Loading...

Grateful Dead 02/27/1981

Uptown Theater, Chicago, IL
SHNID 28384
Source Summary
flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell
Entered by Matt Vernon
Checksums flac-md5, ffp
Disc Counts 2 / 3
Media Size
Date Circulated
Date Added
2/27/05
02/28/2005
Downloads Download Text | Download Zip
Archive Identifier gd1981-02-27.mtx.chappell.sb02b.28384.sbeok.flac16 ↗

Other Sources
SHNID 4598 SBD > Cassette master > DAT(0) (Cassette>DAT...
SHNID 20344 Taped by Barry Glassberg: Nak700>Sony TCD5M,...
SHNID 127511 flac24 ; Recorded 1st row balcony Sony TCD-5M>...
SHNID 128712 flac16 ; Recorded By Mason Taylor on a...
SHNID 130386 flac16 ; Matrix by Hunter Seamons using Final...
SHNID 139731 flac16 ; Source Info: Frank Streeter's Master...
SHNID 139732 flac24 ; Source Info: Frank Streeter's Master...
SHNID 176326 flac16 ; Source Info: Master Soundboard...
SHNID 176366 flac1648 Barry Glassberg's Master Audience...
SHNID 176367 flac2496 Barry Glassberg's Master Audience...
Grateful Dead
Uptown Theater
Chicago, IL
2-27-81
Sick Bits Vol. 2b

Source: Matrix:

SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick) >
DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)>
CD Architect > Master CDR (by Jim Wise) > CDR Master > EAC in secure mode >
Soundforge (minor editing and crossfading) > CDWAV > SHNv3
w/seek tables appended (by Jamie Lutch)

AUD Master: Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B.

Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) >
Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal

Encoding: EAC(secure) > CDWAV > mkwact > SHN(seekable) by Matt Vernon


[complete text files for each source appended at end]

Transfer/Editing:
All sources were snh files downloaded from LMA and converted to
WAV > Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
ScarFire@liquidcity.com
2/26/05

Set 1:
d1t01 - Crowd/tuning
d1t02 - Alabama Getaway >
d1t03 - The Promised Land
d1t04 - Friend Of The Devil
d1t05 - Cassidy
d1t06 - Loser
d1t07 - C C Rider
d1t08 - It Must Have Been The Roses
d1t09 - New Minglewood Blues

Set 2:
d2t01 - Crowd/tuning
d2t02 - Scarlet Begonias >
d2t03 - Fire On The Mountain >
d2t04 - Estimated Prophet >
d2t05 - Eyes Of The World >
d3t01 - Drums >
d3t02 - Space >
d3t03 - Not Fade Away >
d3t04 - Wharf Rat >
d3t05 - Sugar Magnolia

Encore:
d3t06 - Don't Ease Me In

Total Times:
Disc 1 [58:01]
Disc 2 [48:14]
Disc 3 [54:02]


General Notes:

Given the multiple sources available on the Llama, I decided to put the
effort into editing a matrix of all three nights from this wonderful run
at the Uptown. The Glassberg AUDs are very nice and full, standing on
their own as excellent representative recordings.  The SBD sources of all
three nights have the reputation of being some of the crispiest boards
out there, and after a simple test on the Ship O' from the 3rd night I was
motivated to dive into editing land. The result is a worthwile listen,
especially when you turn it up.

Timeline/Tracking Notes:

The only music that is missing is the encore from the SBD source.  
The transition between the disc 2 and 3 can be put together seemlessly.

Editing Notes:

- Pitch
Both sources were pitched differently, the AUD being the sharpest,
and the SBD being the flatest.  I used the SBD as my master timeline
and pitch referenced the AUD to it. The AUD on average had to be pitched
down about -.14 (14 cents) in the first set, and about -.03 (3 cents) in
the second set, to achieve pitch correction - 1.00 being 100 cents which
is a semitone.  I did not reference A=440 as I did not desire to pitch
adjust the SBD.  It is very close though to A=440.

- Synch
Because of the speed fluctuation within a given source, multiple edits
were performed to keep the sources synched.  Because the SBD was my
master pitch and time ref, the AUD was synched to the SBD (too many
edits to list).

