Phish 05/06/1990
Toad's Place, New Haven, CT
Source Summary
SBD > D5 (Cass/0) > Sony TC-WE805S > Art DI/O (Input gain +12dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > mastering (see info file) > SHNv3; Taped by John Redmond
SBD > D5 (Cass/0) > Sony TC-WE805S > Art DI/O (Input gain +12dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > mastering (see info file) > SHNv3; Taped by John Redmond
Phish
Toad's Place
New Haven, CT
5/6/90
Taper: John Redmond
SOURCE SBD > D5
SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) >
mastering (see notes) > SHNv3
transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/5/2003
Mastering, editing and WAV > SHN were performed on REBA by Arty- imthemarmar@stny.rr.com (10/12-21/2003)
**24/48 Masters do exist at the unedited/pre-processed level**
**CD Tracking**
-Disc 1-Set 1:
01) Possum
02) Bouncing Around the Room
03) Uncle Pen
04) Reba
05) Tweezer
06) Mike's Song >
07) I am Hydrogen >
08) Weekapaug Groove
-Disc 2-Set 2:
01) Fee
02) Harry Hood
03) Esther
04) David Bowie
05) Terrapin
06) Jaegermeister
07) You Enjoy Myself
**Mastering**
24bit/48kHz FLAC's > Wavelab 4.01b on REBA - Waves were opened as a Montage in Wavelab. Some volume adjustments were made to even out the show's volume. The sets were also reconstructed at this stage and all tape flips were crossfaded. The 24/48 files were then rendered to: 24/48 Wave > 10 Band EQ (high-pass set at 25Hz @ 24db/octave slope) > BBE Sonic Maximizer (6 contour/7 Process @ -20db) > Waves L2 (set to limit @ -0.3db) > Rendered @ 24/48 > Editing > Apogee UV22 HR 24>16bit (Normal, Autoblack) > Steinberg 192kHz Resampler > Tracking in Wavelab > SHNv3 appended
**Notes**
At the start of the show you hear Fish say "what the hell is that comming from my monitor!?!?"....then it starts....the static. There is noise from the board all night whenever it has little/no signal going through it. It almost sounds like FM/TV interference with the monitors/PA. Where possible, I applied some slight phase cancellation over the noise to try and lessen it as much as possible without destroying the *wanted* material. While it is present throughout the show, hopefully I did enough to make it as transparent to the ear as possible. There was no "noise reduction" applied to the show. I figured this master was bright enough that a lil original hiss wouldn't hurt. Using the BBE unit on this with such settings may seem a little "much", but when used in this method it acts as a Phase Correcting Limiter you could say....it really enhances the lower levels yet keeping the overall volume in check by keeping the output real low. The gain reduction was made up with the L2 UltraMaximizer bringing the RMS volume back up to the original levels.
Notes
NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).
Widespread Panic opened.
There is a static noise in the Master Cassette. I verified the noise is in the cassette and is not caused by the transfer.
Seeded to FurthurNet (www.furthurnet.org)
Toad's Place
New Haven, CT
5/6/90
Taper: John Redmond
SOURCE SBD > D5
SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) >
mastering (see notes) > SHNv3
transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/5/2003
Mastering, editing and WAV > SHN were performed on REBA by Arty- imthemarmar@stny.rr.com (10/12-21/2003)
**24/48 Masters do exist at the unedited/pre-processed level**
**CD Tracking**
-Disc 1-Set 1:
01) Possum
02) Bouncing Around the Room
03) Uncle Pen
04) Reba
05) Tweezer
06) Mike's Song >
07) I am Hydrogen >
08) Weekapaug Groove
-Disc 2-Set 2:
01) Fee
02) Harry Hood
03) Esther
04) David Bowie
05) Terrapin
06) Jaegermeister
07) You Enjoy Myself
**Mastering**
24bit/48kHz FLAC's > Wavelab 4.01b on REBA - Waves were opened as a Montage in Wavelab. Some volume adjustments were made to even out the show's volume. The sets were also reconstructed at this stage and all tape flips were crossfaded. The 24/48 files were then rendered to: 24/48 Wave > 10 Band EQ (high-pass set at 25Hz @ 24db/octave slope) > BBE Sonic Maximizer (6 contour/7 Process @ -20db) > Waves L2 (set to limit @ -0.3db) > Rendered @ 24/48 > Editing > Apogee UV22 HR 24>16bit (Normal, Autoblack) > Steinberg 192kHz Resampler > Tracking in Wavelab > SHNv3 appended
**Notes**
At the start of the show you hear Fish say "what the hell is that comming from my monitor!?!?"....then it starts....the static. There is noise from the board all night whenever it has little/no signal going through it. It almost sounds like FM/TV interference with the monitors/PA. Where possible, I applied some slight phase cancellation over the noise to try and lessen it as much as possible without destroying the *wanted* material. While it is present throughout the show, hopefully I did enough to make it as transparent to the ear as possible. There was no "noise reduction" applied to the show. I figured this master was bright enough that a lil original hiss wouldn't hurt. Using the BBE unit on this with such settings may seem a little "much", but when used in this method it acts as a Phase Correcting Limiter you could say....it really enhances the lower levels yet keeping the overall volume in check by keeping the output real low. The gain reduction was made up with the L2 UltraMaximizer bringing the RMS volume back up to the original levels.
