Pearl Jam 04/03/1994
Fox Theater, Atlanta, GA
Source Summary
SV016: Sony Australia promo cd > cdr > dEdit > dEQ > flac (cuts in promo cd patched with pre-FM (satellite) > dat1 > cdr1)
SV016: Sony Australia promo cd > cdr > dEdit > dEQ > flac (cuts in promo cd patched with pre-FM (satellite) > dat1 > cdr1)
Other Sources
SHNID 23205 Pearl Jam Live Official Silver Bottom Sony...
SHNID 24093 pFM/dSBD > DAT > DATC-1 > mkwACT > .shn
SHNID 23205 Pearl Jam Live Official Silver Bottom Sony...
SHNID 24093 pFM/dSBD > DAT > DATC-1 > mkwACT > .shn
Pearl Jam
SV016 - "ATLANTA^3"
April 3, 1994
Fox Theater: Atlanta, GA
Show Source: Sony Australia promo cd > cdr > dEdit > dEQ > flac (cuts in promo cd patched with pre-FM (satellite) > dat1 > cdr1)
Aftershow Source: FM > analog (unknown gen) > flac > dEdit > flac (cuts in first analog source patched with second analog source FM > analog (unknown gen) > cdr > dEdit)
Digital Editing and Remastering (show): Bill Graham
Digital Editing (aftershow): Allen Robertson
Artwork: Allen Robertson and Soonforget
---------------------------
***DO NOT CONVERT TO MP3***
---------------------------
DISC ONE [79:34]
01 intro/An Ending (Ascent)
02 Release
03 Rearviewmirror
04 Whipping
05 Even Flow
06 Dissident
07 Why Go
08 Deep
09 Jeremy
10 "Abusing His Inner Child"
11 Glorified G
12 Daughter/(Another Brick in the Wall part II)
13 Go
14 Animal (&)
15 Garden
16 State of Love and Trust
17 Black
18 Alive
DISC TWO [71:50]
01 intro
02 Blood/(Not for You)
03 encore 1
04 W.M.A. (*)
05 "An Experiment"
06 Better Man
07 "Describe Ourselves"
08 Elderly Woman...
09 Rats/(Satan's Bed)
10 Satan's Bed (!)
11 "No Sponsors"
12 Once
13 encore 2
14 Ed's drum solo/improv
15 Sonic Reducer/(Detroit Rock City)
16 Porch/(Androgynous Mind)
17 encore 3
18 Indifference
DISC THREE: Eddie's DJ Aftershow Set [46:37]
01 "Are We On?"
02 Cigarettes (King's X)
03 "Switching Tapes"
04 I Only Play 4 Money (The Frogs)
05 "12:10 and Easter"
06 A Little Story (Daniel Johnson)
07 Joy Without Pleasure (Daniel Johnson)
08 Androgynous Mind (Sonic Youth)
09 Quest for the Cup (Sonic Youth)
10 "Buy the Record"
11 In the Blood (Mudhoney)
12 "12:23 and Lukin"
13 Disconnect (The Rollins Band)
14 "Selling Out"
15 Baby Drop (Shudder to Think)
16 "Rare Stuff"
17 Let Down, Left Out, Laughed At (Eleven)
18 Dock of the Bay (PJ w/ Steve Cropper @ Murfreesboro, TN 3/26/94)
19 "Sorry About the Mess"
---------------------------
***DO NOT CONVERT TO MP3***
---------------------------
(&) = Mike throws in a guitar snippet of the Rolling Stones' "Angie" right after the song.
(*) = Additional vocals by Doug Pinnick and octabons by Jerry Gaskill, both members of King's X.
(!) = First time played in full. The only version played before was a Not for You/Satan's Bed jam @ Louisville, KY on 3/24/94.
Recording Notes:
This is the best known source of this show, and has been lovingly put together after spending countless hours comparing a multitude of sources for the show. The DJ aftershow is not by any means a super recording, but it has been pieced together from two analog tapes to make it complete, and it has been included because it is interesting and has some great music. During some of Ed's talking you can hear another song playing in the background. This is most likely from "crosstalk" from a nearby radio station on the dial (it seems to only occur during Ed's talking for some reason).