- Sonic Quality/Matrix ratio
I did choose to employ a slight amount of limiting to the SBD (Waves L2)
to give it a slight amount of punch and presence. Conceptually,  all
I was trying to do here is to add some dimension to the SBD, which is
pretty dry but very crisp, by using the ambience of the AUD. The result
is a lively but clear recording, hopefully close to how it sounded at
the show. If I had to guess the SBD/AUD ratio would be somewhere between
3:1 and 4:1, leaning more towards the 4:1 end of things.

- Edits
The following are places where the SBD and AUD had holes or
incomplete coverage in reference to the final matrix timeline.

SBD:
d1t01 (0:00:00 - 1:51:64) - missing (crowd)
d1t03>4 (4:30:20 - 0:07:49) - missing (mostly crowd)
d1t04 (8:51:64 - 10:00:16) - missing (crowd)
d1t05 (5:41:14 - 6:36:04) - missing (crowd)
d1t06 (8:31:42 - 08:39:06) - missing (crowd)
d1t07 (7:26:32 - 8:28:57) - missing (crowd)
d2t01 (0:00:00 - 2:22:15) - missing (crowd/tuning)
d2t05 (9:50:60 - 9:59:15) - missing (crowd)
d2t06 (2:08:07 - 2:17:60) - missing (tape flip)
d3t04>5 (10:57:09 - 0:07:12) - missing (tape flip)
d3t05 (8:18:61 - 9:44:72) - missing (crowd)
d3t06 (0:00:00 - 3:27:72) - missing all

AUD:
d1t07 (0:00:00 - 0:18:35) missing
d2t05 (6:53:16 - 7:00:41) missing (tape flip)

Note that alot of the missing elements from the SBD source are just
crowd segments in between songs in the first set. The whole encore is
missing from the SBD, but other than that, all of the music is intact.

Thanks to Dick Latvala for transfering the SBD casette master to DAT,
Jim Wise for the noise reduction and conversion to CDR, and Jamie Lutch
for minor editing and shn conversion. Thanks to Barry Glassberg for
recording the AUD source, and John Steinthal for converting it to CDR,
Mark Cohen for supplying the discs, and Matt Vernon for the shn conversion.
Thanks to Jonathan Aizen for uploading both source

Comments

Date: 03/14/2005
FLAC Fingerprint:

gd81-02-27d101.flac:64bb5daf796f6af9d7fc5b5b6671a112
gd81-02-27d102.flac:bac7ef68953d029dd0117fc55a6ae11a
gd81-02-27d103.flac:22457751a18284c99ba76ec07d4939e0
gd81-02-27d104.flac:d26e177a7e5f302eaf0f5fe3e7e76b2c
gd81-02-27d105.flac:4a125134783993487cfb638bac4a4907
gd81-02-27d106.flac:297c303262407b6ab1ebd1a2f435c448
gd81-02-27d107.flac:3c5292870974c70aafc7eceb398aa4e7
gd81-02-27d108.flac:e68804080d131bd51e582da3a3672e11
gd81-02-27d109.flac:f9f27cc07881178727a9c249feaf4974
gd81-02-27d201.flac:6f8650ab3ef3f7d1568232f53c4b4515
gd81-02-27d202.flac:3e5f6149679f124d20dac1e37c41534e
gd81-02-27d203.flac:164acc70efc235820b60493a225edc53
gd81-02-27d204.flac:eba26f7e49a05336169f5dcb2dd44cd0
gd81-02-27d205.flac:d3f8fcff562042d69f138f4e6ffaa26c
gd81-02-27d301.flac:39e652f50ad115f0a268059e6069ed8a
gd81-02-27d302.flac:7e34df88f81ec2678386871d3f30a814
gd81-02-27d303.flac:f13db98d2869b9a73ac83c06d2161fe6
gd81-02-27d304.flac:6c2da4f46ec19951fb056f3043c31c3e
gd81-02-27d305.flac:ebf56f654e6ea21c36e461337188846e
gd81-02-27d306.flac:7da057c8101668b11aec60633f5beba2