Grateful Dead 07/03/1984
Starlight Theater, Kansas City, MO
Source Summary
Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row behind the sbd with microphones separated left/right by 10', and 14' high; recorded by Bill Reutelhuber
Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row behind the sbd with microphones separated left/right by 10', and 14' high; recorded by Bill Reutelhuber
Other Sources
SHNID 14909 AUD>MC>??>DAT>CDR; via Paul B; seeded to etree...
SHNID 31634 flac16 ; FOB, Nakamichi CM-300's with CP-4...
SHNID 77440 flac16 ; Source: *Nakamichi CM300's(with CP1...
SHNID 115108 flac16 ; Source: (FOB) Nakamichi CM-100 mics...
SHNID 118236 flac24 ; Master Audience Recorded By Mr....
SHNID 118238 flac16 ; Master Audience Recorded By Mr....
SHNID 123823 flac16 ; nak300>cp4>d5 no dolby; ots dfc mics...
SHNID 139105 flac16 ; Recording Info: SBD > PCM; Transfer...
SHNID 140013 flac24 ; Robert Bryant recording (patched out...
SHNID 140693 flac24 ; Set 2 Recording Info: SBD > PCM...
SHNID 141152 flac16 ; Robert Bryant recording (patched out...
SHNID 150307 flac16/44.1khz MAUD CA: Beyer M88's XY >...
SHNID 150308 flac24/48khz MAUD CA: Beyer M88's XY > Sony...
SHNID 163308 flac1648 Source Info: Stephen Thomas' Master...
SHNID 163309 flac2496 Source Info: Stephen Thomas'...
Grateful Dead 7-3-1984 Starlight Theatre, Kansas City, Missouri:
Master tape recorded by Bill Reutelhuber with Nak CM100 shotgun mics into a Sony
TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from
the 20th row behind the sbd with microphones separated left/right by ten feet and
fourteen feet high. Master transferred to digital by being played on a
Nakamichi Cassette Deck 1 with azimuth alignment into a Mytek Digital 8X96 ADC
at 24 bit depth and post-processed with Steinberg Nuendo using Waves plug-ins Q10,
and C4. Rendered down to a 16 bit file using Waves L2 Ultramaximizer.
DISC ONE
1st Set
Alabama>
Promised Land
Candyman
Cassidy
West L.A.
Brother Esau
Loser
Looks Like Rain>
Deal
DISC TWO
2nd Set
Scarlet>
Touch>
Fire>
Space>
Don't Need Love
Drums>
DISC THREE
Space>
Wheel>
Throwing Stones>
Not Fade Away
Encore
Day Job
Master tape recorded by Bill Reutelhuber with Nak CM100 shotgun mics into a Sony
TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from
the 20th row behind the sbd with microphones separated left/right by ten feet and
fourteen feet high. Master transferred to digital by being played on a
Nakamichi Cassette Deck 1 with azimuth alignment into a Mytek Digital 8X96 ADC
at 24 bit depth and post-processed with Steinberg Nuendo using Waves plug-ins Q10,
and C4. Rendered down to a 16 bit file using Waves L2 Ultramaximizer.
DISC ONE
1st Set
Alabama>
Promised Land
Candyman
Cassidy
West L.A.
Brother Esau
Loser
Looks Like Rain>
Deal
DISC TWO
2nd Set
Scarlet>
Touch>
Fire>
Space>
Don't Need Love
Drums>
DISC THREE
Space>
Wheel>
Throwing Stones>
Not Fade Away
Encore
Day Job
Comments
Other Sources (comments)
AUD>MC>??>DAT>CDR; via Paul... (0)
flac16 ; FOB, Nakamichi... (0)
flac16 ; Source:... (0)
flac16 ; Source: (FOB)... (0)
flac24 ; Master Audience... (0)
flac16 ; Master Audience... (0)
flac16 ; nak300>cp4>d5 no... (0)
flac16 ; Recording Info:... (0)
flac24 ; Robert Bryant... (0)
flac24 ; Set 2 Recording... (1)
flac16 ; Robert Bryant... (0)
flac16/44.1khz MAUD CA:... (0)
flac24/48khz MAUD CA:... (0)
flac1648 Source Info:... (0)
flac2496 Source Info:... (0)
AUD>MC>??>DAT>CDR; via Paul... (0)
flac16 ; FOB, Nakamichi... (0)
flac16 ; Source:... (0)
flac16 ; Source: (FOB)... (0)
flac24 ; Master Audience... (0)
flac16 ; Master Audience... (0)
flac16 ; nak300>cp4>d5 no... (0)
flac16 ; Recording Info:... (0)
flac24 ; Robert Bryant... (0)
flac24 ; Set 2 Recording... (1)
flac16 ; Robert Bryant... (0)
flac16/44.1khz MAUD CA:... (0)
flac24/48khz MAUD CA:... (0)
flac1648 Source Info:... (0)
flac2496 Source Info:... (0)
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