Artwork Notes:
The artwork has been ideally designed by a three-cd "quad case", one of the fat cd cases. This has also been designed to also be really easy to drop the third disc and not use the "top tray", in order to put the show in a standard two-disc jewel case, if so desired. The booklet is made by printing both pages, front and back, and then stapling them together down the middle.
Show Notes (thanks to Five Horizons):
Jeff joins Kings' X, playing bass on the Hendrix cover, 'Manic Depression.' King's X vocalist Doug Pinnick and drummer Jerry Gaskill help out during 'WMA'. Some lyrics from 'Not for You' are thrown in at the end of 'Blood.' Prior to a super 'Sonic Reducer,' Ed starts playing drums and Dave announces, "Ladies and gentlemen, Dave Abbruzzese!" Jeff chimes in, "Otherwise known as 'Four Feet'." Dave then mocks the crowd's earlier chants of "Eddie, Eddie!" by mumbling "Ed" several times into the mic, before returning to the drum set. A bit of 'Satan's Bed' ("torture follows reward") is mixed into 'Rats.' Before 'Porch,' Ed says, "I think you won, but I enjoyed the fight," referring to a large banner handed to him, which reads, "Eddie vs. Atlanta." Meanwhile, the band is jamming to the Kiss song, 'Detroit Rock City.' During the long jam during the middle of this incredible version of 'Porch,' Ed throws his mic stand at a huge replica of the "boy on the cross" figurine (depicted in the Vs. book) hanging in the background. Ed dons a Cincinnati Bengals helmet and the gold bat wings and climbs the lighting rig above the stage. Staying there through most of the jam, he throws down a dummy wearing a similar outfit. The crowd screams, thinking that Ed has fallen, but he reappears, and starts singing again. Jeff kicks the dummy into the crowd where it is ripped to pieces. Ed returns to the stage using only his hands on the rope ladder with his feet dangling. A snippet of Sonic Youth's 'Androgynous Mind' is intermingled in 'Porch' (and the original played during Ed's DJ show later). The lights are turned up after 'Porch' and at least half of the crowd leaves, missing 'Indifference.' This show was broadcast on radio, as well as Ed's 45-minute DJ session from a van after the show. (The original Monkeywrench Radio?).
This is being distributed by blackredyellow.com, and is part of a series of the best Pearl Jam shows in existance.
If the artwork is not included, you can find it at blackredyellow.com.
Originally compiled by BLG on 12/03/03
More notes by spacedvest on 12/05/03
SV016 - "ATLANTA^3"
April 3, 1994
Fox Theater: Atlanta, GA
Show Source: Sony Australia promo cd > cdr > dEdit > dEQ > flac (cuts in promo cd patched with pre-FM (satellite) > dat1 > cdr1)
Aftershow Source: FM > analog (unknown gen) > flac > dEdit > flac (cuts in first analog source patched with second analog source FM > analog (unknown gen) > cdr > dEdit)
Digital Editing and Remastering (show): Bill Graham
Digital Editing (aftershow): Allen Robertson
Artwork: Allen Robertson and Soonforget
---------------------------
***DO NOT CONVERT TO MP3***
---------------------------
DISC ONE [79:34]
01 intro/An Ending (Ascent)
02 Release
03 Rearviewmirror
04 Whipping
05 Even Flow
06 Dissident
07 Why Go
08 Deep
09 Jeremy
10 "Abusing His Inner Child"
11 Glorified G
12 Daughter/(Another Brick in the Wall part II)
13 Go
14 Animal (&)
15 Garden
16 State of Love and Trust
17 Black
18 Alive
DISC TWO [71:50]
01 intro
02 Blood/(Not for You)
03 encore 1
04 W.M.A. (*)
05 "An Experiment"
06 Better Man
07 "Describe Ourselves"
08 Elderly Woman...
09 Rats/(Satan's Bed)
10 Satan's Bed (!)
11 "No Sponsors"
12 Once
13 encore 2
14 Ed's drum solo/improv
15 Sonic Reducer/(Detroit Rock City)
16 Porch/(Androgynous Mind)
17 encore 3
18 Indifference
DISC THREE: Eddie's DJ Aftershow Set [46:37]
01 "Are We On?"
