CR-3A
SBD MCass (Maxell XLII-S 90min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)
(transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 09/27/2003)
Mastering Notes:
The 24/48 FLACs were converted to .WAV with FLAC v1.1.0 and loaded into Steinberg's WaveLab. The first step was to correct some anomolies in the original recording. There were small volume reductions in the left channel (a dirty spot on a record head maybe?) for all of Suzy Greenberg & Uncle Penn. After several approaches I decided to create a dual-mono mix of the right channel. There was another noteable change towards the front of Bouncin' and into the quiet section of Divided Sky. The tonal change was compensated for w/ the BBE Sonic Maximizer, with the settings @ 2 for Lo Contour and 3 for Process. The next step was to use Waves X-Noise on each seperate file and render each seperately. The files were loaded into Wavelab's Audio Montage, crossfades were performed at each tape flip and the following mastering processes were applied: Waves 2-band EQ, high pass @ 40Hz, Blue Tubes FA770 compressor, BBE Sonic Maximizer (Lo Contour = 3, Process = 3), Blue Tubes LM2S limiter. The resulting .WAV was tracked in CD-WAV and converted to SHNv3 (seek tables appended).
All mastering/edits performed @ Bunker 8 Digital Labs by Dr. Shakedown and Sigmund Droid
shakedown@furthurnet.org
DISC ONE
set I:
01. intro/tuning
02. Suzy Greenberg
03. Uncle Penn
04. Bouncin'
05. Divided Sky
06. Tweezer
07. My Sweet One//
08. //Bathtub Gin
09. Possum
set II:
10. tuning/mic checks
11. Funky Bitch
12. Runaway Jim
DISC TWO
set II(cont):
01. Harry Hood
02. //Caravan
03. Reba
04. Oh Kee Pa>
05. AC/DC Bag
06. Good Times Bad Times
encore:
07. "Henrietta"
08. Whipping Post
Notes:
NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).
Seeded to FurthurNet (www.furthurnet.org) by Shakedown
Pearl St - Northampton, MA
SOURCE SBD > Nak CR-3A
SBD MCass (Maxell XLII-S 90min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)
(transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 09/27/2003)
Mastering Notes:
The 24/48 FLACs were converted to .WAV with FLAC v1.1.0 and loaded into Steinberg's WaveLab. The first step was to correct some anomolies in the original recording. There were small volume reductions in the left channel (a dirty spot on a record head maybe?) for all of Suzy Greenberg & Uncle Penn. After several approaches I decided to create a dual-mono mix of the right channel. There was another noteable change towards the front of Bouncin' and into the quiet section of Divided Sky. The tonal change was compensated for w/ the BBE Sonic Maximizer, with the settings @ 2 for Lo Contour and 3 for Process. The next step was to use Waves X-Noise on each seperate file and render each seperately. The files were loaded into Wavelab's Audio Montage, crossfades were performed at each tape flip and the following mastering processes were applied: Waves 2-band EQ, high pass @ 40Hz, Blue Tubes FA770 compressor, BBE Sonic Maximizer (Lo Contour = 3, Process = 3), Blue Tubes LM2S limiter. The resulting .WAV was tracked in CD-WAV and converted to SHNv3 (seek tables appended).
All mastering/edits performed @ Bunker 8 Digital Labs by Dr. Shakedown and Sigmund Droid
shakedown@furthurnet.org
DISC ONE
set I:
01. intro/tuning
02. Suzy Greenberg
03. Uncle Penn
04. Bouncin'
05. Divided Sky
06. Tweezer
07. My Sweet One//
08. //Bathtub Gin
09. Possum
set II:
10. tuning/mic checks
11. Funky Bitch
12. Runaway Jim
DISC TWO
set II(cont):
01. Harry Hood
02. //Caravan
03. Reba
04. Oh Kee Pa>
05. AC/DC Bag
06. Good Times Bad Times
encore:
07. "Henrietta"
08. Whipping Post
Notes:
NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).