Notes
NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).
Widespread Panic opened.
There is a static noise in the Master Cassette. I verified the noise is in the cassette and is not caused by the transfer.
Seeded to FurthurNet (www.furthurnet.org)
Comments
Other Sources (comments)
flac24 48khz SOURCE: SBD... (0)
flac24 48khz SOURCE: SBD... (0)
Date: 03/06/2004
User:
Weave
As part of the Old School Phish Project, I have been scanning the tape covers, ticket stubs (if I have them) and the "Phish Update" newsletters (if I have them).
If you are interested, you can find them here:
http://guyforget.net/phishteam/oldschool_extras/
Each show has it's own folder. All the shows released so far are out there.
I've also included the MD5s and TXT files.
If you distribute these SHNs, please include these extras.
You can visit this forum for comments made during the transfer/mastering/listening process:
http://guyforget.net/forums/viewforum.php?f=14
Each show has it's own thread
If you are interested, you can find them here:
http://guyforget.net/phishteam/oldschool_extras/
Each show has it's own folder. All the shows released so far are out there.
I've also included the MD5s and TXT files.
If you distribute these SHNs, please include these extras.
You can visit this forum for comments made during the transfer/mastering/listening process:
http://guyforget.net/forums/viewforum.php?f=14
Each show has it's own thread
Date: 07/26/2012
User:
geewiz010
FLAC fingerprints:
ph1990-05-06d1t01.flac:d19a5a772d3f81fdc33d06b809449ecd
ph1990-05-06d1t02.flac:ec760b7b40c3df07795924adac419245
ph1990-05-06d1t03.flac:c352ca2fd00b1cb31b62eb60e54ea9b0
ph1990-05-06d1t04.flac:ed0b37ba6dda060df3ac1daca41f09de
ph1990-05-06d1t05.flac:3b658631171a45a2fc21df9fe7a630b7
ph1990-05-06d1t06.flac:2a7b3a4291dd5fdbe6100f02ac1d3584
ph1990-05-06d1t07.flac:9e26be99a08539d0762c78288146fdaf
ph1990-05-06d1t08.flac:3449297b421968ad2d1d1eeb3810cbcb
ph1990-05-06d2t01.flac:04c063450a7317d8b4f6a342999c68b0
ph1990-05-06d2t02.flac:cba5bfb97fdb2d434435dc94165044d8
ph1990-05-06d2t03.flac:084b1060bcb37058087648b6ce773115
ph1990-05-06d2t04.flac:87641e3c46ae1cb4b9f2b551b06f4d65
ph1990-05-06d2t05.flac:54bcb95e67fab50a61ff31cbfc223aca
ph1990-05-06d2t06.flac:9a39d74e72e72ce9aaf55bf9fa64c9a6
ph1990-05-06d2t07.flac:9e6a5d0afbad98f866867e5b8db6fe91
ph1990-05-06d1t01.flac:d19a5a772d3f81fdc33d06b809449ecd
ph1990-05-06d1t02.flac:ec760b7b40c3df07795924adac419245
ph1990-05-06d1t03.flac:c352ca2fd00b1cb31b62eb60e54ea9b0
ph1990-05-06d1t04.flac:ed0b37ba6dda060df3ac1daca41f09de
ph1990-05-06d1t05.flac:3b658631171a45a2fc21df9fe7a630b7
ph1990-05-06d1t06.flac:2a7b3a4291dd5fdbe6100f02ac1d3584
ph1990-05-06d1t07.flac:9e26be99a08539d0762c78288146fdaf
ph1990-05-06d1t08.flac:3449297b421968ad2d1d1eeb3810cbcb
ph1990-05-06d2t01.flac:04c063450a7317d8b4f6a342999c68b0
ph1990-05-06d2t02.flac:cba5bfb97fdb2d434435dc94165044d8
ph1990-05-06d2t03.flac:084b1060bcb37058087648b6ce773115
ph1990-05-06d2t04.flac:87641e3c46ae1cb4b9f2b551b06f4d65
ph1990-05-06d2t05.flac:54bcb95e67fab50a61ff31cbfc223aca
ph1990-05-06d2t06.flac:9a39d74e72e72ce9aaf55bf9fa64c9a6
ph1990-05-06d2t07.flac:9e6a5d0afbad98f866867e5b8db6fe91
Add Show
Comments
Source Collectors
Related Artist Sources
History
Add Comment