02 Cigarettes (King's X)
03 "Switching Tapes"
04 I Only Play 4 Money (The Frogs)
05 "12:10 and Easter"
06 A Little Story (Daniel Johnson)
07 Joy Without Pleasure (Daniel Johnson)
08 Androgynous Mind (Sonic Youth)
09 Quest for the Cup (Sonic Youth)
10 "Buy the Record"
11 In the Blood (Mudhoney)
12 "12:23 and Lukin"
13 Disconnect (The Rollins Band)
14 "Selling Out"
15 Baby Drop (Shudder to Think)
16 "Rare Stuff"
17 Let Down, Left Out, Laughed At (Eleven)
18 Dock of the Bay (PJ w/ Steve Cropper @ Murfreesboro, TN 3/26/94)
19 "Sorry About the Mess"
---------------------------
***DO NOT CONVERT TO MP3***
---------------------------
(&) = Mike throws in a guitar snippet of the Rolling Stones' "Angie" right after the song.
(*) = Additional vocals by Doug Pinnick and octabons by Jerry Gaskill, both members of King's X.
(!) = First time played in full. The only version played before was a Not for You/Satan's Bed jam @ Louisville, KY on 3/24/94.
Recording Notes:
This is the best known source of this show, and has been lovingly put together after spending countless hours comparing a multitude of sources for the show. The DJ aftershow is not by any means a super recording, but it has been pieced together from two analog tapes to make it complete, and it has been included because it is interesting and has some great music. During some of Ed's talking you can hear another song playing in the background. This is most likely from "crosstalk" from a nearby radio station on the dial (it seems to only occur during Ed's talking for some reason).
Artwork Notes:
The artwork has been ideally designed by a three-cd "quad case", one of the fat cd cases. This has also been designed to also be really easy to drop the third disc and not use the "top tray", in order to put the show in a standard two-disc jewel case, if so desired. The booklet is made by printing both pages, front and back, and then stapling them together down the middle.
Show Notes (thanks to Five Horizons):
Jeff joins Kings' X, playing bass on the Hendrix cover, 'Manic Depression.' King's X vocalist Doug Pinnick and drummer Jerry Gaskill help out during 'WMA'. Some lyrics from 'Not for You' are thrown in at the end of 'Blood.' Prior to a super 'Sonic Reducer,' Ed starts playing drums and Dave announces, "Ladies and gentlemen, Dave Abbruzzese!" Jeff chimes in, "Otherwise known as 'Four Feet'." Dave then mocks the crowd's earlier chants of "Eddie, Eddie!" by mumbling "Ed" several times into the mic, before returning to the drum set. A bit of 'Satan's Bed' ("torture follows reward") is mixed into 'Rats.' Before 'Porch,' Ed says, "I think you won, but I enjoyed the fight," referring to a large banner handed to him, which reads, "Eddie vs. Atlanta." Meanwhile, the band is jamming to the Kiss song, 'Detroit Rock City.' During the long jam during the middle of this incredible version of 'Porch,' Ed throws his mic stand at a huge replica of the "boy on the cross" figurine (depicted in the Vs. book) hanging in the background. Ed dons a Cincinnati Bengals helmet and the gold bat wings and climbs the lighting rig above the stage. Staying there through most of the jam, he throws down a dummy wearing a similar outfit. The crowd screams, thinking that Ed has fallen, but he reappears, and starts singing again. Jeff kicks the dummy into the crowd where it is ripped to pieces. Ed returns to the stage using only his hands on the rope ladder with his feet dangling. A snippet of Sonic Youth's 'Androgynous Mind' is intermingled in 'Porch' (and the original played during Ed's DJ show later). The lights are turned up after 'Porch' and at least half of the crowd leaves, missing 'Indifference.' This show was broadcast on radio, as well as Ed's 45-minute DJ session from a van after the show. (The original Monkeywrench Radio?).
This is being distributed by blackredyellow.com, and is part of a series of the best Pearl Jam shows in existance.
If the artwork is not included, you can find it at blackredyellow.com.
Originally compiled by BLG on 12/03/03
More notes by spacedvest on 12/05/03
Comments
Date: 05/11/2004
User:
Nate
soulrock:
But before I jump on this one, could anybody explain to me why this version is better than the pre-fm DAT source? What exactly is better on this source? The preFM sounds flawless to me. I guess this promo source is mixed from the PreFM DAT soundboard. But why exactly is it better? And is it a big upgrade? I wanna know if I should use my bandwith for another definitive version...
spacedvest:
The main source used for this is the Sony Australian promo. It is the only known source that does not cut at the pre-FM and FM level. To be honest, I have no idea...I wonder if it is a true soundboard, but I don't know. But the fact is it doesn't cut. And if you listen to the Sony promo back-to-back with the pFM source, it just sounds better...the bass is more clear and it sounds much more solid. The pFM source was then applied to make the show complete, because the Sony Australian promo has some cuts.