Seeded to FurthurNet (www.furthurnet.org) by Shakedown
Comments
Date: 11/05/2003
User:
A. Davis
Date: 03/06/2004
User:
Weave
As part of the Old School Phish Project, I have been scanning the tape covers, ticket stubs (if I have them) and the "Phish Update" newsletters (if I have them).
If you are interested, you can find them here:
http://guyforget.net/phishteam/oldschool_extras/
Each show has it's own folder. All the shows released so far are out there.
I've also included the MD5s and TXT files.
If you distribute these SHNs, please include these extras.
You can visit this forum for comments made during the transfer/mastering/listening process:
http://guyforget.net/forums/viewforum.php?f=14
Each show has it's own thread
If you are interested, you can find them here:
http://guyforget.net/phishteam/oldschool_extras/
Each show has it's own folder. All the shows released so far are out there.
I've also included the MD5s and TXT files.
If you distribute these SHNs, please include these extras.
You can visit this forum for comments made during the transfer/mastering/listening process:
http://guyforget.net/forums/viewforum.php?f=14
Each show has it's own thread
Date: 06/30/2004
User:
jbear725
Why is this tracked with the beginning of set II on disc 1?
Set I is 56 min and Set II is 66 min. Is there really a reason to split up Set II like that? Also, Runaway Jim to Harry Hood is seamless making it easy to keep Set II together.
Set I is 56 min and Set II is 66 min. Is there really a reason to split up Set II like that? Also, Runaway Jim to Harry Hood is seamless making it easy to keep Set II together.
Date: 07/26/2012
User:
geewiz010
FLAC fingerprints:
ph1990-05-10d1t01.flac:31683251ef9d44680b67856c6c5f920b
ph1990-05-10d1t02.flac:ad9cee93102ab9e883aa318b533c08a1
ph1990-05-10d1t03.flac:afe24a2604bbe3a9b0b961ed7ddce8ec
ph1990-05-10d1t04.flac:c8a5752ef67680769ceb7be866514bb8
ph1990-05-10d1t05.flac:a2c9fd8b01844111b7c9a9d5dbec89c7
ph1990-05-10d1t06.flac:abed8cae5ea76432b46a8126ad4cec76
ph1990-05-10d1t07.flac:4b771c84c0bf4130df50616f440615d0
ph1990-05-10d1t08.flac:6c97879f32ddf2b3bfd52fd24c48f7d3
ph1990-05-10d1t09.flac:d915a68075f7b61b3dc36ede505cf4f8
ph1990-05-10d1t10.flac:f8e300d492c9960386f9e695a59dbcd7
ph1990-05-10d1t11.flac:953b486c79cc4ef8a1e3124d2d0baa13
ph1990-05-10d1t12.flac:c7e2f54df5eedf889dcd0f18508eb99e
ph1990-05-10d2t01.flac:20ffd0fcda47d5e09338993ac34036f2
ph1990-05-10d2t02.flac:01e73f145330589a50e77e19f2cf0367
ph1990-05-10d2t03.flac:3351f4cfbd4cdaa4f87b2c41c9557398
ph1990-05-10d2t04.flac:2524c63c06a5a5cb7b1f5344e23609a8
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ph1990-05-10d1t07.flac:4b771c84c0bf4130df50616f440615d0
ph1990-05-10d1t08.flac:6c97879f32ddf2b3bfd52fd24c48f7d3
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ph1990-05-10d1t11.flac:953b486c79cc4ef8a1e3124d2d0baa13
ph1990-05-10d1t12.flac:c7e2f54df5eedf889dcd0f18508eb99e
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ph1990-05-10d2t02.flac:01e73f145330589a50e77e19f2cf0367
ph1990-05-10d2t03.flac:3351f4cfbd4cdaa4f87b2c41c9557398
ph1990-05-10d2t04.flac:2524c63c06a5a5cb7b1f5344e23609a8
ph1990-05-10d2t05.flac:05beb3893e49e72aa42f49c0dcd587e2
ph1990-05-10d2t06.flac:0ae13a011f159eaa164e7177b7a1eac5
ph1990-05-10d2t07.flac:c909164033ef9562b4efc815a9592e26
ph1990-05-10d2t08.flac:6cca4650a2ce10308cd91b3518e39dae
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