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Edie Brickell 06/05/1996

Barley House, "Barleypalooza", Dallas, TX
SHNID 28581
Source Summary
The Slip

SBD/AUD matrix > DAT @ 44.1kHz; DA-20 MK II > S/PDIF > Audiophile 2496 > Sound Forge > flac16
Entered by Mark Domyancich
Checksums d1.ffp
Disc Counts 1 / 1
Media Size
Date Circulated
Date Added
03/11/05
03/11/2005
Downloads Download Text | Download Zip
Archive Identifier bn1996-06-05.sbd.aud.flac16 ↗

Other Sources
Edie Brickell & The Slip
6/5/1996
Barley House, "Barleypalooza," Dallas, TX

Source: SBD/AUD matrix > DAT @ 44.1kHz
Conversion: DA-20 MK II > S/PDIF > Audiophile 2496 > Sound Forge > flac16
DAT provided by: Eric Schwartz
Converted by: Mark Domyancich (mark.domyancich@gmail.com)

***DO NOT ENCODE TO MP3 OR ANY OTHER LOSSY FORMAT***

CD 1:                     [44:08.07]

1. Shenandoah             [05:00.66]
2. Girl In A Magazine     [05:32.30]
3. Invisible Man          [05:45.01]
4. Red Eyes               [04:50.11]
5. Cannonball             [06:46.64]
6. Shy                    [03:53.12]
7. Jeanine                [07:02.63]
8. Reason 2009            [05:16.60]

Notes:
-This band was Edie's project after her solo album in 1994. It included former
New Bohemians bandmates Kenny Withrow on guitar, John Bush on drums, and local
Dallas musicians Scott Johnson on bass and Zac Baird on keyboards. The band
performed a handful of dates between March and October of 1996 but disbanded
after their album "Give 'Em The Slip" was turned down from Geffen. "Girl In A
Magazine" and "Invisible Man" from that album are available on "Edie Brickell &
New Bohemians: Ultimate Collection" from Hip-O Records.
-This fileset is named "ebs," although the band name was simply The Slip.
However since there is already a band around today with the same name, I
decided to go with this one.
-DAT was unlabeled, however it's safe to assume this is a SBD/AUD matrix like
the other Slip shows (mics are unknown).
-Diginoise in the left channel removed on d1t04 at 00:40.

Comments

Date: 07/26/2010
Stan Smith says mic choice at Barley House was usually AT 4041 (cardioid) though there were some experiments: Shure 98's, AT 822, Crown PZM's over the stage in a Jecklin-type array; also says it sounds like the 4041s, ORTF on right side of stage and Wayne's Allen & Heath console because EQ sounds different.