Mermen 02/27/2004
Half Moon Bay Brewing Co., Half Moon Bay, CA
Source Summary
Source: Schoeps MK4 NOS > KC5 > CMC6 > Lunatec V2 > Sonic AD2K+ (24bit/44.1K)>Digigram VXPocket > Sony Vaio using SoundForge 5.0, Brewery high-pass filtered using Waves LinEQ to knock down some wind noise (only audible between songs and not too bad), normalized using Waves L2 and dithered to 16 bit using UV22HR in Wavelab 4.0, tracked with CDWav, burned with CDRWin
Source: Schoeps MK4 NOS > KC5 > CMC6 > Lunatec V2 > Sonic AD2K+ (24bit/44.1K)>Digigram VXPocket > Sony Vaio using SoundForge 5.0, Brewery high-pass filtered using Waves LinEQ to knock down some wind noise (only audible between songs and not too bad), normalized using Waves L2 and dithered to 16 bit using UV22HR in Wavelab 4.0, tracked with CDWav, burned with CDRWin
Other Sources
The Mermen
2-27-2004
Half Moon Brewery - Half Moon Bay, CA
Set 1:
1983 (A Merman I Should Turn To Be), Unknown, Honeybomb (with Jack The ripper tease),
Raglan, Hammerhead, Miserlou
Set 2:
Harlem Nocturne, The Good The Bad & The Ugly, Neptune's Revenge, Madagascar,
Walking The Peach, "Sounds Like Neil Young"
Notes: Evening show for post-contest party, outdoors on patio
Source:
Schoeps MK4 NOS > KC5 > CMC6 > Lunatec V2 > Sonic AD2K+ (24bit/44.1K)>Digigram VXPocket >
Sony Vaio using SoundForge 5.0, Brewery high-pass filtered using Waves LinEQ to knock down
some wind noise (only audible between songs and not too bad), normalized using Waves L2
and dithered to 16 bit using UV22HR in Wavelab 4.0, tracked with CDWav, burned with CDRWin
2-27-2004
Half Moon Brewery - Half Moon Bay, CA
Set 1:
1983 (A Merman I Should Turn To Be), Unknown, Honeybomb (with Jack The ripper tease),
Raglan, Hammerhead, Miserlou
Set 2:
Harlem Nocturne, The Good The Bad & The Ugly, Neptune's Revenge, Madagascar,
Walking The Peach, "Sounds Like Neil Young"
Notes: Evening show for post-contest party, outdoors on patio
Source:
Schoeps MK4 NOS > KC5 > CMC6 > Lunatec V2 > Sonic AD2K+ (24bit/44.1K)>Digigram VXPocket >
Sony Vaio using SoundForge 5.0, Brewery high-pass filtered using Waves LinEQ to knock down
some wind noise (only audible between songs and not too bad), normalized using Waves L2
and dithered to 16 bit using UV22HR in Wavelab 4.0, tracked with CDWav, burned with CDRWin
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