I knew this would come up, and I understand. Really, the best thing you can do is download it, and listen to it yourself. I personally have spent countless hours on this project, as well as Bill, listening to all these sources. I think I listened to this show about 10 times in the last week alone. Anyway, just download it and see, and maybe you can post here and let us know what you think.
Leehro:
I should add that by "does not cut", he means that the other sources have been filtered, and do not have any frequencies higher than 16KHz or so, when CDs can reproduce frequencies up to 22KHz. The filtering is part of preparing the recording to be broadcast over FM. It's something you look for when you're trying to determine if a recording was MP3 sourced, or maybe FM sourced.
soulrock:
Thanks to Spacedvest and Leehro for the explanation.
So if I'm correct there are 4 sources now:
The FM source available on the commercial boots;
The Pre FM source which was torrented earlier this year;
The Dissident single which is of course incomplete but is professionaly mixed;
The Promo cd which is now being torrented and is mixed by unknown...
So now I wonder if the promo cd has the same sound as the Dissident single source? Oh well, I will hear it soon enough so you don't have to answer this question. ;-)
Leehro:
promo CDs have varying sources. i'm not a boot CD historian, but the popular 11/3/96 promos may be preFM, and not true soundboard. in that case, I'd stick with the preFM > DAT > SHN version, strictly because it's a better lineage. But again, i might be wrong.
It's always a good idea to investigate things yourself if you're not sure. If you've got a bunch of sources for 11/3/96, compare them! look at a spectral analysis, see what kind of filtering has been done. That's a good way to quantify your findings. Then you can listen to the better sources and try and judge a best.
But before I jump on this one, could anybody explain to me why this version is better than the pre-fm DAT source? What exactly is better on this source? The preFM sounds flawless to me. I guess this promo source is mixed from the PreFM DAT soundboard. But why exactly is it better? And is it a big upgrade? I wanna know if I should use my bandwith for another definitive version...
spacedvest:
The main source used for this is the Sony Australian promo. It is the only known source that does not cut at the pre-FM and FM level. To be honest, I have no idea...I wonder if it is a true soundboard, but I don't know. But the fact is it doesn't cut. And if you listen to the Sony promo back-to-back with the pFM source, it just sounds better...the bass is more clear and it sounds much more solid. The pFM source was then applied to make the show complete, because the Sony Australian promo has some cuts.
I knew this would come up, and I understand. Really, the best thing you can do is download it, and listen to it yourself. I personally have spent countless hours on this project, as well as Bill, listening to all these sources. I think I listened to this show about 10 times in the last week alone. Anyway, just download it and see, and maybe you can post here and let us know what you think.
Leehro:
I should add that by "does not cut", he means that the other sources have been filtered, and do not have any frequencies higher than 16KHz or so, when CDs can reproduce frequencies up to 22KHz. The filtering is part of preparing the recording to be broadcast over FM. It's something you look for when you're trying to determine if a recording was MP3 sourced, or maybe FM sourced.
soulrock:
Thanks to Spacedvest and Leehro for the explanation.
So if I'm correct there are 4 sources now:
The FM source available on the commercial boots;
The Pre FM source which was torrented earlier this year;
The Dissident single which is of course incomplete but is professionaly mixed;
The Promo cd which is now being torrented and is mixed by unknown...
So now I wonder if the promo cd has the same sound as the Dissident single source? Oh well, I will hear it soon enough so you don't have to answer this question. ;-)
Leehro:
promo CDs have varying sources. i'm not a boot CD historian, but the popular 11/3/96 promos may be preFM, and not true soundboard. in that case, I'd stick with the preFM > DAT > SHN version, strictly because it's a better lineage. But again, i might be wrong.
It's always a good idea to investigate things yourself if you're not sure. If you've got a bunch of sources for 11/3/96, compare them! look at a spectral analysis, see what kind of filtering has been done. That's a good way to quantify your findings. Then you can listen to the better sources and try and judge a best.
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